A Piano transcription of Edward Elgar's First Symphony which was written in 1908.

Motet for Five Voices (SSATB) A Cappella.

Sweet Thames Flow Softly is a tremendous unaccompanied part-song for SATB choir by Betty Roe with words by Ewan MacColl. A brisk flowing pace accentuates the meandering of the river through London to the sea. This piece from 1992 is the first of Two River Songs . A Piano reduction is included for rehearsal purposes.

Arranged for unaccompanied choir SATB. Words by Edward Lear. Piano part included for rehearsal use.

Return Of The Nightingales by Sadie Harrison is for solo Piano and Nightingale. This score is prefaced by the following Persian Sufi text: 'Ajab tarana e sar karda am darin golshan Khoda konad ke na sazad falak khamush mara' - which translates in English to 'I have started to sing a wonderful song in this flower-garden like a nightingale. I hope the movement of the stars (destiny) does not make me silent again.' It is used as a direct reference to the devastation of Afghan culture during the period of the Taliban when musicians were silenced many exiled or fleeing and to their re-emergence following the Taliban’s expulsion from 2001. The piece is dedicated to John Baily who together with his wife Veronica Doubleday has worked tirelessly to preserve Afghan music. His video documentary Return of the Nightingales (2012) celebrates the fabulous work undertaken by the Afghanistan National Institute for Music. Its mottos are: BUILD LIVES THROUGH MUSIC REVIVE AND PRESERVE AFGHAN MUSIC TRAIN FUTURE MUSIC EDUCATORS ESTABLISH INTERCULTURAL DIALOGUE ASSURE MUSICAL RIGHTS Return Of The Nightingales was commissioned by Late Music Festival with funds from the Performing Rights Society. It was premiered by Ian Pace on 3 August 2013 at the Unitarian Chapel York. Return Of The Nightingales by Sadie Harrison is for solo Piano and Nightingale. This score is prefaced by the following Persian Sufi text: 'Ajab tarana e sar karda am darin golshan Khoda konad ke na sazad falak khamush mara' - which translates in English to 'I have started to sing a wonderful song in this flower-garden like a nightingale. I hope the movement of the stars (destiny) does not make me silent again.' It is used as a direct reference to the devastation of Afghan culture during the period of the Taliban when musicians were silenced many exiled or fleeing and to their re-emergence following the Taliban’sexpulsion from 2001. The piece is dedicated to John Baily who together with his wife Veronica Doubleday has worked tirelessly to preserve Afghan music. His video documentary Return of the Nightingales (2012) celebrates the fabulous work undertaken by the Afghanistan National Institute for Music. Its mottos are: BUILD LIVES THROUGH MUSIC REVIVE AND PRESERVE AFGHAN MUSIC TRAIN FUTURE MUSIC EDUCATORS ESTABLISH INTERCULTURAL DIALOGUE ASSURE MUSICAL RIGHTS Return Of The Nightingales was commissioned by Late Music Festival with funds from the Performing Rights Society. It was premiered by Ian Pace on 3 August 2013 at the Unitarian Chapel York.

Luís Tinoco 's Incipit for symphony Orchestra. Conductor's score. “ Incipit ” includes various quotations of “Audivi vocem de caelo” written by the Portuguese composer Duarte Lobo (1565-1646) thought to have been born in the same year when the city of Rio de Janeiro was founded. Work commissioned by the OPART - S.Carlos Theatre to mark the city of Rio de Janeiro’s 450th anniversary and first performed by the Orquestra Sinfónica Brasileira conducted by Tito Muñoz – Cidade das Artes and Theatro Municipal 10th and 11th of June 2015 – Rio de Janeiro. Luís Tinoco 's Incipit for symphony Orchestra. Conductor's score. “ Incipit ” includes various quotations of “Audivi vocem de caelo” written by the Portuguese composer Duarte Lobo (?1565-1646) thought to have been born in the same year when the city of Rio de Janeiro was founded. Work commissioned by the OPART - S.Carlos Theatre to mark the city of Rio de Janeiro’s 450th anniversary and first performed by the Orquestra Sinfónica Brasileira conducted by Tito Muñoz – Cidade das Artes and Theatro Municipal 10th and 11th of June 2015 – Rio de Janeiro.

