This entertaining medley of great show music combines Superstar Theme Dont Cry For Me Argentina King Herods Song and Memory into a moving and dramatic medley that you and your students will love!

Composed shortly after his iconic New World Symphony Dvorßk's String Quartet No. 12 (American) reflects the composer's fondness for America during his tenure in New York and vacation in Iowa. Featuring a pentatonic scale and American folk-like melodies the quartet has emerged as Dvorßk's most popular chamber work.

based on Follow the Drinking Gourd-Freedom Rhapsody is a set of brief variations based on the spiritual Follow the Drinking Gourd. There are four sections to the composition marked The yearning to be free Anticipation Reflection and Celebration.

This memorable pop ballad performed by Christina Aguliera for the acclaimed Disney movie Mulan offers an exceptional message for young performers in a superb choral setting by Mac Huff. Available: SATB SAB SSA 2-Part ShowTrax CD. Performance Time: Approx. 3:20.

Two Pianos Four Hands-Two Pianos Four Hands. 2 Copies needed to perform. Two Pianos Four Hands. 2 Copies needed to perform.

Score-Parts available GS34503.

Utilizing the distinctive “Jedi Steps” theme featured at the end of the film combined with the rousing “Finale” from the end credits Jay Bocook authentically recreates the beauty and power of this amazing film score. Courtesy of Mr. Williamshimself an alternate “concert ending” is provided in addition to the quiet ending as heard at the end of the film.Utilizing the distinctive “Jedi Steps” theme featured at the end of the film combined with the rousing “Finale” from the end credits Jay Bocook authentically recreates the beauty and power of this amazing film score. Courtesy of Mr. Williams himself an alternate “concert ending” is provided in addition to the quiet ending as heard at the end of the film.

Strong modal melodies and harmonies clear tempoªchanges and melodic sections for all players The Great Wall is teachingªandªprogram material at its best for developing groups. Your students willªlove itsªbold dramaticsonorities that makesthem sound strong and confident.

Saxophone Quartet or Section with Optional Rhythm Section-Great tune from Boots Randolph (and the old British show Benny Hill) for sax quartet or ensemble and optional rhythm section. Great tune from Boots Randolph and Benny Hill for Saxophone Quartet or ensemble.

For clarinet choir. Krenek moved with ease through the various aesthetic and stylistic changes that marked the Twentieth century taking what he considered the best features of each and fusing them into a new language all his own. These pieces aretaken from 'Twelve Short Pieces in the Twelve-Tone Technique for Piano' (catalogue number GS32750) and transcribed for an 8-part Clarinet Choir by Frank Erickson. They evoke respectively 'Dancing Toys' a 'Peaceful Mood' and'Walking on a Stormy Day'.

Works for Piano four-hands Volume III-No other great composer left so many works for piano duet as Franz Schubert: altogether 54 (32 of which have an opus number) including fantasias dances marches variations rondos sonatas etc. Among Schubert’s circle of friends making music was a much beloved pastime. And even today musicians love to work with these pieces. In the three Henle Urtext volumes featuring Schubert’s four-hand piano music the works are arranged chronologically. Volume III contains nine pieces dating from the last three years of Schubert’s life thus his mature works in this genre. This includes the famous Fantasie in f minor D 940 (see also the individual edition HN 180)and the equally beloved Duo in a minor D 947 which was first published posthumously with the nickname “Lebensstürme”. Both date from spring 1828.

For Brass Quintet. Music for Brass Quintet from the Empire Brass Series. Three Ayres by English Renaissance composer and instrumentalist John Adson who held various posts as recorder and cornett player and as music teacher at the English court.

High Voice Compiled by Joan Frey Boytim-Joan Boytim who compiled the widely-used series The First Book of Solos is the most respected name in publications for the developing singer. She brings her expertise and vast knowledge of vocal literature into the sacredgenre with these collections which present traditional sacred solos for classical voice and piano. Ranging from classics by Bach and Mozart to early 20th century favorites and rarities the 43 songs - some long out of print- span from easy to more challenging but all are within the realm of a reasonable classical solo for a church service. Sacred Solos For All Ages for High Voice compiled by Joan Frey Boytim. Boytim who compiled the widely-used series The First Book of Solos is the most respected name in publications for the developing singer. She brings her expertise and vast knowledge of vocal literature into the sacred genre with these collections which present traditional sacred solos for classical Voice and Piano. Ranging from classics by Bach and Mozart to early 20th century favorites and rarities the 43 songs - some long out of print - span from easy to more challenging but all are within the realm of a reasonable classical solo for a church service.

