Henry Purcell's Sound The Trumpet in the key of D for two Altos with Piano accompaniment. Henry Purcell's Sound The Trumpet in the key of D for two Altos with Piano accompaniment.

The profound text of this communion piece was written by the composer and is a moving commentary on the symbolism of that sacred feast and what it means to the life of the believer. Warm inviting melodies; rich deep harmonies;and dramatic dynamic contrasts draw the listener to the Lord's table and toward a truer understanding of the communion sacrament. Come and Feast is worshipful and profoundly moving.

Contents: Air œ Andante œ Andante œ Bourree œ Bourree œ Gigue œ Hornpipe œ Lentement œ Minuet (2) œ Rigaudon. Handel originally arranged the Water Music in three suites. The first seven pieces presented in this edition are taken from the first two of these suites and are arranged in order of difficulty. The final group of five pieces comprises the entire third suite which has therefore been left in Handel's original order.

This piece can be performed with either TTBB or SATB and brass. Brass set of parts available separately: 48001350.

Lunae by Sadie Harrison Four Nocturnes for solo piano: I ...around and a round... II Lachrymae: 'Love is the silence in which I remember and repeat you' III Of stars and nightingales IV Sufficit lumen in tenebris 14'-15' for solo pianoforte Lunae by Sadie Harrison Four Nocturnes for solo piano: I ...around and a round... II Lachrymae: ?Love is the silence in which I remember and repeat you? III Of stars and nightingales IV Sufficit lumen in tenebris 14'-15'; for solo pianoforte

A 1962 bluesy pop classic for Skeeter Davis The End Of The World has now been re-imagined for choirs in this Novello choral pop specially arranged by Patrick Gazard for SAB chorus with piano accompaniment. Choirs will love rediscovering this beautiful song from a completely new musical perspective. A 1962 bluesy pop classic for Skeeter Davis The End Of The World has now been re-imagined for choirs in this Novello choral pop specially arranged by Patrick Gazard for SAB chorus with piano accompaniment. Choirs will love rediscovering this beautiful song from a completely new musical perspective.

The Vocal Score for I Know The Music composed by Patrick Hawes former composer in residence for Classic FM. This work is arranged for Soprano Soloist SATB Chorus and Piano. Commissioned by Aliquando Choir for the town of Henley-on-Thames and the wider community Patrick Hawes composed this for the memory of those who served their country in times of war. I Know The Music was premiered on the 8th of November 2014 in St Mary's Church in Henley-on-Thames by Aliquando Choir the Soprano Meryl Davies West Forest Sinfonia all conducted by the composer himself Patrick Hawes . The piece is a setting of a Wilfred Owen poem of the same name which describes the soundsof the battlefield as musical a lament for the loss of beauty in a time of unimaginable tragedy. This work is accompanied by String Orchestra you can purchase the Full Score here. The Vocal Score for I Know The Music composed by Patrick Hawes former composer in residence for Classic FM. This work is arranged for Soprano Soloist SATB Chorus and Piano. Commissioned by Aliquando Choir for the town of Henley-on-Thames and the wider community Patrick Hawes composed this for the memory of those who served their country in times of war. I Know The Music was premiered on the 8th of November 2014 in St Mary's Church in Henley-on-Thames by Aliquando Choir the Soprano Meryl Davies West Forest Sinfonia all conducted by the composer himself Patrick Hawes . The piece is a setting of a Wilfred Owen poem of the same name which describes the sounds of the battlefield as musical a lament for the loss of beauty in a time of unimaginable tragedy. This work is accompanied by String Orchestra you can purchase the Full Score here.

Moeran based Lonely Waters on the fragment of a song from the Broads of East Norfolk. This flowing atmospheric work is dedicated to Ralph Vaughn Williams and recalls Moeran’s Norfolk boyhood and the folksongs he collected from East Anglia.E J Moeran was a 20th century British composer of Anglo-Irish background who spent his early years in Norfolk. Influences of folksong and programmatic elements can be easily heard in this composer’s main body of work. Moeran tended toward the smaller ensembles in his composition which gave an appropriate frame for his great lyric gifts.

Opéra comique in four acts-“Carmen” is one of the most frequently performed operas in the world and the genesis of the work is exceptionally well documented. In spite of this none of the editions published after the composer’s death correspond to his intentions. Now Didion’s edition of which a piano reduction (ED 7965) has already been published at last reproduces the work as intended by Bizet. This new edition of the score draws on detailed study of sources not previously used. Carmen is one of the most frequently performed operas in the world and the genesis of the work is exceptionally well documented. In spite of this none of the editions published after the composer's death correspond to his intentions. Now Didion's edition of which a piano reduction (ED 7965) has already been published at last reproduces the work as intended by Bizet. This new edition of the score draws on detailed study of sources not previously used.

