For Flatpicking Guitar Vol. 4-This collection of fiddle tunes originally appeared in “Kaufman’s Collection of American Fiddle Tunes for Flatpicking Guitar” (MB 95748) but the book was so large and heavy that they couldn’t put all the songs on CDs to include with the package so it was divided into four great melody-packed volumes. This fourth volume contains delightful American fiddle tunes brilliantly arranged for flatpicked guitar. All of these tunes are written in guitar-friendly keys in notation and tablature. Intermediate in difficulty the book includes an explanation of the guitar tablature system and the execution and notation of essential techniques such as bends slides hammer-ons and pull-offs.The tunes are thoughtfully printed in alphabetical order and include both standards and lesser-known fiddle melodies. Teachers take note-- this book is a great source of sight-reading material as well as a departure point for improvisation. Companion audio downloads are available for use with this title. This collection of fiddle tunes originally appeared in “Kaufman’s Collection of American Fiddle Tunes for Flatpicking Guitar” (MB 95748) but the book was so large and heavy that they couldn’t put all the songs on CDs to includewith the package so it was divided into four great melody-packed volumes. This fourth volume contains delightful American fiddle tunes brilliantly arranged for flatpicked guitar. All of these tunes are written in guitar-friendlykeys in notation and tablature. Intermediate in difficulty the book includes an explanation of the guitar tablature system and the execution and notation of essential techniques such as bends slides hammer-ons and pull-offs.The tunes are thoughtfully printed in alphabetical order and include both standards and lesser-known fiddle melodies. Teachers take note-- this book is a great source of sight-reading material as well as a departure point forimprovisation. Companion audio downloads are available for use with this title.

This collection of easy pieces for piano has been selected to progress students towards an intermediate level. The pieces can be used depending on the pianist as an addition to piano study in conjunction with additional exercise literature or simply as a collection of pieces to enjoy at home.

Contents: Bells in the Fog * A Boat Slowly Sailing * Dancing Toys Op. 83 No. 1 * Glass Figures * Indian-Summer Day * Little Cheesman * The Moon Rises * On the High Mountains * Peaceful Mood * Sailing Boat Reflected * Streamliner * Walking on a Stormy Day. These short piano pieces are a good introduction to twelve-tone music for the intermediate player. Although much of the physical technique in these pieces would be achievable by a Grade 4-5 player there is the occasionally very tricky moment and the musical sensibility and execution required to play these pieces well probably recommends these more to the Grade 6+ player.

For violin and piano. For violin and piano.

King Of Glory' for mixed voice choir SATB with organ accompaniment with 'The House of Mind' and 'God is gone up' make up the Three Motets. 'King Of Glory' for mixed voice choir SATB with organ accompaniment with 'The House of Mind' and 'God is gone up' make up the Three Motets.

for SATB (with divisions) and piano or piano four-hands or orchestra This jubilant arrangement of Deck the hall will be enjoyed by audiences and choirs alike. With a succession of exciting modulations and all the hallmarks of Wilberg's uplifting style this piece will make the perfect ending to any Christmas concert. Mack Wilberg 's Deck The Hall for SATB choir with Piano accompaniment or Piano four-hands or Orchestra. Wilberg 's arrangement of the Christmas favourite Deck The Hall is bright and energetic from beginning to end. After an uplifting introduction going through several keys the choir sings the three carol verses in up to seven parts. The accompaniment provides both a harmonic underpinning and almost continuous flourishing semiquaver movement. Further modulations throughout the piece lead to an extended 'fa la la' section to bring the piece to an exhilarating close.

for SATB & organ This original anthem with words and music by John Rutter is warm and tender. The musical setting is simple drawing attention to the text which as the title suggests gives thanks to God. This makes the anthem particularly suited to Harvest and Thanksgiving services. John Rutter 's Canticle Of Thanksgiving for SATB choir and Organ. This original anthem with words and music by John Rutter is warm and tender. The musical setting is simple drawing attention to the text which as the title suggests gives thanks to God. This makes the anthem particularly suited to Harvest and Thanksgiving services.

For SATB and piano. This piece tells the story of the journey of Mary and Joseph to the stable in Bethlehem set against a bleak winter landscape. For SATB and piano. This piece tells the story of the journey of Mary and Joseph to the stable in Bethlehem set against a bleak winter landscape.

uber ein Thema von Niccolo Paganini-(Full score). Blacher B (Full score). Blacher B

Robert Pearsall 's classic version of the old German Christmas Carol In Dulci Jubilo . Reduced to four voices from the original eight by W.J. Westbrook taking special care in the eight voice passages to adopt the composer's parts with as little alteration as possible.

Based on a poem by Robert Herrick for double SATB choir.

“Clarinettissimo” is an ideal supplement and a further tutor book to the standard work “The Jolly Clarinet” but can also used independently of it. The two volumes contain a balanced collection of classical and entertaining pieces combined with technical exercises in all keys to provide an excellent foundation for learning play the clarinet properly. Playing is made even more fun with the addition of numerous duos and pieces for singing to and playing around with all featured on the accompanying CD.

for SATB (with divisions) unaccompanied This anthem sets a poem by Amy Lowell vividly conveying the effect of the wind through a moving tapestry of eighth notes/quavers intertwined between the different voices. The melody floats over this breeze-like ostinato sometimes effervescent sometimes reposed. This piece sets a poem by Amy Lowell vividly conveying the effect of the wind through a moving tapestry of eighth notes/quavers intertwined between the different voices. The melody floats over this breeze-like ostinato sometimes effervescent sometimes reposed.