Good Friday is the perfect time for this anthem although any Lenten use would be appropriate. Benjamin Harlan's ponderous and dark music moves to a beautiful and positive response to Christ's choice to endure the cross. Moving! Available: SATB.

Christmas music selected especially for the classical singer. Contents: The Virgin's Slumber Song (Reger) O Holy Night The Birthday of a King (Neidlinger) Jesus of Nazareth (Gounod) Noëls DesEnfants Qui N'Ont Plus De Maisons (Debussy) O Jesulein Suess (Bach) Ermuntre Dich (Bach) Nun Wandre Maria (Wolf) Schlafendes Jesuskind (Wolf) Epiphanias (Wolf) Silent Night (arr. Walters) In the Bleak Midwinter (arr. Walters) I Stand Here at the Cradleside (Karg-Elert).A collection of eight of the finest pieces of classical Christmas music for high voice and piano. Accompanying CD features complete performances with and without vocals.

In the Simply Integrity Series this arrangement features careful arranging for smaller choirs by Marty Parks. Easy vocal ranges and solid writing for each part make this a winner. Available separately: SAB CD Accompaniment Trax. Duration: ca. 3:50.

Saxophone Quartet-Included: Drums Piano Bass Full Score Eb Alto Saxophone 1 Eb Alto Saxophone 2 Bb Tenor Saxophone Eb Baritone Saxophone.

The Vocal Library High Voice-Creative stylish art music settings of traditional and familiar hymn tunes by composer Richard Walters appropriate for concert or church. 9 titles are for solo voice 2 are for duets. Solos include: Ah Holy Jesus · Be Thou My Vision · Come Thou Fount of Every Blessing · How Firm a Foundation · Let Us Break Bread Together · Now Thank We All Our God · O For a Thousand Tongues to Sing · Praise to the Lord the Almighty · This is My Father's World. Duets: All Creatures of our God and King · Wondrous Love.

Written by Gerry Rafferty and Joe Egan for their band Stealers Wheel this was a surprise hit for them in 1973. Since then it has been covered by numerous singers and most recently as the theme song for Grace and Frankie a Netflix original comedy. This arrangement keeps that light folk feel with a more contemporary accompaniment and will be a sure-fire hit with mixed voices as well as women's and men's groups. Written by Gerry Rafferty and Joe Egan for their band Stealers Wheel this was a surprise hit for them in 1973. Since then it has been covered by numerous singers and most recently as the theme song for Grace and Frankie a Netflix original comedy. This arrangement keeps that light folk feel with a more contemporary accompaniment and will be a sure-fire hit with mixed voices as well as women's and men's groups.

Urtextausgabe broschiert revised edition HN 123-Johannes Brahms’ summer sojourn in 1893 in Bad Ischl was productive. Alongside the pieces op. 118 he also wrote his last cycle of piano pieces opus 119. The composer wrote to Clara Schumann of the opening work saying that it was teeming withdissonances and that: “every measure and every note must sound like a ritardando as if one wanted to suck the melancholy out of each single one with lust and pleasure out of the aforementioned dissonances!” Yet opus 119 contains something for everymood: No. 3 surprises with its lively and light C major and the cycle is completed with the defiant rhapsody in E flat major. Our revised edition based on the Brahms Complete Edition is an invitation to pianists to rediscover Brahms’ complexcosmos. Johannes Brahms ’ summer sojourn in 1893 in Bad Ischl was productive. Alongside the pieces op. 118 he also wrote his last cycle of Piano pieces opus 119. The composer wrote to Clara Schumann of the opening work saying that it was teeming with dissonances and that: “ every measure and every note must sound like a ritardando as if one wanted to suck the melancholy out of each single one with lust and pleasure out of the aforementioneddissonances! ” Yet opus 119 contains something for every mood: No. 3 surprises with its lively and light C major and the cycle is completed with the defiant rhapsody in E flat major. This edition based on the BrahmsComplete Edition is an invitation to pianists to rediscover Brahms ’ complex cosmos.