Four songs for UNison voices and piano. Betty Roe has used her extraordianry talents in this fabulous setting of Leonard Clark's poems. A splendid marriage of interesting dynamic text with wonderful melodies. Four songs for UNison voices and piano. Betty Roe has used her extraordianry talents in this fabulous setting of Leonard Clark's poems. A splendid marriage of interesting dynamic text with wonderful melodies.

Next is a work by Nico Muhly which sets words by Andrew Solomon for High Voice and Piano. A performance of this lasts around 5 minutes. Next is a work by Nico Muhly which sets words by Andrew Solomon for High Voice and Piano. A performance of this lasts around 5 minutes.

Melodies By Women Composers-The solos in this book are all based on melodies composed by women. They are especially well suited to performance on the flute and they provide excellent material for developing skills in rapid tonguing extended breath-control and phrasing. Three of the world's most famous melodies are here: Mildred Hill's Happy Birthday (originally Good Morning to You) Euphemia Allens' Chopsticks (originally The Celebrated Chop Waltz) and Effie Corckett's Rock-a-Bye Baby. Less well known delights include Faustina Hodges' Because I'm Twenty-Five and Florence Percy's Fly Away as well as Amanda Aldridge's Dance of the Warriors and the list goes on and on. A separate recorderedition is available. The solos in this book are all based on melodies composed by women. They are especially well suited to performance on the flute and they provide excellent material for developing skills in rapid tonguing extended breath-control and phrasing. Three of the world’s most famous melodies are here: Mildred Hill’s 'Happy Birthday' (originally 'Good Morning to You') Euphemia Allens’ 'Chopsticks' (originally 'The Celebrated Chop Waltz') and Effie Corckett’s 'Rock-a-Bye Baby.' Less well known delights include Faustina Hodges’ 'Because I’m Twenty-Five' and Florence Percy’s 'Fly Away ' as well as Amanda Aldridge’s 'Dance of the Warriors' and the list goes on and on. A separate recorderedition is available.

The much loved song arranged for Viola and Piano by Alan Arnold. The much loved song arranged for Viola and Piano by Alan Arnold.

Danza Espanola No. 6 'Rondalla Aragonesa' composed by Granados transcribed for the guitar by Jose de Azpiazu.

It is well known that Chopin almost exclusively wrote works for solo piano. Only for the cello did he make some exceptions: two works – a Polonaise brillante and the Duo Concertant (HN 788) were written for cello and piano and he also let the cello express itself in his Piano Trio op. 8 (HN 1068). Finally towards the end of his life he honored the low-stringed instrument with a grand four-movement Sonata in g minor. Proof that it was anything but child’s play is provided by the extensive sketch material. Chopin himself claimed: “With my cello sonata I am now satisfied and now dissatisfied. I toss it into the corner then pick it up again.” Today we only have an inklingabout this struggle. The sonata with its famous melodic Largo movement is now firmly embedded in the canon of cello literature. An Urtext Edition of Frederic Chopin's Cello Sonata In G Minor Op.65 as edited by Ewald Zimmermann. Piano fingering by Klaus Schilde and Cello fingering and bowing by Claus Kanngiesser.

Franz Joseph Haydn 's Piano Trios 2nd Volume for Violin Cello and Piano. Urtext edition score and parts.

This book was created to help drummers improve their abilities to play great drum fills. The material presented was originally developed over the course of several years as a result of the needs and requests of many of my students. As drummers practice playing fills it becomes apparent that there are a variety of issues that need to be addressed. To play fluent and creative fills a drummer needs a strong foundation of basic fill concepts the technique to execute the fill and musical ideas for the content of the fill. Without these key elements playing fills can be a source of difficulty and frustration. To further illustrate this idea in some cases a drummer maypractice a particular lick or sticking pattern to a high degree of physical execution but does not have a clear understanding of how to apply it well within a musical phrase. The opposite is also sometimes true a drummer may understand a simple rhythmic idea and play it very well as a fill but doesn't quite know how to employ more interesting techniques or sounds into the phrase and get something else out of it. The goal of this book is to help drummers achieve a balance in these necessary skills. This book presents a diverse collection of studies and exercises that clarify the basics of drum fills develop more advanced and specific techniques to use in fills and present many ideas for musical phrases using the techniques. The studies are presented in an order that follows a natural progression of ability however the exercises do not need to be played in the order they are presented. Students and teachers can select exercises to design a curriculum that fits a student's needs as their skills develop. With each set of exercises you will find descriptions tips and practice instructions. Sometimes they are written for each individual study and when appropriate they are written for the entire chapter. Be sure to read the text that accompanies each part of this book to get the most out of the exercise. This book was created to help drummers improve their abilities to play great drum fills. The material presented was originally developed over the course of several years as a result of the needs and requests of many of mystudents. As drummers practice playing fills it becomes apparent that there are a variety of issues that need to be addressed. To play fluent and creative fills a drummer needs a strong foundation of basic fill concepts thetechnique to execute the fill and musical ideas for the content of the fill. Without these key elements playing fills can be a source of difficulty and frustration. To further illustrate this idea… In some cases a drummer maypractice a particular lick or sticking pattern to a high degree of physical execution but does not have a clear understanding of how to apply it well within a musical phrase. The opposite is also sometimes true a drummer mayunderstand a simple rhythmic idea and play it very well as a fill but doesn't qui

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

The exhilarating arrangement of our National Anthem as sung by Whitney Houston at Super Bowl '91! Whitney's arranger John Clayton Jr. has adapted his contemporary orchestral score for choir and band. Available: SATB SAB 2-Part Concert Band. Performance Time: Approx. 2:15.

