The excitement of a musical career spanning over 30 years is captured here in the 22 solos composed by Gordon and transcribed directly off his recordings. Chord changes for tenor sax and 'in concert' key are provided along with Gordon's own articulations.

Vol. 2 - 6 A 10- 6.Aurore; 7.Landler; 8.Pastorale; 9.Harmonies municipales; 10.Nocturne

This work was written especially for the Belgian trombonist Ben Haemhouts and was created on Dec. 29 1998 in Ravels. Colors for trombone is a virtuous composition based on four colors Yellow Red Blue and Green. Each Color characterizes a typical musical quality. This masterpiece of Bert Appermont is undoubtedly a superb addition to the trombone repertoire!

Wachet auf ruft uns die Stimme-This enchanting melody is from the fourth movement of Bach’s Cantata 140 which was composed in 1731 using the parable of the wise and foolish virgins as the text. The work is beautiful in its simplicity with only three melodic lines demonstrating Bach’s counterpoint at its best. For greatest effect it is suggested that the cornets and trombones play behind the band or to the right and left of the stage.

In C minor F major D major-The three popular sonatas op. 10 were written between the end of 1795 and the beginning of 1798 only shortly after Beethoven had completed his first fully-fledged sonatas op. 2. In the press they were announced as „3 very nice piano sonatas“ of acomposer whose name would sufficiently guarantee „for the quality of his work to the audience.“ The three technically and musically demanding works which reach their peak with the third sonata and its highly expressive “Largo e mesto” have theirfirm place in advanced piano teaching.The musicologist Jonathan Del Mar intimate connoisseur of Beethoven’s music evaluates all sources and editions published during Beethoven’s lifetime for the present scholarly-critical Urtext edition. Particularly enlightening is the chapter onperiod performance practice which sheds light on certain issues of Beethoven’s instruments and their range the usage of the pedals tempo dynamics articulation and ornaments. The Introduction offers information on the work and its genesis. Thedetailed Critical Commentary accounts for sources readings and editorial emendations. In this edition great care has been given to a user-friendly layout which on the one hand reflects the flow and tempo of the music and on the other handfacilitates the study of this complex music by means of a transparent and clear appearance on the page as well as good page turns. - Urtext performance edition at the cutting edge of scholarship- Optimal page turns- Informative Introduction- Valuable suggestions on period performance practice (Eng/Ger)- Detailed Critical Commentary (Eng) Edited by Jonathan Del Mar With an Introduction by Misha Donat and notes on performance practice by Jonathan Del Mar and Misha Donat The three popular sonatas Op.10 were written between the end of 1795 and the beginning of 1798 only shortly after Beethoven had completed his first fully-fledged sonatas Op.2. In the press they were announced as '3 very nice piano sonatas' of a composer whose name would sufficiently guarantee 'for the quality of his work to the audience.' The three technically and musically demanding works which reach their peak with the third sonata and its highlyexpressive Largo e mesto have their firm place in advanced Piano teaching. The musicologist Jonathan Del Mar intimate connoisseur of Beethoven's music evaluates all sources and editions published during Beethoven's lifetime for the present scholarly-critical Urtext edition. Particularly enlightening is the chapter on period performance practice which sheds light on certain issues of Beethoven's instruments and their range the usage of the pedals tempo dynamics articulation and ornaments. The Introduction offers information on the work and its genesis. The detailed Critical Commentary accounts for sources readings and ed