Cruel Mother for three voices (SSA) a traditional ballad arranged by Sarah Dacey . Duration: 4 minutes Composed: 2008 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. This is a very old cautionary ballad that like many folk tales has no definite origin there being many different versions from around Europe. I shifted the tonality of the melody from the Cecil Sharp arrangement to something slightly less cheery. First performed by Juice Vocal Ensemble in December 2008 at St. James Piccadilly London. Cruel Mother for three voices (SSA) a traditional ballad arranged by Sarah Dacey . Duration: 4 minutes Composed: 2008 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. This is a very old cautionary ballad that like many folk tales has no definite origin there being many different versions from around Europe. I shifted the tonality of the melody from the Cecil Sharp arrangement to something slightly less cheery. First performed by Juice Vocal Ensemble in December 2008 at St. James Piccadilly London.

für Flöte Violine und Continuo-Bach’s Trio Sonata BWV 1038 for Flute Violin und Continuo proposes a conundrum. It has survived as a set of parts in Johann Sebastian Bach’s hand – yet the source does not give a composer. Thus its authenticity has been called into question time and again. According to the latest research however this tone sensitive sonata is presumed to be an original work by Bach. Our editor Peter Wollny a declared expert outlines the reasons for this in detail. The violin part is to be played in scordatura according to the source so we have provided a part in original notation as well as in standard notation for regularly tuned violins. Bach ’s Trio Sonata In G BWV 1038 For Flute Violin And Continuo has survived as a set of parts in Johann Sebastian Bach ’s hand – yet the source does not give a composer. Thusits authenticity has been called into question time and again. According to the latest research however this tone sensitive sonata is presumed to be an original work by Bach . Editor PeterWollny a declared expert outlines the reasons for this in detail. The violin part is to be played in scordatura according to the source so this version has provided a part in original notation as well as in standardnotation for regularly tuned violins.

Field Notes is a compact one-movement chamber work for oboe violin viola and cello. The work is full of harmonic interest with chromatic and melodic passages shared equally between the parts.

Booklet by Nico Muhly is a work for solo Piano commissioned by Gilles Vonsattel and premiered by him on the 12th of October 2008 at the National Gallery of Art Washington D.C. The work lasts around 14 minutes. Booklet is a solo Piano piece that would make a wonderfully exciting performance of a work by one of the most intriguing and interesting figures in contemporary classical composition. Booklet by Nico Muhly is a work for solo Piano commissioned by Gilles Vonsattel and premiered by him on the 12th of October 2008 at the National Gallery of Art Washington D.C. The work lasts around 14 minutes. Booklet is a solo Piano piece that would make a wonderfully exciting performance of a work by one of the most intriguing and interesting figures in contemporary classical composition.

BACH : Bourrée en La mineur - Petit Prélude en Mi Majeur BWV 937 - Petit Prélude en Mi mineur BWV 938 - BARTOK : Danse paysanne - For Children Vol.1 n° 32 - BEETHOVEN : Sonate Op.49 n°2 - Bagatelle Op.119 n°1 - CHOPIN : Valse posthume en La mineur - CIMAROSA : Sonate en Si b - CLEMENTI : Sonatine Op.36 n°6 (1e mvt) - DAQUIN : Le Coucou - DEBUSSY : Le Petit berger - GRANADOS : Danse de la rose - HAYDN : Presto (Sonate en Mi Majeur Hob. XVI 13) - JANACEK : Une Feuille s'envole - LUTOSLAWSKI : Etude à quatre voix - MARTINU : Danse de Colombine - Valse d'une marionnette sentimentale - MENDELSSOHN : Chanson du gondolier Op.30 n°6 - Romance sans paroles Op.85 n°2 - MOZART : Rondo dela Sonate KV 545 - PROKOFIEV : Tarentelle - RAMEAU : La Joyeuse - SCHONBERG : Opus 19 n°2 - SCHUBERT : 3 Ländler - SCHUMANN : Fantaisie-danse - Petite Romance - Première Scène d'enfant - SMETANA : Lied - VILLA-LOBOS : Allegro (2e Suite enfantine) - WEBERN : Kinderstück Charles Hervé 's De Bach A Nos Jours is a collection of some of the finest works by some of the greatest composers of all time. The classic pieces of music from yesterday and today are included in thissheet music songbook letting you learn from the grand masters. Arranged for Solo Piano.

I was born but... for flute(alto flute piccolo) clarinet in A piano percussion violin and cello. Composed 2002. Arranged in August 2005 from the larger ensemble version. Published 2017. Duration: 89 minutes Conceived as a live performance accompaniment to screenings of the silent film I Was Born But... by Yasujiro Ozu (Japan 1932). Released in 2011 as a specially recorded soundtrack on BFIB1070. I was born but... for flute(alto flute piccolo) clarinet in A piano percussion violin and cello. Composed 2002. Arranged in August 2005 from the larger ensemble version. Published 2017. Duration: 89 minutes Conceived as a live performance accompaniment to screenings of the silent film I Was Born But... by Yasujiro Ozu (Japan 1932). Released in 2011 as a specially recorded soundtrack on BFIB1070.

24 snare drum solos arranged by internationally acclaimed percussion writer Joe Maroni. These solos are ideal for recitals contests and concerts and will develop musicianship rhythm reading ability coordination right and left hand dexterity intricate sticking patterns and confidence! 24 snare drum solos arranged by internationally acclaimed percussion writer Joe Maroni. These solos are ideal for recitals contests and concerts and will develop musicianship rhythm reading ability coordination right andleft hand dexterity intricate sticking patterns and confidence!