A sensational arrangement of this wonderful tongue-in-cheek song by Eric Idle that features in Monty Python's Spamalot for SATB chorus with Piano. A sensational arrangement of this wonderful tongue-in-cheek song by Eric Idle that features in Monty Python's Spamalot for SATB chorus with Piano.

Work for Guitar Solo composed in 1977.

Includes 35 Singer's Editions (08739223) 1 Accompanist's Edition (08739224) 1 Resource Manual (08739225) and 1 Praise Band Edition (08739226).

10 ragtime pieces for solo Piano by Robert Waldman with cover illustrations by Isadore Seltzer .

With Frédéric Chopin’s Fantaisie-Impromptu in c-sharp minor G. Henle Verlag presents a further Urtext separate issue from among the most popular works of this central composer of romantic piano music. This ear-worm is “romantic” in the best sense: stormy iridescent cascades produced by refined rhythms surround the hymn-like melody of the middle section. It is hardly surprising that Chopin fans easily end up rhapsodizing! What is surprising however is that the piece still so popular today is untitled in the source materials and was not published until after the composer’s death. Moreover there exist two versions we print them both in our individual Urtext edition whichmakes it easier to compare them with one another. Published posthumously in 1855 the Fantaisie Impromptu In C# Minor Op. Post.66 is one of Chopin ’s most frequently performed and popular compositions. There was initially some mystery surroundingthe piece and why Chopin never published it during his lifetime. James Huneker trying to explain why the piece was not published calls parts of it 'mawkish' and 'without nobility' whilst Ernst Oster writes that atechnical exploration would show why Chopin did not publish the work and that exploration shows that the Fantaisie-Impromptu and Beethoven's Moonlight Sonata ('Quasi una fantasia') are related. Themystery may have been solved in 1960 when pianist Arthur Rubinstein acquired the 'Album of the Baroness d'Este' which had been sold at auction in Paris. The album contained a manuscript of the Fantaisie-Impromptu written in Chopin 's own hand and dated 1835. The title page for the manuscript states that the piece was 'Composed for the Baroness d'Este by Frédéric Chopin' and from this Rubinstein surmises that the words 'Composedfor' in place of a dedication imply that Chopin received a paid commission for the work. This Henle Urtext Edition for solo Piano has been edited by Ewald Zimmermann and includes fingering by Hans-MartinTheopold.

from The Greatest Showman-Skillfully arranged for young players here is a popular hit from The Greatest Showman featuring a moderate rock style and strong melodic lines. Skillfully arranged for young players here is a popular hit from The Greatest Showman featuring a moderate rock style and strong melodic lines.

This book and extensive online audio recording is intended to be a tune repertoire book. It includes over 100 Old-Time festival favorites. Some are cliche others unusual some easy some difficult. The book contains 2 lines of tablature (one basic and one advanced) as well as standard notation and suggested chords. The basic version should be playable by those with general clawhammer skills. The advanced version will require more time and finesse as it is more ornamental (often more than just melodic) and may include less than intuitive ways of playing some passages. Includes access to online audio. This book and extensive online audio recording is intended to be a tune repertoire book. It includes over 100 Old-Time festival favourites. Some are cliche others unusual some easy some difficult. The book contains 2lines of tablature (one basic and one advanced) as well as standard notation and suggested chords. The basic version should be playable by those with general Clawhammer skills. The advanced version will require more time andfinesse as it is more ornamental (often more than just melodic) and may include less than intuitive ways of playing some passages. Free Fiddle versions of songs from this book are included to download.

(If It Ain't Got That Swing)-(F Horn parts optional)

With a childlike innocence this new setting of a beloved Phillippians text is delightful. The SAB voicing is highly singable and the piano accompaniment beautifully supports the creative vocal scoring. Add the optional fluteand triangle accompaniment to create a fresh touch. Available: SAB.

Score and Parts-Grades 4-5.

Well-Tempered Clavier II without fingering-The basis for the musical text of this edition without fingerings was Henle’s revised edition of Part I published in 1997 and Yo Tomita’s brand new revision of Part II (spring 2007). The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition. Both parts of the Well-Tempered Clavier are also available as Henle Urtext editions with fingerings (HN 16) and as study editions without fingerings (HN 9016).?The eminent Bach scholar Tomita discusses the complicated source situation of Part II in an extensive preface. A detailed commentary rounds off the edition. Both parts of the Well-Tempered Clavier are available as Henle Urtexteditions without fingerings and as study editions. The basis for the musical text was Henle’s revised edition of Part I published in 1997 and Yo Tomita’s brand new revision of Part II (spring 2007).

Clarinet Quintet in A major K. 581-Ever since Mozart encountered the clarinet in Mannheim in 1778 he loved the instrument’s warm and expressive tone. His friendship with Anton Stadler the clarinetist in the Royal-Imperial Court Orchestra in Vienna prompted him to compose not only the Clarinet Concerto (K. 622) but also this “Quintet of Quintets” which was written two years before his death. Like almost all his works for the clarinet this Quintet was probably intended originally for the basset clarinet. However it survives only in two posthumous prints both of which call for a standard clarinet. These prints form the basis of our edition. As an added bonus the appendix contains a fragmentary Allegro in Bbmajor for the same combination of instruments.? Ever since Mozart encountered the Clarinet in Mannheim in 1778 he loved the instrument’s warm and expressive tone. His friendship with Anton Stadler the clarinetist in the Royal-Imperial Court Orchestra in Vienna prompted him to compose not only the Clarinet Concerto (K. 622) but also this “Quintet of Quintets” which was written two years before his death. Like almost all his works for the Clarinet this Quintet wasprobably intended originally for the Basset Clarinet. However it survives only in two posthumous prints both of which call for a standard Clarinet. These prints form the basis of our edition. As an added bonus the appendixcontains a fragmentary Allegro in Bb major for the same combination of instruments.

