For SATB Choir with accompaniment. For SATB Choir with accompaniment.

Twelve rural reflections for Double Bass and Piano by Betty Roe. These short pieces have straightforward simple arrangements making them ideal for beginners who will enjoy playing and learning these bright and relaxed tunes.

Violoncello and Piano-Originally Beethoven wrote Sonata Op. 17 for horn and piano. This composition was intended for the famous horn virtuoso Johann Wenzel Stich who called himself Giovanni Punto. Punto had greatly expanded the playing techniques on the natural horn. Accordingly Beethoven tailored the solo part completely to the unique playing skills of this virtuoso musician. Punto performed the work several times; to other hornists however it remained unaccessible at that time because of its difficulties. That probably was the reason why this work was published in a version for horn or violoncello one year after the world premiere already. It is deemed to be fairly certain that thisarrangement goes back to Beethoven himself. Carl Czerny already ranked this sonata among Beethoven's original cello sonatas and listed it chronologically as No. 3. Like the 1801 edition of the Viennese publisher Tranquillo Mollo the Wiener Urtext Edition publishes the sonata for horn or violoncello and piano. Whereas the horn sonata was very difficult to play at the time of creation the arrangement for violoncello curiously enough is one of the easiest among Beethoven's cello sonatas. For this reason the composition is increasingly popular among cellists as an accessible approach to Beethoven's oeuvre for violoncello and piano. Consequently the work is now available in the Wiener Urtext Edition series as separate edition as well. Originally Beethoven wrote Sonata Op. 17 for Horn and Piano. This composition was intended for the famous Horn virtuoso Johann Wenzel Stich who called himself Giovanni Punto. Punto had greatly expanded the playing techniques on the natural Horn. Accordingly Beethoven tailored the solo part completely to the unique playing skills of this virtuoso musician. Punto performed the work several times; to other hornists however it remained unaccessible at that time because of its difficulties. That probably was the reason why this work was published in a version for Horn or Violoncello one year after the world premiere already. It isdeemed to be fairly certain that this arrangement goes back to Beethoven himself. Carl Czerny already ranked this sonata among Beethoven 's original Cello sonatas and listed it chronologically as No. 3. Like the 1801 edition of the Viennese publisher Tranquillo Mollo the Wiener Urtext Edition publishes the sonata for Horn or Violoncello and Piano. Whereas the Horn sonata was very difficult to play at the time of creation the arrangement for Violoncello curiously enough is one of the easiest among Beethoven 's Cello sonatas. For this reason the composition is increasingly popular among cellists as an accessible approach to Beethoven's oeuvre for violoncello and piano. Consequently the work is now available in the Wiener Urtext Edition series as separate edition as well.

George Frideric Handel 's Complete Piano Works . Volume 1B

Vocal score of L'allegro Il Pensieroso Ed Il Moderato.

Contents: Albeniz: Orientale-Tango Op. 164 No. 2 Bartok: Bagatelle Bear Dance Valse (Ma mie qui danse) Op. 6 No. 14 Bellini: Pinocchio Bloch: Chanty (Poems of the Sea) John AldenCarpenter: Impromptu Chabrier: Habanera Chavez: Prelude (Ten Preludes) Debussy: Reverie Valse Romantique D'Indy: Aarau (Waltz from Helvetia) Op. 17 No. 1; Laufenburg (Waltz fromHelvetia) Op. 17 No. 3; Le Chant des Bruyeres (The Song of the Heath) de Falla: Serenata Andaluza Farwell: Sourwood Mountain Op. 78 No. 3 Faure: Berceuse Op. 56 No. 1; Impromptu Op. 31 No. 2 Fibich: Impression Op. 44 No. 32 Lukas Foss: Grotesque Dance Godowsky: Nocturnal Tangier Grainger: Spoon River Granados: Rondalla Aragonesa Griffes: The White Peacock Guion: TheHarmonica Player (Alley Tunes) Roy Harris: Little Suite Krenek: The Moon Rises Op. 83 No. 4 Palmgren: Spring Night Op. 22 No. 8 Pinto: Marcha do Pequeno Polegar (Tom Thumb's March) Prokofiev; Gavotte Op. 12 No. 2; Marche Op. 12 No. 1; Vision Fugitive Op. 22 No. 16 Rachmaninoff: Elegie Op. 3 No. 1; Prelude in E Flat Op. 23 No. 6 Ravel: Jeux d'Eau; Pavane Pour une Infante defunte Rebikov: Les Demons s'amusent Reger: Humoresque Op. 79a No. 2 Respighi: Notturno Satie: Gymnopedie Scriabin: Mazurka Op. 25 No. 4; Poeme Op. 69 No. 1 Shostakovitch: Polka (L'Age d'or Op.22) Sibelius: Romance Op. 24 No. 9 Soro: La Hiladora (The Spinner) R. Strauss: An einsamer Quelle (By the Lonely Spring) Op. 9 No. 2; Traumerei (Revery) Op. 9 No. 4 Stravinsky: Etude Op. 7 No. 2 Szymanowski: Etude Op. 4 No. 3 Thuille: Gavot.Representing composers of thirteen nationalities. Includes music by Albeniz Debussy De Falla Faure Griffes Pinto Stravinsky and Thuille.

