Johannes Brahms ' Piano Pieces Op. 118 .

It was not his large piano sonatas but rather his short characteristic pieces that established Franz Schubert’s fame. Like his art songs they too are full of spontaneous lyrical inspiration. The two greatly charming Scherzi D. 593 presumably composed already in 1817 stand at the threshold of Schubert’s phase of dance compositions for the piano. The first dance-like graceful Scherzo is in B-flat major. The second more emotional Scherzo in D-flat major has a Ländler-like A-flat major trio as its middle section. The preface and critical report provide information on the source situation of this accurate Urtext edition.

Jo Kondo's A Straw Hat Dance arranged for harp.

für Klavier vierhändig- Johannes Brahms ' Waltzes Op. 39 .

This book is an attempt to capture the highlights of twenty-eight years of composing. Each of these 32 compositions is an expression and as such -- an exposure of a genuine part of myself which I present within the framework of jazz: my beloved art form. When I listen to this music I hear shades of my early classical and rock influences. It also brings to my mind my birth place a small neighborhood outside of Haifa Israel. I really hope that you will listen to these pieces come alive on my CDs All The Way To Sendai. This book is an attempt to capture the highlights of twenty-eight years of composing. Each of these 32 compositions is an expression and as such -- an exposure of a genuine part of myself which I present within the framework ofjazz; my beloved art form. When I listen to this music I hear shades of my early classical and rock influences. It also brings to my mind my birth place a small neighborhood outside of Haifa Israel. I really hope that you willlisten to these pieces come alive on my CDs 'All The Way To Sendai'.

Composed and published 2014. Commissioned by Festival Internacional Cervantino 2014. First performance: Randall Scarlata (baritone) and Ensemble Redes Festival Internacional Cervantino 2014 13th October 2014. Duration: 12 minutes. Instrumentation: Flute(=Bass Flute) Bass Clarinet Percussion Guitar Violin Viola.[Percussion: Triangle Cymbal Large Tam-Tam Wood Block Tambourine Wooden Chimes Sleigh Bells Güiro Maracas Bongos 3 Tom-toms Felxatone Waterphone Vibraphone Marimba 29-inch Timpani]. Composed and published 2014. Commissioned by Festival Internacional Cervantino 2014. First performance: Randall Scarlata (baritone) and Ensemble Redes Festival Internacional Cervantino 2014 13th October 2014. Duration: 12 minutes. Instrumentation: Flute(=Bass Flute) Bass Clarinet Percussion Guitar Violin Viola.[Percussion: Triangle Cymbal Large Tam-Tam Wood Block Tambourine Wooden Chimes Sleigh Bells Güiro Maracas Bongos 3 Tom-toms Felxatone Waterphone Vibraphone Marimba 29-inch Timpani].

SATB vocal arrangement with optional Piano accompaniment part on the score.

for SATB optional congregation and organ Setting words by the medieval monk Notker Balbulus in a translation by J.M. Neale Rutter creates an uplifting song of praise. Gentle organ arpeggios are set skilfully against carefully wrought choral lines leading to a dramatic finale. Creation's Alleluia is suitable for any worship service. John Rutter 's Creation's Alleluia for SATB optional congregation and Organ. Setting words by the medieval monk Notker Balbulus in a translation by J.M. Neale Rutter creates an uplifting song of praise. Gentle Organ arpeggios are set skilfully against carefully wrought choral lines leading to a dramatic finale. Creation's Alleluia is suitable for any worship service.

World Melodies for the Accordion is a collection of best-loved songs from around the world. Eighty musical gems from thirty-six countries are arranged here for the accordion with chords also given so that other instrumentalists can join in. Accordionists at all levels of proficiency will be able to use this collection and enjoy the melodies that are familiar to so many diverse cultures. Songs such as the Mexican Hat Dance African Ev'rybody Loves Saturday Night Korean Ahrirang Dalmatian Ciri Biri Bela and the Japanese Sakura are included with such familiar melodies as Comin' Through The Rye Polly Wolly Doodle and The Ash Grove. World Melodies for the Accordion is a collection of best-loved songs from around the world. Eighty musical gems from thirty-six countries are arranged here for the accordion with chords also given so that otherinstrumentalists can join in. Accordionists at all levels of proficiency will be able to use this collection and enjoy the melodies that are familiar to so many diverse cultures. Songs such as the Mexican Hat Dance AfricanEv'rybody Loves Saturday Night Korean Ahrirang Dalmatian Ciri Biri Bela and the Japanese Sakura are included with such familiar melodies as Comin' Through The Rye Polly Wolly Doodle and The Ash Grove.