The Spanish composer guitarist teacher and priest Gaspar Sanz (1640-1710) was one of the leading proponents of the Baroque Guitar. He is best known for his three pedagogical works for the instrument that are still used today by scholars and academics. The collection of four Danzas Cervantinas was written in 1674 in homage to the Spanish writer Miguel de Cervantes (1547-1616) who is famed across the world as the writer of Don Quixote . They have been edited and arranged for the modern instrument by Regino Sainz de la Maza (1896-1981) a virtuosic guitarist and composer who toured all across the world. The Spanish composer guitarist teacher and priest Gaspar Sanz (1640-1710) was one of the leading proponents of the Baroque Guitar. He is best known for his three pedagogical works for the instrument that are still used today by scholars and academics. The collection of four Danzas Cervantinas was written in 1674 in homage to the Spanish writer Miguel de Cervantes (1547-1616) who is famed across the world as the writer of Don Quixote . They have been edited and arranged for the modern instrument by Regino Sainz de la Maza (1896-1981) a virtuosic guitarist and composer who toured all across the world.

Tarik O'Regan's As One for SATB. Commissioned by the American Guild of Organists for the Biennial National Convention in Kansas City 2018. Duration: 3.5 minutes

For Mixed Chorus. Published in 1970. Revised version. Choral Score. For Mixed Chorus. Published in 1970. Revised version. Choral Score.

Composed and published 2014. Commissioned by Festival Internacional Cervantino 2014. First performance: Randall Scarlata (baritone) and Ensemble Redes Festival Internacional Cervantino 2014 13th October 2014. Duration: 12 minutes. Instrumentation: Flute(=Bass Flute) Bass Clarinet Percussion Guitar Violin Viola.[Percussion: Triangle Cymbal Large Tam-Tam Wood Block Tambourine Wooden Chimes Sleigh Bells Güiro Maracas Bongos 3 Tom-toms Felxatone Waterphone Vibraphone Marimba 29-inch Timpani]. Composed and published 2014. Commissioned by Festival Internacional Cervantino 2014. First performance: Randall Scarlata (baritone) and Ensemble Redes Festival Internacional Cervantino 2014 13th October 2014. Duration: 12 minutes. Instrumentation: Flute(=Bass Flute) Bass Clarinet Percussion Guitar Violin Viola.[Percussion: Triangle Cymbal Large Tam-Tam Wood Block Tambourine Wooden Chimes Sleigh Bells Güiro Maracas Bongos 3 Tom-toms Felxatone Waterphone Vibraphone Marimba 29-inch Timpani].

Arranged For Ukulele-While many are familiar with the music of Wolfgang Amadeus Mozart fewer are aware that his father Leopold Mozart was a famous composer in his own right. At the age of seven Wolfgang received a notebook from his father as a birthday gift. The Notebook for Wolfgang includes contemporary dances and arias mostly by Leopold Mozart. These compositions provide a glimpse into the formative years of Wolfgang Amadeus Mozart. This book includes fifteen pieces from the notebook arranged for the ukulele. The melody and bass parts are arranged so the original notation and polyphony are maintained. Each chapter includes pieces presented in standard notation and tablature. While many are familiar with the music of Wolfgang Amadeus Mozart fewer are aware that his father Leopold Mozart was a famous composer in his own right. At the age of seven Wolfgang received a notebook fromhis father as a birthday gift. The 'Notebook for Wolfgang' includes contemporary dances and arias mostly by Leopold Mozart . These compositions provide a glimpse into the formative years of Wolfgang Amadeus Mozart.This book includes fifteen pieces from the notebook arranged for the Ukulele. The melody and bass parts are arranged so the original notation and polyphony are maintained. Each chapter includes pieces presented in standardnotation and tablature.

