This book offers scales and modes for the baritone uke. Each scale is shown in multiple fingers with roots on the fourth third and second string. Scales and modes shown include Major Minor Harmonic Minor Pentatonic Dorian Phrygian and Mixolydian. Each scale is shown in fretboard diagrams. This book offer scales and modes for the baritone uke. Each scale is shown in multiple fingers with roots on the fourth third and second string. Scales and modes shown include Major Minor Harmonic Minor Pentatonic Dorian Phrygian and Mixolydian. Each scale is shown in fretboard diagrams.

The Novello Primary Chorals series presents Easy Soul containing six of the greatest soul songs that children will love to sing. For 2-part Choir and Piano accompaniment the simple and easy arrangements of these hit tunes will provide a fun and enjoyable introduction to ensemble singing. From US soul classics like Aretha Franklin’s Respect and Ben E. King’s Stand By Me to James Brown's driving funk tune I Got You (I Feel Good) every one of these songs is great fun for children to sing and listen to. The simple vocal arrangements of all seven songs include easy Piano accompaniments and Guitarchord symbols so an adult or even one of the children can accompany on an instrument getting everyone involved. To make it even easier for young singers the Novello Primary Chorals Easy Soul sheet music comes with a download card of sound-alike backing and vocal demonstration tracks. This means that the group can hear exactly how everything should sound before trying it out themselves with a professionally-recorded track. This is sure to be an enriching and rewarding experience for them getting their ears musically-trained while also making learning and creativity fun. The download card is very easy to use simply put the code in and download the tracks straight to your computer. These fantastic hits are well-known to most but if not all children know all the tunes they are sure to enjoy hearing them for the first time and then singing all the songs themselves. With Feeling Good Lean On Me and (Sittin' On) The Dock Of The Bay the songs in this song book represent not just some of the best soul songs but some of the best melodies of all time. From the pens of expert songwriters and our expert arrangers the sound of a children's choir singing these jazz funk and soul songs will be one that your audience will never

All drummers from the very beginner to the working professional will at one time or another experience certain 'gaps' in their education or drum knowledge. Drumming Facts Tips and Warm-Ups is a book written to fill-in these 'gaps'. It is not a book filled with exercises but one filled with information that all drummers inevitably seek out. This book gives the drummer advice about everything from tensioning and tuning the drums selecting drumsticks drumheads and cymbals to playing a groove working with a metronome playing rolls correctly and in meter bass drum and hi-hat techniques practicing tips and warm-up exercises. Whatever the reader's level ofdrumming expertise this book will have something of value. Companion CD included. All drummers from the very beginner to the working professional will at one time or another experience certain 'gaps' in their education or drum knowledge. Drumming Facts Tips and Warm-Ups is a book written to fill-in these'gaps'. It is not a book filled with exercises but one filled with information that all drummers inevitably seek out. This book gives the drummer advice about everything from tensioning and tuning the drums selectingdrumsticks drumheads and cymbals to playing a groove working with a metronome playing rolls correctly and in meter bass drum and hi-hat techniques practicing tips and warm-up exercises. Whatever the reader's level ofdrumming expertise this book will have something of value. Companion CD included.

The Wiener Urtext Edition presents the first critical edition of Franz Schubert's piano sonatas arranged in chronological order. The newly revised text is based on the sources and is accompanied by a description of genesis and history information on Schubert's instruments and his piano writing plus notes on authentic performance practice. The editorial approach is documented in a critical report. In order to enable a complete performance the movements only extant in fragmentary form have been carefully reconstructed in accordance with up-to-date research. The Wiener Urtext Edition presents the first critical edition of Franz Schubert 's Piano Sonatas arranged in chronological order. The newly revised text is based on the sources and is accompanied by a description of genesis and history information on Schubert's instruments and his Piano writing plus notes on authentic performance practice. The editorial approach is documented in a critical report. In order to enable a complete performance the movements only extant in fragmentary form have been carefully reconstructed in accordance with up-to-date research.

A comprehensive 96-page pocket/case sized perfect-bound Banjo tune book with over 50 tunes. Songs include gospel bluegrass patriotic and popular tunes. Chord charts are included showing all chords needed to play these songs. Tunes shown in tablature only. A comprehensive 96-page pocket/case sized perfect-bound Banjo tune book with over 50 tunes. Songs include gospel bluegrass patriotic and popular tunes. Chord charts are included showing all chords needed to play these songs.Tunes shown in tablature only.