Having been demobilised from the Royal Artillery after the second World War Percy Turnbull became principal piano teacher at the Surry College of Music at Fitznells and it was during this period that he composed his Sonatina for Piano . This is a skilled piece that shows similar merits to that of works by Debussy and other late 19th and early 20th Century French composers. Having been demobilised from the Royal Artillery after the second World War Percy Turnbull became principal piano teacher at the Surry College of Music at Fitznells and it was during this period that he composed his Sonatina for Piano . This is a skilled piece that shows similar merits to that of works by Debussy and other late 19th and early 20th Century French composers.

An excellent introduction to sight singing for SSA chorus. From the creators of Patterns of Sound and The Choral Approach to Sight Singing comes this practical easy-to-use sight-singing method for SSA choirs in junior high and high school! It includes 3-part exercises and songs (accompanied and a cappella) that begin from square one assuming no previous training and presents musical elements in a logical sequence that will yield quick results. Recommended for Grades 6-12. An excellent introduction to sight singing for SSA chorus. From the creators of Patterns of Sound and The Choral Approach to Sight Singing comes this practical easy-to-use sight-singing method for SSA choirs in junior high and high school! It includes 3-part exercises and songs (accompanied and a cappella) that begin from square one assuming no previous training and presents musical elements in a logical sequence that will yield quick results. Recommended for Grades 6-12.

From ca. 1828 until the last years of his life Frédéric Chopin devoted himself again and again to the nocturne genre emerging at the beginning of the 19th century. As Romantic character pieces evoking in particular evening and night moods they actually count among Chopin's most poetic piano works. Their popularity is correspondingly large - that is reason enough to compile a selection of the most popular and at the same time technically somewhat easier pieces. The present pieces are ideal for pupils but also for piano-playing music lovers to immerse in the charming sound poems and as already realized by Jan Kleczynski in 1866 to obtain a key 'to reveal the secrets of theother even greater works of the master'. From ca. 1828 until the last years of his life Frédéric Chopin devoted himself again and again to the nocturne genre emerging at the beginning of the 19th century. As Romantic character pieces evoking in particular evening and night moods they actually count among Chopin 's most poetic Piano works. Their popularity is correspondingly large - that is reason enough to compile a selection of the most popular and at the same time technically somewhat easier pieces. The present pieces are ideal for pupils but also for piano-playing music lovers to immerse in the charming sound poems and as already realized by Jan Kleczynski in 1866 toobtain a key 'to reveal the secrets of the other even greater works of the master'.

A delightful collection of pastoral oboe pieces. Duration: 8 mins. Grade: 5 - 7 A delightful collection of pastoral oboe pieces. Duration: 8 mins. Grade: 5 - 7

A Kids-Eye View of the Solar System-The stars the planets the moon the sun--let's learn all about them through music! This collection for Grades 2-4 will travel through space in song teaching your students all about the solar system. Interplanetary Jammin' comescomplete with movement suggestions an introduction to the solar system key words worksheets and great classroom projects and activities. The easy-to-learn dialogue links the songs together so you can present a 15-minutemini-musical that you can perform with piano alone or the professionally recorded CD. The Teacher's Manual even comes with reproducible student pages to stretch your budget dollar! Your students can enjoy music across thecurriculum with this unique all-school project. So be creative be clever and go out of this world with Interplanetary Jammin'. Available: Teacher's Manual Performance/Accompaniment CD. Grades K-3.The stars the planets the moon the sun--let's learn all about them through music! This collection for Grades 2-4 will travel through space in song teaching your students all about the solar system. Interplanetary Jammin' comescomplete with movement suggestions an introduction to the solar system key words worksheets and great classroom projects and activities. The easy-to-learn dialogue links the songs together so you can present a 15-minutemini-musical that you can perform with piano alone or the professionally recorded CD. The Teacher's Manual even comes with reproducible student pages to stretch your budget dollar! Your students can enjoy music acrossthecurriculum with this unique all-school project. So be creative be clever and go out of this world with Interplanetary Jammin'. Available: Teacher's Manual Performance/Accompaniment CD. Grades K-3.