Simon Foxley has arranged this most durable of inspirational songs for SATB choir with piano accompaniment. Amazing Grace arranged by Simon Foxley. this most enduring of inspirational songs is scored for SATB and Piano Accompaniment. Originally composed as a hymn by John Newton in the late 1770s it slowly drifted into secular use to become one of the most famous songs in the world after being set to its defining melody in the 1840s.

TTBB (Choral Score). Steffen W

This hauntingly beautiful piece is extracted from Rutter's large-scale work Visions. The expressive solo line features long phrases double stopping in thirds and sixths and a quasi-improvised section making it an ideal concert work for advanced Flautists.

Bob Chilcott 's The Snow Is Fled for SATB Flute Clarinet and Piano. The snow is fled is a beautiful setting of an English translation of one of Horace's Odes. Chilcott employs a variety of choral textures crunchy harmonies and a rippling triplet Piano accompaniment to complement the imagery of Horace's ode to nature and the cycle of the seasons. Mellifluous countermelodies from the Flute and Clarinet add further colour to the overall picture.

Haines Rob-Mastering the Lap Steel Guitar will take you from beginner basics such as tuning right hand blocking and holding the bar to advanced techniques including bar slants harmonics string pulls and more. Licks songs and the Nashville Number System are covered with additional tips and tricks Rob Haines has acquired in over 40 years of playing professionally. The book is written in standard notation as well as tablature and includes access to online video. Mastering the Lap Steel Guitar will take you from beginner basics such as tuning right hand blocking and holding the bar to advanced techniques including bar slants harmonics string pulls and more. Licks songs and theNashville Number System are covered with additional tips and tricks Rob Haines has acquired in over 40 years of playing professionally. The book is written in standard notation as well as tablature and includes access to onlinevideo.

With Online Audio-From the author of Mel Bay's best-selling book Learn to Play Fingerstyle Solos for Ukulele we are proud to present Favorite Fingerstyle Solos for Ukulele. This book and accompanying audio offer a variety of fingerstyle solos for the ukulele. The music stretches across several styles including Hawaiian ragtime bossa nova and classical. The solos progress in difficulty and tips on technique are included along the way. More advanced arrangements introduce chord inversions and different rhythmic approaches for the right hand. Thirty-three arrangements are presented in standard notation and tablature. Transposition charts are included for baritone ukulele. Includes accessto online audio. From the author of Mel Bay's best-selling book Learn to Play Fingerstyle Solos for Ukulele we are proud to present Favorite Fingerstyle Solos For Ukulele . This book and accompanying audio offer a variety offingerstyle solos for the Ukulele. The music stretches across several styles including Hawaiian ragtime bossa nova and classical. The solos progress in difficulty and tips on technique are included along the way. Moreadvanced arrangements introduce chord inversions and different rhythmic approaches for the right hand. Thirty-three arrangements are presented in standard notation and tablature. Transposition charts are included for baritoneukulele. Includes access to online audio.

Set of 6 Cello Parts Kolmar-The Angel in the Forest' was premiered in St James’s Church Piccadilly in January 2010 by James Gilchrist (tenor) a cello sextet led by Sophie Harris and the Schoolhouse 6 Ensemble conducted by Ian Belton. Julian Marshall's The Angel In The Forest for Cello sextet.

For solo Soprano Piano and String Quartet. For solo Soprano Piano and String Quartet.

Favorite Old-Time American Songs For Ukulele features over 100 traditional American Folk songs arranged for the Ukulele with chord diagrams and melody lines in tablature and standard notation. This vast collection makes Favorite Old-Time American Songs For Ukulele a treasury of the best songs from the American tradition. Nothing in this book is out of range for beginner Ukulele players. The songs are in keys that are both easy to sing and that fit the melodic range of the Ukulele. Of course not every Voice sings comfortably in every key so information on transposition and a short discussion for players of the Baritone Ukulele are included. Although you do not need to readmusic or tablature to use this book short introductions to each are included. In putting together this collection arranger Mark Nelson was inspired by the old American practice of making a sampler an endearing needlework design showing off various stitches and techniques. Favorite Old-Time American Songs For Ukulele presents a sampling of the best American songs for people working in schools churches hospitals and other public performance spaces or for anyone wishing to expand their repertoire and brush up on a few old songs. The huge collection of songs consist of a little of everything; sentimental old hearth songs laments and lullabies ballads and play-parties the sacred and profane can all be found inside this book. Favorite Old-Time American Songs For Ukulele features over 100 traditional American Folk songs arranged for the Ukulele with chord diagrams and melody lines in tablature and standard notation. This vastcollection makes Favorite Old-Time American Songs For Ukulele a treasury of the best songs from the American tradition. Nothing in this book is out of range for beginner Ukulele players. The songs are in keys thatare both easy to sing and that fit the melodic range of the Ukulele. Of course not every Voice sings comfortably in every key so information on transposition and a short discussion for players of the Baritone Ukulele areincluded. Although you do not need to read music or tablature to use this book short introductions to each are included. In putting together this collection arranger Mark Nelson was inspired by the old Americanpractice of making a sampler an endearing needlework design showing off various stitches and techniques. Favorite Old-Time American Songs For Ukulele presents a sampling of the best American songs forpeople working in schools churches hospitals and other public performance spaces or for anyone wishing to expand their repertoire and brush up on a few old songs. The huge collection of songs consist of a little ofeverything; sentimental old hearth songs laments and lullabies ballads and play-parties the sacred and profane can all be found inside this book.

(Trias) by Evis Sammoutis was first performed 29 June 2003 at Tanglewood Festival USA by Tanglewood Music Centre Fellows & Laura Jackson conductor. 10'; for clarinet (doubling bass clarinet) horn percussion and cello