Hacia Una Bitacora Capilar by the Mexican composer Hilda Paredes arranged for String Quartet. Hacia Una Bitacora Capilar was written in 2013-4 to celebrate the 40th anniversary of the Arditti Quartet with funds provided by Sistema Nacional de Creadores (Mexico) and the PRS Foundation. Duration: 7 minutes. Hacia Una Bitacora Capilar by the Mexican composer Hilda Paredes arranged for String Quartet. Hacia Una Bitacora Capilar was written in 2013-4 to celebrate the 40th anniversary of the Arditti Quartet with funds provided by Sistema Nacional de Creadores (Mexico) and the PRS Foundation. Duration: 7 minutes.

Piano quintet for two Violins Viola Violoncello and Piano. This edition of Enrique Granados ’ Quinteto En Sol Menor includes score and parts. Language: Spanish. Enrique Granados was a Spanish pianist and composer of classical music. His music is in a uniquely Spanish style and as such is representative of musical nationalism. Granados wrote Piano music chamber music songs zarzuelas and an orchestral tone poem based on Dante's Divine Comedy. Many of his Piano compositions have been transcribed for the classical Guitar: examples include Dedicatoria Danza No. 5 Goyescas. Piano quintet for two Violins Viola Violoncello and Piano. This edition of Enrique Granados ’ Quinteto En Sol Menor includes score and parts. Language: Spanish. Enrique Granados was a Spanish pianist and composer of classical music. His music is in a uniquely Spanish style and as such is representative of musical nationalism. Granados wrote Piano music chamber music songs zarzuelas and an orchestral tone poem based on Dante's Divine Comedy. Many of his Piano compositions have been transcribed for the classical Guitar: examples include Dedicatoria Danza No. 5 Goyescas.

Preludes and Fugues was written originally for solo accordion (Op. 95). The version of organ (Op. 95b) was written in 2012 and premiered by Kalevi Kiviniemi at the St. Albans International Organ Festival on 14th July 2013. Preludes and Fugues was written originally for solo accordion (Op. 95). The version of organ (Op. 95b) was written in 2012 and premiered by Kalevi Kiviniemi at the St. Albans International Organ Festival on 14th July 2013.

Johannes Brahms ' Fantasies Op. 116 .

For Mountain Dulcimer Dad Tuning-The music of Ireland has inspired us for centuries. The DAD tuning is a favorite of mountain dulcimer players and this book with accompanying audio combines beautiful Irish songs and tunes arranged for the dulcimer in DAD. Two melodies by the Irish harper Turlough O'Carolan are included along with well-known songs like Down in the Salley Gardens and more rare treasures like The Lark in the Clear Air. Standard notation and backup chords are included with the tablature. The accompanying audio helps you play through each tune at a moderate tempo. Includes access to online audio. The music of Ireland has inspired us for centuries. The DAD tuning is a favorite of mountain dulcimer players and this book with accompanying audio combines beautiful Irish songs and tunes arranged for the dulcimer in DAD. Two melodies by the Irish harper Turlough O'Carolan are included along with well-known songs like 'Down in the Salley Gardens' and more rare treasures like 'The Lark in the Clear Air.' Standard notation and backupchords are included with the tablature. The accompanying audio helps you play through each tune at a moderate tempo.

A tender and moving piece for Soprano Solo and Unaccompanied SATB. Edited for performance by Alan Gibbs.

The third book in a fabulous series that presents the best of Peter Warlock’s Choral Music. Warlock has been described as the Carollist of the last century and is a treasure of British song-writing. This volume contains a fantastic collection of some of his best and most loved Carols. Eight Carols set for Unison voices and Piano accompaniment. Warlock has such a way with words phrasing and melody that these songs are sure to delight singers players and audiences.

for SATB unaccompanied A hymn to the Blessed Sacrament for SATB unaccompanied with Keyboard reduction for rehearsal purposes.

César Franck 's Complete Organ Works Volume 4 - 3 Chorals For Grand Organ contains Choral No. 1 E-Major Choral No. 2 B-Minor and Choral No. 3 A-Minor .