Paperback-for SATB and organ or piano Shepherds guarding your flocks is an expressive setting of a carol by Canon Matthew Woodward. Bullard skilfully conveys the text's wondrous and exultant narrative in a setting that will be accessible to a wide range of choirs. Alan Bullard 's Shepherds Guarding Your Flocks for SATB choir with Organ or Piano accompaniment. Shepherds Guarding Your Flocks is an expressive setting of a carol by Canon Matthew Woodward. Bullard skilfully conveys the text's wondrous and exultant narrative in a setting that will be accessible to a wide range of choirs.

for SATB (with divisions) unaccompanied This setting of the Vesper Responsory exudes a confident radiance and sure belief that the 'Lord he shall be with you'. First published in Advent for Choirs this setting is both approachable and gripping. A worthwhile alternative to the familiar Palestrina version. Gabriel Jackson 's Tomorrow Go Ye Forth for SATB (with divisions) unaccompanied. This setting of the Vesper Responsory exudes a confident radiance and sure belief that the 'Lord he shall be with you'. First published in Advent for Choirs this setting is both approachable and gripping. A worthwhile alternative to the familiar Palestrina version.

Full score

Reduction Of Score-Classic Guitar/Ensemble. Cordero's Concierto Festivo for guitar and string orchestra is his most recent work written in 2003. It was commissioned by the University of Puerto Rico to celebrate the 100th Anniversary of its foundation and the re-opening of its Theater. The concerto has three movements written in a modal and neo-Romantic style in which the contrapuntal elements of the Spanish Renaissance combine with contemporary harmonies giving it a distinctive flavor which is present in most of Cordero's works. As in his previous concerti Afro-Antillean influences occasionally appear in this composition with their rich sumptuous rhythms. Ernesto Cordero explorescreatively the sonorous resources of the guitar offering it a virtuoso solo feature enriched by dialogues with the other instruments. In many lyrical sections of the piece the guitar shines and projects a romantic spirit through beautiful phrases that reflect Cordero's passion for life and for his beloved Puerto Rico. Classic Guitar/Ensemble. Cordero 's 'Concierto Festivo' for Guitar and String Orchestra is his most recent work written in 2003. It was commissioned by the University of Puerto Rico to celebrate the 100th Anniversaryof its foundation and the re-opening of its Theater. The concerto has three movements written in a modal and neo-Romantic style in which the contrapuntal elements of the Spanish Renaissance combine with contemporaryharmonies giving it a distinctive flavor which is present in most of Cordero ’s works. As in his previous concerti Afro-Antillean influences occasionally appear in this composition with their rich sumptuousrhythms. Ernesto Cordero explores creatively the sonorous resources of the guitar offering it a virtuoso solo feature enriched by dialogues with the other instruments. In many lyrical sections of the piece the guitarshines and projects a romantic spirit through beautiful phrases that reflect Cordero ’s passion for life and for his beloved Puerto Rico.

Welsh Composer Paul Mealor 'S Beautiful Composition Stepping Stone Arranged For Satb Chorus And Piano. This Emotional Yet Uplifting Work Was Written For The Cancer Charity 'Maggie'S'. Composed In 2013 Paul Mealor Wrote This For A Charity Using As His Text A Compilation Of Words Taken From The Letters Of 'Maggie'S' Patients. It Was First Performed At The New Maggie'S Centre In Aberdeen In The Presence Of Hrh The Duchess Of Cornwall. Welsh composer Paul Mealor 's beautiful composition Stepping Stone arranged for SATB Chorus and Piano. This emotional yet uplifting work was written for the cancer charity 'Maggie's'. Composed in 2013 Paul Mealor wrote this for a charity using as his text a compilation of words taken from the letters of 'Maggie's' patients. It was first performed at the new Maggie's Centre in Aberdeen in the presence of HRH The Duchess of Cornwall.

for CBar and piano An entry-level piece this arrangement of the well-known folk song provides a gentle challenge for two-part mixed choir of cambiata and baritone voices with supporting piano accompaniment. Andy Brooke 's arrangement of Molly Malone for CBar and Piano. An entry-level piece this arrangement of the well-known folk song provides a gentle challenge for two-part mixed choir of Cambiata and Baritone voices with supporting Piano accompaniment.