3 Contrapuntal Songs and 2 Interludes for baritone and tuba in F. 3 Contrapuntal Songs and 2 Interludes for baritone and tuba in F.

Novello Voices Show Singles (From Les Miserables.) Fabulous SATB arrangements of popular modern songs from West End shows and the worlds of jazz and pop music.

for SATB and piano or organ or strings Also in 100 Carols for Choirs. Material is available on hire. This carol is a setting of John Rutter's lyrics to an old sixteenth-century French melody arranged by Rutter for SATB Choir and Organ accompaniment.

Betty Roe: All The Day - The Chorus Line Part for Betty roe and Leonard Clarks's musical All The Day .

This is Mel Bay's landmark system for playing guitar solos in chord style using popular sheet music. This method is accessible to the intermediate level student and is applicable for pick or fingerstyle performance. In notation and tablature. This is Mel Bay's 'landmark' system for playing guitar solos in chord style using popular sheet music. This method is accessible to the intermediate level student and is applicable for pick or fingerstyle performance. In notationand tablature.

Flute oboe and piano. Written in June 1940. This is the first published edition. Sir Malcolm at his most entertaining. Audiences will love this. An alternative clarinet part (replacing the oboe part) is included.

This mini-musical began life as a workshop project commissioned by June Keyte for late-teenage children at Kingsmead School Enfield. The three main characters are a contented boy an uncertain girl and a disillusioned person who can be a boy or a girl. The chorus can be any size. The part of the porter is a solo voice taken from the chorus. The staging and costumes can be as simple or elaborate as you wish but the opening and closing scenes must in some way represent a railway carriage with the three main characters sitting side by side. The piece offers some scope for the insertion of other songs about London to extend the performance in appropriate circumstances. Destination London is ideal for a school or youth group looking for a substantial item in a mixed programme or a group not yet ready to tackle a full-scale musical. The accompaniment can be piano alone but the addition of double bass percussion or any other instruments would add to the overall effect.

Rosita a Polka and Marieta a Mazurka are presented here as a pair of short but challenging pieces for the solo classical guitar. Castellon-born composer Francisco Terrega was a highly important figure in the revival of the guitar as a solo instrument at the start of the 20th century and these two dances form part of nearly 100 original works for the instrument.

Strings parts for Overture in g minor from Fantazias and Miscellaneous Instrumental Music .

Commissioned by Michigan State University USA for the Verdehr Trio.

With these three volumes Vienna Urtext Edition presents the first critical edition of Schubert's entire piano sonata output published in chrono-logical order. The musical text newly revised from the original sources is accompanied by articles giving a history of the work details on Schubert's piano writing and his instruments and tips on authentic performance practice. The editorial approach is explained in a critical commentary. The third volume contains the later sonatas composed in Schubert's final years (1825-1828) D 850 D 894 D 958 D 959 and D 960. With these three volumes Wiener Urtext Edition presents the first critical edition of Schubert 's entire Piano sonata output published in chrono-logical order. The musical text newly revised from the original sources is accompanied by articles giving a history of the work details on Schubert 's Piano writing and his instruments and tips on authentic performance practice. The editorial approach is explained in a critical commentary. The third volume contains the later sonatas composed in Schubert 's final years (1825-1828) D 850 D 894 D 958 D 959 and D 960.

Hommage à Robert Schumann-Orchestra (full score). Rudin R

John Rutter 's Shall I Compare Thee To A Summer's Day? for SATB unaccompanied. This secular work is set to the text of Shakespeare's famous Sonnet No. 18. Throughout the work Rutter skilfully weaves the figurative language of the sonnet within the lyrical melodic lines of the music. Shakespeare's expressive text is passed between the voices with the warm verdant harmonies enveloping the sonnet's use of imagery and the work's central metaphor of comparing love to a summer's day.

This is perhaps Smart's best-known work. Composed in 1871.

Contents: Allegro Appassionata (Saint-Saëns) Bourrée (Bach) Cantilena (Goltermann) Hungarian Dance No. 1 (Brahms) Lament (Dvorak) Minuetto (Schubert) Playera (Granados) Romance (Schumann) Sarabande (Debussy) Scherzo (Beethoven) Sleighride (Tchaikovsky) Song Without Words (Mendelssohn) Spanish Dance (Moszkowski) Violin Sonata (Grieg). Selected and edited by Larry Teal. Fourteen numbers by J.S. Bach Beethoven Brahms Dvorak Granados Mendelssohn Saint-Saens Schubert and Tchaikovsky. With piano accompaniment. For ABRSM examinations grade 6 and 7 Tenor Sax.

A simple setting of the Magnificat for SATB and organ with optional brass quintet (2 trumpets horn 2 trombones). The instrumental material is available on hire. This lovely piece is a simple setting of the Magnificat and was comissioned by the Shrine Of Our Lady Of Walsingham to celebrate the Second Millennium of the Lord's birth. Arranged for SATB and Organ Accompaniment.

Wolstenholme's 'Allegretto' Op.17/2 arranged for viola and piano.

From the songwriting team who brought us Dear Evan Hansen and La La Land the movie musical The Greatest Showman is based on the true story of P. T. Barnum with Hugh Jackman in the title role. This arrangement of the powerful anthem from the film is a dynamic showcase for the concert stage. From the songwriting team who brought us Dear Evan Hansen and La La Land the movie musical The Greatest Showman is based on the true story of P. T. Barnum with Hugh Jackman in the title role. This arrangement of the powerful anthem from the film is a dynamic showcase for the concert stage.

A setting for soprano clarinet and piano of words by David Whitter. The piece is in four movements - Introduction and Recitiative Aria Cantilena and Chorale - they represent each of the seasons from winter in the first movement to autumn in the fourth. The text draws parallels between the changing seasons and the story of Christ.

Paperback- Cecilia McDowall 's When Time Is Broke for SSAA (with divisions) unaccompanied. Cecilia McDowall's fresh and appealing style is amply displayed in this cycle subtitled 'Three Shakespeare Songs'. In total six Shakespeare texts are used and McDowall 's response encompasses a fleet-footed impression of Scottish fiddle music a gorgeously plangent slow movement and a helter-skelter finale that broadens to a mysteriously pitchless ending. Also available for SSATB.