Xavier Montsalvatge manipulates and transforms the themes of J.S. Bach in this work for an Orcheastra of Brass Wind and Percussion. Xavier Montsalvatge manipulates and transforms the themes of J.S. Bach in this work for an Orcheastra of Brass Wind and Percussion.

The songs in this mini-revue capture the essence of traditional 'pub life' superbly. Full of warmth humour and witty observation you will probably think it was written about your local watering hole! The mini-revue including an opener and closer brings together eight songs which can be performed as a set or perhaps as a part of a whole evening's entertainment. It would be ideal at a social function for am-dram society or revue group or seperately in a cabaret. The set offers opportunities for several performers male and female with a compere to introduce the items using the words provided and perhaps adding a few of his own. The songs are all conversational and perhapsshould be delivered thus without undue attention to note-values. ry not to let singing get in the way of natural speech-rhythms and letting the characters be themselves.

Twenty more all-time Irish favourites arranged for piano vocals and guitar chords all contained in this exquisite volume complete with black and white photos and illustrations.

for SATB and organ Commissioned by King's College Cambridge for the 2016 Festival of Nine Lessons and Carols This Endernight is a setting of well-known fifteenth-century words. The recurring melody has a lilting feel and Berkeley employs artful textural juxtapositions with solo lines flowering into a rich refrain. Commissioned by King's College Cambridge for the 2016 Festival of Nine Lessons and Carols This Endernight is a setting of well-known fifteenth-century words. The recurring melody has a lilting feel and Berkeley employs artful textural juxtapositions with solo lines flowering into a rich refrain.

Evis Sammoutis ' Particles (2015) for Flute (doubling Piccolo and Alto Flute) Violin and Cello. – Particles was commissioned by the 2015 Milano EXPO for the musicians of the Divertimento Ensemble. The composer was one of 50 finalists selected after an International Competition by Expo 2015’s Italian Pavilion. The competition was organised by Divertimento Ensemble in collaboration with the City of Milano the Region of Lombardia MITO SettembreMusica and Sentieri selvaggi and all composers had to create compositions inspired by the theme 'Feeding the Planet Energy for Life'. The composer decided to concentrate on exploring the notion of “Particles” (the smallest basic unitsof matter and energy) as the means of creating the main formal profile of this composition. This notion extends to all formal devises (texture figure and gesture). To use an analogy listening to this composition should feel like looking at a mosaic from an extremely short distance one’s eyes almost touching the intrinsic small tiles that create the larger picture. From this alternative perspective one begins to observe completely different patterns which went unperceived as part of the greater picture just as a closer look at a mosaic might reveal intricate bands of colour that would have been unnoticed from a greater distance. When this happens one can really appreciate the tiny details and nuances of the composition. Seen from afar these “particles” create different textures than they do from a closer distance or through a microscope exploration different matters and different qualities of energy. This composition brings into foreground microscopic “pictures” of the particles that constitute the totality of the work while simultaneously and unavoidably giving in its totality a larger formal picture over the course of time. Whilst the music is constructed into noticeably different blocks of sound each segment nevertheless originates from the same source from the same particle. Evis Sammoutis ' Particles (2015) for Flute (doubling Piccolo and Alto Flute) Violin and Cello. – Particles was commissioned by the 2015 Milano EXPO for the musicians of the Divertimento Ensemble. The composer was one of 50 finalists selected after an International Competition by Expo 2015’s Italian Pavilion. The competition was organised by Divertimento Ensemble in collaboration with the City of Milano the Region of Lombardia MITO SettembreMusica and Sentieri selvaggi and all composers had to create compositions inspired by the theme 'Feeding the Planet Energy for Life'. The composer decided toconcentrate on exploring the notion of “Particles” (the smallest basic units of matter and energy) as the means of creating the main formal profile of this composition. This notion extends to all formal devises (texture figure and gesture). To use an analogy listening to this composition sho

All you need to embark on this adventure is youtr Oboe and a Pianist! Raymond Parfrey has crafted three fantastic short movements which evoke images of Scandinavia Spain and Hungary. Suitable for grades 6 - 8.

A terrific lyircal guitar song by guitarist Luis Maravilla and composer Gil Serrano. A terrific lyircal guitar song by guitarist Luis Maravilla and composer Gil Serrano.

(Echopraxia) by Evis Sammoutis was commissioned by the Pharos Trust. First performance: 19 May 2006 at PASYDY Auditorium (Nicosia Cyprus) by Ensemble Modern. 15'; for string sextet: 2vln 2va 2vc

Bach's St Matthew Passion score. The Passions were Biblical texts set as large-scale musical works and tell the story of Christ's Passion according to the Gospels. The St. Matthew Passion is an introspective and meditative composition. Edited by Denys Darlow.