For Viola and Piano. 1st performance London SPNM concert at the Arts Council July 6 1956; Watson Forbes and the composer. For Viola and Piano. 1st performance London SPNM concert at the Arts Council July 6 1956; Watson Forbes and the composer.

Johannes Brahms ' Sonata Op.108 D Minor .

Sixteen cantatas for alto or mezzo voice and keyboard These cantatas includes more ornamentation than any other Handel cantata collection. Most are published here in an ornamented version corrected form or complete for the first time. Included is a full description of the songs and their sources and notes for performers as well as editorial method and critical notes. Sixteen cantatas for alto or mezzo voice and keyboard These cantatas includes more ornamentation than any other Handel cantata collection. Most are published here in an ornamented version corrected form or complete for the first time. Included is a full description of the songs and their sources and notes for performers as well as editorial method and critical notes.

Movement number 2 of the zarzuela La Alegria De La Huerta (UMV53140) by Chueca . Duet for Voice and Piano.

This comprehensive method based on the solfege system gives you a step-by-step plan for teaching the fundamentals of sightsinging. Highly practical for the choral rehearsal Vol. II provides 244 graded exercises in unison 2-part 3-part and 4-part covering chromatics syncopations minor modes and much more. Also included is a comprehensive glossary of musical terms. Recommended for Grades 6-12. Available: Teacher's Edition Vol. I & II StudentEdition Vol. I & II and Sightsinging Part Exercises. For Grades 6-12.This comprehensive method based on the solfege system gives you a step-by-step plan for teaching the fundamentals of sightsinging. Highly practical for the choral rehearsal Vol. II provides 244 graded exercises in unison 2-part 3-part and 4-part covering chromatics syncopations minor modes and much more. Also included is a comprehensive glossary of musical terms. Recommended for Grades 6-12. Available: Teacher's Edition Vol. I & II Student Edition Vol. I & II and Sightsinging Part Exercises. For Grades 6-12.

Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.

English translation of this Mendelssohn song for SS chorus and piano accompaniment.

Sir George Dyson composer teacher organist and administrator was born in Halifax Yorkshire England in 1883. Sir George was very committed to composing simple pieces for amateur musicians to perform and thiscollection of three songs are a fine example. Dyson's texts were taken from the works of some of the greatest poets- John Bunyan Shakespeare Masefield and in this case Robert Herrick. The words are well set the music sounds fresh and simple and the melodic lines are attractive.

Part-song for chorus of men's voices using words from the Greek anthology Marcus Argentarius translated by Richard Garnett.

for AATTBB unaccompanied Chilcott's arrangement of 'Viens par le pre' a folksong from the Haute-Auvergne region of France that presents a heartfelt expression of love is tender and expressive with rich warm harmonies. 'Viens par le pre' is featured on the Tenebrae CD Sun Moon Sea and Stars (Signum SIGCD903). Chilcott's arrangement of ' Viens par le pre ' a folksong from the Haute-Auvergne region of France that presents a heartfelt expression of love is tender and expressive with rich warm harmonies. ' Viens par le pre ' is featured on the Tenebrae CD Sun Moon Sea and Stars (Signum SIGCD903).

Score available: NOV090643

Robin Milford was a friend of Gerald Finzi and this work certainly owes something to that major 20th century composer. The Quintet is full of wonderful tunes as well as robust and characteristic writing for both the Clarinet and Strings. Arranged for Clarinet and String Quartet.

For Tenor Violin And Drone-Three Songs was expertly composed by Nico Muhly . There is a two-note drone that sounds throughout this piece’s 15-minute duration. In the first part of the songs the Tenor and the Violin exchange lyrical and declamatory statements. The second part is a song without words: a sort of dance for solo Violin. The third part has the Violin intoning a pair of notes while the tenor sings in essence a list. The work was commissioned by violinist Tatiana Berman on French surrealist poems of her choosing and was premiered at the Constella Festival in Cincinnati in 2012. Three Songs was expertly composed by Nico Muhly . There is a two-note drone that sounds throughout this piece’s 15-minute duration. In the first part of the songs the Tenor and the Violin exchange lyrical and declamatory statements. The second part is a song without words: a sort of dance for solo Violin. The third part has the Violin intoning a pair of notes while the tenor sings in essence a list. The work was commissioned by violinist Tatiana Berman on French surrealist poems of her choosing and was premiered at the Constella Festival in Cincinnati in 2012.

for SATB (with divisions) and organ This work is by turns joyous and reflective. Rich harmonies shifting tonalities and expressive melodies combine to evoke the changing moods explored within the text. The poignant Andante section gives way to increasingly jubilant and powerful writing that brings the work to an ecstatic conclusion. Malcolm Archer 's A Hymn For St Cecilia for SATB choir (with divisions) and Organ. Set to Ursula Vaughan Williams ' celebrated paean to the patron saint of music this work is by turns joyous and reflective. Rich harmonies shifting tonalities and expressive melodies combine to evoke the changing moods explored within the text. The poignant Andante section midway through the piece sung by a solo Soprano is a pivotal moment; it gives way to increasingly jubilant and powerful writing that brings the work to an ecstatic conclusion.