Vier Duette Goldberg-Variationen-The Clavierübung published in four sections belongs to the few works of Bach that he allowed to be printed during his lifetime. Part I which appeared in print in 1731 contains the six Partitas Parts II–IV were issued in 1735 1739 and 1741/2. These are the parts that form the basis for the compilation that we find in this volume. The Italian Concerto and the French Overture constitute Part II and in a way serve as a kind of echo of French and Italian orchestral music of the time here transposed to the keyboard. The Four Duets are contained in Part III of the Clavierübung next to important works for the organ however since they are conceived for two parts they are idealfor piano or harpsichord. Bach Ital Conc Fr Ovrtr Pf W/O Fingr

In 1836 Chopin introduced the term ballad into piano music with the publication of his Ballad op. 23 although up to then it had only been used in literature and in vocal music. Indeed all four of Chopin’s ballads have the character of a dramatic story: the musical thread is spun with increasing tension throughout the work reaching a powerful climax at the end. Following the Préludes we have now thoroughly re-evaluated this edition and revised it to include the latest scholarly findings. The most significant ones are documented in the printed critical apparatus- the detailed version can be downloaded from the Internet.? In 1836 Chopin introduced the term 'ballad' into Piano music with the publication of his Ballad op. 23 although up to then it had only been used in literature and in vocal music. Indeed all four of Chopin ’s ballads have the character of a dramatic story: the musical thread is spun with increasing tension throughout the work reaching a powerful climax at the end. Following the 'Préludes' we have now thoroughlyre-evaluated this edition and revised it to include the latest scholarly findings. The most significant ones are documented in the printed critical apparatus; the detailed version can be downloaded from the Internet.

This comprehensive collection for all guitarists includes 100 songs in genres from jazz standards to pop/rock favorites Motown masterpieces and movie music to traditional tunes country numbers and classical pieces. Notationstyles include: note-for-note transcriptions (Blue on Black Give Me One Reason Sweet Child O' Mine Wild Thing); Easy Guitar with Notes & TAB (Building a Mystery Circle of Life Day Tripper Fur Elise Misty Torn Walk This Way); Easy Guitar (Boot Scootin' Boogie I Shot the Sheriff My Favorite Things Unchained Melody); Chord Melody Guitar (Alman Bourrée Estudio); Fingerstyle Guitar (Amazing Grace Greensleeves My Heart Will Go On); and Guitar Riffs (Angie Brown Eyed Girl Here Comes the Sun Layla My Girl); and more!This comprehensive collection for all guitarists includes 100 songs in genres from jazz standards to pop/rock favorites Motown masterpieces and movie music to traditional tunes country numbers and classical pieces. Notation styles include: note-for-note transcriptions (Blue on Black · Give Me One Reason · Sweet Child O' Mine · Wild Thing); Easy Guitar with Notes & TAB (Building a Mystery · Circle of Life · Day Tripper · Für Elise · Misty · Torn · Walk This Way); Easy Guitar (Boot Scootin' Boogie · I Shot the Sheriff · My Favorite Things · Unchained Melody); Chord Melody Guitar (Alman · Bourrée · Estudio); Fingerstyle Guitar (Amazing Grace · Greensleeves · My Heart Will GoOn); and Guitar Riffs (Angie · Brown Eyed Girl · Here Comes the Sun · Layla · My Girl); and more!

2-Part Choral Arrangement For Unison Voices or Solo Voice and Piano.

With a bright samba beat and smooth voicing Sing Noel! is a delight to sing. Great for use as a call to worship or Christmas anthem. The optional percussion will add excitement and interest. The upbeat ending puts a final touchof joy on this easily-learned highly effective anthem. Available: SATB SAB 2-Part.With a bright samba beat and smooth voicing Sing Noel! is a delight to sing. Great for use as a call to worship or Christmas anthem. The optional percussion will add excitement and interest. The upbeat ending puts a final touch of joy on this easily-learned highly effective anthem. Available: SATB SAB 2-Part.

In the last years of his life Schubert increasingly succeeded in finding publishers for his works. His Impromptus and Moments musicaux for example appeared in print in 1827 and 1828. Probably to pick up on the success of these editions he wrote three further pieces in May 1828 though no less outstanding than their predecessors they were not printed until Brahms’edition of 1868 which is perhaps one reason – a completely unjustifiable one –why they are still not very well known today.

from Early America-Music performed by bands of the Civil War era often included familiar airs and patriotic tunes. Included in this rousing medley is an early treatment of The Star-Spangled Banner (which wasn't recognized as the official national anthem until 1931). Also included is Yankee Doodle Washington's March and Columbia the Gem of the Ocean.

This book of twenty compositions spans approximately a 20-year period of writing. They can all be found on one or another of Ben's four solo releases: Flux Dust Excavation and Oceana. It reflects a broad sample of work involving the exploration of various harmonic technical and textural elements of the guitar. There are 6 solo pieces as well as pieces for trio and quartet with voice being the 4th instrument. The pieces were chosen for the particular technical challenges they present to the performer. Some unusual fingering techniques are employed as well as alternate tunings. Standard notation only.This book of twenty compositions spans an approximately 20-year period of writing. They can all be found on one or another of Ben’s four solo releases: Flux Dust Excavation and Oceana. It reflects a broad sample of workinvolving the exploration of various harmonic technical and textural elements of the guitar. There are 6 solo pieces as well as pieces for trio and quartet with voice being the 4th instrument. The pieces were chosen for theparticular technical challenges they present to the performer. Some unusual fingering techniques are employed as well as alternate tunings. Standard notation only.