Brice Catherin a cellist and a composer exploring the notion of the one-man-band concept commissioned this work; this composition was subsequently the result of our collaboration. My aim has been to create a work where the cellist produces sounds using his full body: his hands (employing a variety of extended techniques on the Cello and external objects) his feet his mouth (singing and playing the harmonica and flexible tube) and even his face on one occasion to muffle the strings. There are two central themes in the work: virtuosity and theatre both strong frequent features of my compositional oeuvre. After several meetings and experimentation with Brice I chose asetup that enhances the musical scope without visually cluttering the stage. I am also using a rather unusual scordatura that not only changes the timbre of the instrument itself but also helps create unique soundscapes that blend together with the sounds from the spring drums the human voice (whistling groans and other effects) a singing bowl a harmonica and a flexible tube among others. The work is entitled Emmelia and there are two reasons for this: Emmelia derives from the prefix en (in) and the noun melos (harmony) thus meaning in harmony. The composition is structured and developed in clearly defined sections (noisy harmonious distorted etc.) based on information revealed by a spectral analysis of an F1 spectrum on the cello (tuned a fifth below low C) played and recorded using a variety of attacks and triggering objects and methods. Emmelia is also the name of my baby daughter who has been my constant inspiration since she was born.' - Evis Sammoutis 'Brice Catherin a cellist and a composer exploring the notion of the one-man-band concept commissioned this work; this composition was subsequently the result of our collaboration. My aim has been to create a work where the cellist produces sounds using his full body: his hands (employing a variety of extended techniques on the Cello and external objects) his feet his mouth (singing and playing the harmonica and flexible tube) and even his face on one occasion to muffle the strings. There are two central themes in the work: virtuosity and theatre both strong frequent features of my compositional oeuvre. After several meetings andexperimentation with Brice I chose a setup that enhances the musical scope without visually cluttering the stage. I am also using a rather unusual scordatura that not only changes the timbre of the instrument itself but also helps create unique soundscapes that blend together with the sounds from the spring drums the human voice (whistling groans and other effects) a singing bowl a harmonica and a flexible tube among others. The work is entitled Emmelia and there are two reasons for this: Emmelia derives from the prefix en (in) and the noun melos (harmony) thus meanin

Aulis Sallinen's Katso Pohjoista Taivasta (Watch The Northern Sky) for Soprano Baritone and Piano. Composed in 2017. Duration: 12 minutes Aulis Sallinen's Katso Pohjoista Taivasta (Watch The Northern Sky) for Soprano Baritone and Piano. Composed in 2017. Duration: 12 minutes

This book presents six contemporary guitar works by Irish composers. These works are fairly evenly divided with reference to their position in the composer's output and also to the composers' age: three of the six are early works (Farrell Bromhead and Fennessy) while the remaining three were produced during the composers' more mature years (O'Leary Sweeney and Bodley): also three generations of living composers are represented. The six works chosen vary widely in compositional style approach to writing for the guitar and technical requirements thus presenting a generally good overview of contemporaryIrish guitar music. This collection spans the period from 1970 to 2006 andincludes 'Gemini' by Jerome de Bromhead the first Irish solo concert work for guitar. A short introduction to each composer and a background to his/her work is included. This book presents six contemporary guitar works by Irish composers. These works are fairly evenly divided with reference to their position in the composer’s output and also to the composers’ age: three of the six are early works(Farrell Bromhead and Fennessy) while the remaining three were produced during the composers’ more mature years (O’Leary Sweeney and Bodley); also three generations of living composers are represented. The six works chosen varywidely in compositional style approach to writing for the guitar and technical requirements thus presenting a generally good overview of contemporary Irish guitar music. This collection spans the period from 1970 to 2006 andincludes “Gemini” by Jerome de Bromhead the first Irish solo concert work for guitar. A short introduction to each composer and a background to his/her work is included

This is the Oboe and Piano version of Geoffrey Bush 's Christmas Cantata . This is the Study Score and Oboe Part .

Malcolm Arnold wrote this little fantasy in the early 1960s as a present for his children Katherine and Robert to play together. Even as a miniature it has many of the hallmarks of the Arnold style such as the evocative melodic writing together with the occasional dark dissonance. It was written at a time when Arnold was deeply into film music. Perhaps this is why in the famous film Whistle Down the Wind the main theme is for flute/piccolo and turns out to be not entirely dissimilar to the theme found in this fantasy.

A song for unison voices and piano accompaniment using words from an old rhyme.