for SATB unaccompanied Philip Ledger's setting of this 15th Century text for SATB unaccompanied.

Work for Organ

Spielend for two violins was written during the summer and early autumn of 2003 and is based on the idea of the two instruments not only playing the instruments but also playing in the sense of sport i.e. playing their themes off against each other and playing with the musical material. There are times for instance when they seem to be having a contest to see who can finish the themes first or who can divert the other’s attention to a new texture or rhythm. The title the German word for 'playing' also refers in a way to the composer himself exploring the themes harmonies and rhythms - particularly notable in this respect is the large central slow section which contraststwo altered reminiscences of the Violin Sonata of Poulenc (a composer whose music is very dear to me) with the gradual expansion of a fugue from two parts to eight (four in each violin). Fugue after all is in a sense an example of a composer making sport however seriously with the themes. So the work is a kind of extended musical pun lasting about fifteen minutes in all and being performed without a break. Though the central section is slow the outer ones are quick and energetic emphasizing especially the idea of activity and vigour - the ending however may catch the unwary listener by surprise. The first performance was given by Philippa Mo and Peter Sheppard Skærved in Leighton House London on 7th May 2004. 'John McCabe's new 'Spielend' strikes me as a miniature masterpiece: a highly charged 15-minute piece in which the violins chase or echo each other in a thousand different ways including a fugure in which as with Bach two instruments seemed to suggest a dozen voices.' - Richard Morrison The Times 11/05/2004

for SATB (with divisions) cello and piano This five-movement work celebrates the long Canadian winter setting texts by the composer Sara Teasdale Lucy Maud Montgomery (of 'Anne of Green Gables' fame) and Melville Cane. The music conjures up vivid images of a cold and crisp winter and of swirling dancing snowflakes. Sarah Quartel 's A Winter Day for SATB (with divisions) Cello and Piano. This five-movement work celebrates the long Canadian winter setting texts by the composer Sara Teasdale Lucy Maud Montgomery (of 'Anne of Green Gables' fame) and Melville Cane. Each movement depicts a different time of day beginning with the cold darkness before dawn ('Timid Star') and concluding with the evening turning into dusk and then darkness ('Snow Toward Evening'). The music conjures up vivid images of a cold and crisp winter and of swirling dancing snowflakes.

Make it a very special holiday season for your students with this unique multiculltural musical trip around the world. Perfect for the classroom and on stage thiis collection provides songs script and background information andactivities ffor a variety of international holidays. Available: Teacher's Edition Singer's Edition 10-Pak and ShowTrax CD (full performance/accompaniment only. Performance Time: 45 minutes. For Gr. 1-6.Make it a very special holiday season for your students with this unique multiculltural musical trip around the world. Perfect for the classroom and on stage thiis collection provides songs script and background information andactivities ffor a variety of international holidays. Available: Teacher's Edition Singer's Edition 10-Pak and ShowTrax CD (full performance/accompaniment only. Performance Time: 45 minutes. For Gr. 1-6.

Jesus and his disciples-Soli SATB Orchestra (Choral Score). Herrmann H

There exists already and abundant supply of original compositions and arrangements suitable for performance on large and comprehensive organs but many organists who have only a small instrument at their disposal in country churches often have some difficulty in finding short and easy voluntaries suitable for their own use and the instruction of their pupils. It is hoped that The Village Organist may supply this want so much felt by that valuable and zealous class of church-workers to whom the work is inscribed. The editors have endeavoured to bring together a collection of pieces which they trust will prove to be at once simple without being uninteresting and effective where the instrumental resources are limited.

Altazor was commissioned by Festival D'Autumne a Paris 2011 computer designed realised at IRCAM-Centre Pompidou Studios by Lorenzo Bianchi comuter designer. On completion of this work the composer is a member of Sistema. Altazor is composed for Baritone Voice Flute Clarinet Oboe Percussion Piano Violin Viola Cello and live electronics. Altazor was commissioned by Festival D'Autumne a Paris 2011 computer designed realised at IRCAM-Centre Pompidou Studios by Lorenzo Bianchi comuter designer. On completion of this work the composer is a member ofSistema. Altazor is composed for Baritone Voice Flute Clarinet Oboe Percussion Piano Violin Viola Cello and live electronics.

Edited by Sydney Pickles.

Choral cantata No. 3 for Good Friday-A/T[S] SOLO/SATB/VLN/OB/ORG S. Reger M

Composed in 1917 Warlock’s An Old Song is an atmospheric piece based on a Highland folk-song that has been transcribed for B Flat clarinet and Piano by John Mitchell.

Per Flauto E Pianoforte

This Book features sets played in West Coast Irish pub sessions presenting 40 often played Irish slip jig reel hornpipe waltz polka and jig sets as well as some original tunes and songs. These 'session friendly' settings are written for all melody instruments and include chord symbols. You will be able to build your own repertoire of Irish music from these sets and fit in with sessions from Ireland to California. The accompanying CDs have the versions of these sets as played by Dannsair on their 3 CD releases: Mists of Ennistymon Rias Medias and Galicia. Audio Tracks: The music on the audio tracks contains 40 pieces of music found in the book. The pieces ofmusic are the complete recordings of Dannsair and have all the melodies and backup instruments. They are played at performance tempos. This Book features sets played in West Coast Irish pub sessions presenting 40 often played Irish slip jig reel hornpipe waltz polka and jig sets as well as some original tunes and songs. These 'session friendly' settings arewritten for all melody instruments and include chord symbols. You will be able to build your own repertoire of Irish music from these sets and fit in with sessions from Ireland to California. The accompanying CDs have theversions of these sets as played by Dannsair on their 3 CD releases: Mists of Ennistymon Rias Medias and Galicia. Audio Tracks: The music on the audio tracks contains 40 pieces of music found in the book. The pieces ofmusic are the complete recordings of Dannsair and have all the melodies and backup instruments. They are played at performance tempos.

A beautiful version of this Traditional Yuletide Carol for SATB choir Unison choir of upper voices and sopranos with an Organ accompaniment by Betty Roe. A beautiful version of this Traditional Yuletide Carol for SATB choir Unison choir of upper voices and sopranos with an Organ accompaniment by Betty Roe.

Gaudiana was first performed at L’Auditori Barcelona Spain on 2 3 and 4 December 2005 by the Orquestra Simfònica de Barcelona i Nacional de Catalunya conducted by Rumon Gamba.

POD-How Sweet I Roamed is a work by Julian Marshall for Unaccompanied SATB Choir. Setting two texts from poems by William Blake a full performance lasts around 5 and a half minutes. How Sweet I Roamed is a work by Julian Marshall for Unaccompanied SATB Choir. Setting two texts from poems by William Blake a full performance lasts around 5 and a half minutes.

from Three Songs of Love-Lilting and graceful the poetry of Christopher Marlowe is adroitly set with mixed meter and delightful harmonic interplay. For SSA voices with optional TTB divisi advanced choirs will shine in concert contest or festival withthe dance-like pastoral Come Live With Me and Be My Love.

A piece in two parts with the elegance and melodic playfulness of Baroque variations written for Flute and Piano by Ian Parrott. Suitable for the proficient soloist the piece is equally appropriate for Treble Recorder and Harpsichord.

Six sonatas. Six sonatas.

Song for Medium Voice in the Key of F with Piano accompaniment by George Frideric Handel. With words by W.G Rothery.