A setting of the poem The Oxen by Thomas Hardy for mixed chorus rich with spirit and wonder of Christmas Eve.

With Online Audio-The two southern-most counties in Ireland Cork and Kerry have legendary music and dance traditions. On the border of these two counties a rural area called Sliabh Luachra is especially well-known for its fiddle tunes and itinerant fiddle teachers. When speaking of this area's fiddle music some describe a special lilt or backbeat or they talk about the special role of set dances but the most often-expressed quality relates to the frequent use of slides and polkas. This book features transcriptions of 107 tunes as played by three of the region's most distinguished fiddlers: Padraig O'Keeffe Denis Murphy and Connie O'Connell. Each fiddler is profiled followed by acollection of meticulously transcribed tunes and annotations. Includes access to online audio of 30 of these tunes played solo by Connie O'Connell. The two southern-most counties in Ireland Cork and Kerry have legendary music and dance traditions. On the border of these two counties a rural area called Sliabh Luachra is especially well-known for its fiddle tunes anditinerant fiddle teachers. When speaking of this area's fiddle music some describe a special lilt or backbeat or they talk about the special role of set dances but the most often-expressed quality relates to the frequent use ofslides and polkas. This book features transcriptions of 107 tunes as played by three of the region's most distinguished fiddlers: Padraig O'Keeffe Denis Murphy and Connie O'Connell. Each fiddler is profiled followed by acollection of meticulously transcribed tunes and annotations. Includes access to online audio of 30 of these tunes played solo by Connie O'Connell.

Passion Music continues the fusion of jazz and choral music so successfully blended in Will Todd's Mass in Blue . The structure highlights different points in the Passion story beginning with a new setting of 'Greater love has no man' and including an evocative Stabat Mater a movement focusing on the seven last words of Christ and a setting of 'Were you there when they crucified my Lord?'. While some sections are reflective Todd also makes full use of his understanding of energetic jazz and gospel. The vocal soloist is given plenty of expressive freedom singing both with the choir and independently to achieve the characteristic jazz-soulstyle. The seven-piece jazz accompaniment which is presented in the vocal score as a piano reduction for rehearsal only completes the ensemble. The full score and set of parts for the jazz accompaniment are available on sale and hire. A complete backing track and individual rehearsal tracks for the vocal parts are also available to download.

From An English Folk Song By Simon Bainbridge For Soprano 2 Clarinets Viola And Cello. Full Score And Parts. From An English Folk Song by Simon Bainbridge for Soprano 2 Clarinets Viola and Cello. Full score and parts.

Rumores de la caleta' (Malaguena) by Albeniz No.6 from 'Recuerdos de Viaje' transcribed for 2 guitars by Miguel Llobet.

Here is a masterful collection by composer/arranger Joseph Martin. Christmas Tapestry is well-named consisting of fifteen finely crafted tapestries for the mature pianist. Songs include: In the Bleak Midwinter Awayin a Manger Joy to the World Fantasy on O Come Little Children Coventry Carol Still Still Still (A Christmas Berceuse) Children Go Where I Send Thee/Go Tell It on the Mountain and more!

A serenade for Flute and Piano by Xavier Montsalvatge.

An arrangement for 8 Cellos (or multiples thereof) by Samuel Adler.

For Flute Clarinet Horn Piano Percussion Violin Viola Cello and Double Bass. Score. For Flute Clarinet Horn Piano Percussion Violin Viola Cello and Double Bass. Score.

David Bednall 's Tota Pulchra Es for SSATB unaccompanied. This simple and exquisite miniature keeps the text the fourth-century Latin Hymn to the Virgin Mary at the fore with instructions from the composer to accent the melodic lines according to word stress rather than position in the bar. The musical style is a fusion of old and new with plainchant-like melodies and tonality set against expressively dissonant contemporary harmonies. Tota pulchra est was recorded by The Epiphoni Consort on the CD David Bednall: Sudden Light (Delphian DCD34189)

Song For The Duke Of Gloucester's Birthday 1695 (Full Score)- Henry Purcell (1659-1695) held numerous appointments at the Royal court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output. One of Purcell ’s last pieces Who Can From Joy Refrain? (Z 342) was written for the 6th birthday of Prince William Duke of Gloucester in June 1695. The Prince was said to enjoy the brash tone of the Trumpet so the prominent Trumpet part was written especially for him. Unusually Purcell also made use of therecently-introduced Oboe and Bassoon. A real asset to the catalogue A Song For The Duke Of Gloucester's Birthday showcases the very best of Purcell’s genius.