This tiny piece was written as a response to hearing the premiere of Nicola LeFanu's momentous orchestral work The Crimson Bird on 17 February 2017. Nicola was my teacher and supervisor from 1986 to 1989 during my studies at King's College London. Although my formal study with her lasted just these three years her influence on my creative life has been immense and invaluable and continues to be felt in every piece I write. Luna ... is marked 'A starlit lullaby'. Its final notes E and F supply the letters of Nicola's surname missing from the title. The work was recorded by Philippa Harrison on Return of the Nightingales-Music for solo piano (Prima Facie 2017). - Sadie Harrison 'This tiny piece was written as a response to hearing the premiere of Nicola LeFanu's momentous orchestral work The Crimson Bird on 17 February 2017. Nicola was my teacher and supervisor from 1986 to 1989 during my studies at King's College London. Although my formal study with her lasted just these three years her influence on my creative life has been immense and invaluable and continues to be felt in every piece I write. Luna ... is marked 'A starlit lullaby'. Its final notes E and F supply the letters of Nicola's surname missing from the title. The work was recorded by Philippa Harrison on Return of the Nightingales-Music for solo piano (Prima Facie2017).' - Sadie Harrison

Anthem for strings ATB soloists and mixed voice choir. Anthem for strings ATB soloists and mixed voice choir.

Pasodobles Españoles Para Saxofón is the definitive collection of popular Pasodobles arranged for alto Saxophone with Piano accompaniment and is a celebration of the traditional Spanish dance form.La colección definitiva de los pasodobles más populares arreglados para saxofón alto con acompañamiento de pianoThe definitive collection of popular Pasodobles arranged for alto saxophone with piano accompanimentBACK:An exceptional collection of the finest pasodobles arranged for alto saxophone with piano accompaniment a celebration of the traditional Spanish dance form.

Version for Violoncello-Unlike some of his other late works Franck’s Violin Sonata (HN 293) composed in 1886 was well-received by the public and critics from the very start. The beautiful arrangement for cello published in January 1888 distinguishes itself from the numerous other arrangements in that Franck expressly authorised it. The cellist Jules Delsart who had heard a performance of the sonata in Paris in December 1887 was so delighted by it that he asked Franck’s permission to make a transcription of the violin part for his own instrument. Delsart remained close to the original- he left the piano part unaltered and transposed the violin part only where necessary and appropriate into thelower register. César Franck 's Sonata For Piano And Violin In A . Urtext edition for Cello. Unlike some of his other late works Franck ’s Violin Sonata (HN293) composed in 1886 was well-received by thepublic and critics from the very start. The beautiful arrangement for Cello published in January 1888 distinguishes itself from the numerous other arrangements in that Franck expressly authorised it. The cellistJules Delsart who had heard a performance of the sonata in Paris in December 1887 was so delighted by it that he asked Franck ’s permission to make a transcription of the Violin part for his own instrument. Delsartremained close to the original; he left the Piano part unaltered and transposed the Violin part only where necessary and appropriate into the lower register.

Contents: Chim?res œ F?es de Lune œ Valse du Petit Chien. Contents: Chim?res œ F?es de Lune œ Valse du Petit Chien.

Frank Bridge's 1904 Sonata for Violin and Piano. A youthful and admirable first attempt at Sonata compostion this piece is not as masterful as his 1932 work but nevertheless displays his skilled working knowledge of the Violin. Frank Bridge's 1904 Sonata for Violin and Piano. A youthful and admirable first attempt at Sonata compostion this piece is not as masterful as his 1932 work but nevertheless displays his skilled working knowledge of the Violin.

Eulenberg's celebrated and highly authoritative miniature score is the definitive reference source for study performance preparation or simply for those with a love of the great orchestral works.

Organ solo arrangement.

Contents: At St. Patrick's Purgatory * Church Bell at Night * Church Bell at Night * St. Ita's Vision * The Heavenly Banquet * The Crucifixion * Sea-Snatch * Promiscuity * The Monk and His Cat * The Praises of God * The Desire for Hermitage. To poems translated from anonymous Irish texts of the eighth to thirteenth centuries.

A Thread Entwined was written by Emily Wright for the Nieuw Ensemble and was commissioned in partnership with the Huddersfield Contemporary Music Festival. A Thread Entwined was first performed by the Nieuw Ensemble on 23rd November 2011 conducted by Bas Wiegers at the Huddersfield Contemporary Music Festival in St Pauls Hall. A Thread Entwined was written by Emily Wright for the Nieuw Ensemble and was commissioned in partnership with the Huddersfield Contemporary Music Festival. A Thread Entwined was first performed by the Nieuw Ensemble on 23rd November 2011 conducted by Bas Wiegers at the Huddersfield Contemporary Music Festival in St Pauls Hall.

A seasonal motet for unaccompanied SATB voices This choral work is among some of the finest of the late Tudor and Elizabethan periods and is here available in scholarly edition with a practical piano reduction. A festive season motet for unaccompanied SATB voices. This choral work is among some of the finest of the late Tudor and Elizabethan periods and is available here in scholarly edition with a practical piano reduction for rehearsal purposes only.

Work for Guitar with fingering by Josefina Robledo. Work for Guitar with fingering by Josefina Robledo.

Based on a poem by William Wordsworth Eric Wetherell's Westminster Bridge for unaccompanied SSATB choir.

Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy in Calabria where an Albanian community has lived for more than 500 years and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs this tune is remarkably short; the melody itself has not been altered but has been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. © TS Moj e Bukura Moré (My Beautiful Morea) has its origin in Southern Italy in Calabria where an Albanian community has lived for more than 500 years and so has the song! The tenderness of the melodic lines expresses the natural beauty of the distant homeland which according to legend can be seen from the Calabrian mountain-tops. As in most folk songs this tune is remarkably short; the melody itself has not been altered but has been extended enriched in texture and presented in different ways. The melodic lines serve as a point of departure for the proliferation of a distinct harmonic vocabulary. © TS

Nach der Offenbarung des Johannes-Bass Organ. Brandmueller T

for SATB unaccompanied For SATB unaccompanied.

Elisabeth Lutyens ' music from the film ' The Skull ' (1965). A3 conductor's score. Instrumentation: 2 Flutes (doubling Alto flute and Piccolo) 2 Clarinets (doubling Bass clarinet and Contrabass clarinet) 3 Horns 3 Trombones 2 Percussion Timpani Harp Piano Cimbalom Organ Violas (divisi) Cellos (divisi) Double bass. Elisabeth Lutyens ' music from the film ' The Skull ' (1965). A3 conductor's score. Instrumentation: 2 Flutes (doubling Alto flute and Piccolo) 2 Clarinets (doubling Bass clarinet and Contrabass clarinet) 3 Horns 3 Trombones 2 Percussion Timpani Harp Piano Cimbalom Organ Violas (divisi) Cellos (divisi) Double bass.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

Version for Two Guitars for Venancio Garcia Velasco. Version for Two Guitars for Venancio Garcia Velasco.

The Choral Benediction is a melodic gently flowing piece that is appropriately arranged for amateur or church choir.Contemporary American composing partnership Don Besig and Nancy Price has produced more than four hundred works for school and church choirs. These award-winning composers are active as conductors adjudicators and Choral clinicians.