Easy Piano Pieces for Children (36)-The Keyboard Crocodile is actually quite harmless. This friendly beast crawls colorfully and playfully amidst these piano pieces from all over the world chosen from among the easiest pieces of all times. It wont wag its tail at the Funeral ofMax the Turtle or snarl at Carefree Jack . This delightful little reptile quickly finds its way into the hearts of all children beginning to play the piano. The only thing the Keyboard Crocodile would like to sink its teeth into areboring piano albums for beginners! The 'Keyboard Crocodile' is actually quite harmless. This friendly beast crawls colourfully and playfully amidst these piano pieces from all over the world chosen from among the easiest pieces of all times. It won't wag its tail at the 'Funeral of Max the Turtle' or snarl at 'Carefree Jack'. This delightful little reptile quickly finds its way into the hearts of all children beginning to play the piano. The only thing the 'Keyboard Crocodile' would like to sink its teeth into are boring piano albums for beginners! Anonymous: Early French Dance Bach J. S.: Musette Bartok: Sorrow Batschinskaja: The Old Cuckoo-Clock Beethoven:German Dance Burgmuller: Arabesque Duncombe: Fanfare Minuet Fux: Almost a Canon Gillock: Fiesta Gillock: The Swinging Sioux Graupner: Bourrée Gretschaninow: Riding on the Hobby Horse Gurlitt C.: Night Journey Gurlitt C.: The Little Rascal Gurlitt C.: Theme and Variation Haydn: 2 German Dances Haydn: Gipsy Dance Kabalewskij: Dance Kodaly: Children's Dance Lefeld: Little Mouse Lohlein: Balletto Martin: Boogie No. 1 Mozart: Minuet Mozart Leop.: Bourlesqe Schubert: Ecossaise Schumann: Hide and Seek Schumann: Soldier's March Schwerdtner: The Funeral of Max the Turtle Schwertberger: Samba in Sixths Seifert: Little Piece Takacs: Glider Flight Takacs: Pien-Tshung Turk: Carefree Jack Turk: Echo in the Castle Vanhal: Allegretto WitthauerTurk: Gavotte

Koncertetude For Klaver / Concert Etude For Piano Op.40 by Niels Viggo Bentzon dating from 1945.

Marche (SS or TT); Menuet (SS or AA)

This songbook contains 100 Latin hits in Spanish and Portuguese all arranged for Piano with lyrics.

Karneval dich preisen wir-Instrumentation: Fl. (2. auch Picc. / 2 / 2 (B A) / 2 • 4 (F) / 2 (F) / 3 / 0 • Pk. / Schlw. (Trgl. Tamb. gr. Tr. m. Bck. kl. Tr. Glsp.) • Streicher • Bühnenmusik: 2 Trp. (F) und Kindertrompeten Instrumentation: Fl. (2. auch Picc. / 2 / 2 (B A) / 2 • 4 (F) / 2 (F) / 3 / 0 • Pk. / Schlw. (Trgl. Tamb. gr. Tr. m. Bck. kl. Tr. Glsp.) • Streicher • Bühnenmusik: 2 Trp. (F) und Kindertrompeten

SATB (Choral Score). Holloway R

Instrumentation: Fl. Picc. / 2 / 2 (C-Es C-B) / 2 • 4 (1. 2. in C-Es-B-G 3. 4. in C) / 4 (1. in F-Es-D 2. in C-F-Es 3. 4. in C) / 1 / 1 • Pk. / Schlw. (gr. Tr. m. Bck. kl. Tr.) • Streicher Instrumentation: Fl. Picc. / 2 / 2 (C-Es C-B) / 2 • 4 (1. 2. in C-Es-B-G 3. 4. in C) / 4 (1. in F-Es-D 2. in C-F-Es 3. 4. in C) / 1 / 1 • Pk. / Schlw. (gr. Tr. m. Bck. kl. Tr.) • Streicher

Coffee Cantata- Cantata No.211: Schweigt stille plaudert nicht (Be quiet chatter not) BWV 211. The Coffee Cantata (BA 10211) and the Peasant Cantata (BA 10212) both on librettos by Picander are among the best-known and most frequently performed of Bach's secular cantatas. Written in or around 1733 the Coffee Cantata deals humorously with the importance of the newly fashionable beverage. This is demonstrated in the soprano aria Ah how sweet the coffee tastes lovelier than a thousand kisses milder than Muscatel. Both cantatas reveal Bach's mastery in their unusual subject-matter formal design andmusical workmanship. Now they appear in separate editions based on the New Bach Edition with straightforward and easy-to-play piano reductions by Andreas Kohs. - Urtext of the New Bach Edition. - Straightforward and easy-to-play piano reduction. - Vocal score (BA10211-90) performance material (BA10211) and study score (TP1211) available for sale

Sparkling and majestic brass playing introduce this wonderful arrangement of the classic carol! Each of the four verses are treated differently creating beautiful textures and a multi-faceted setting of the familiar tune. This fresh new arrangement for developing bands is a great choice for both church and school!

Arrangement and Orchestration by Andrea Cappellari. Full score and 20 parts: 1) C Instr. (Flute) / 1) Bb Instr. (Clarinet) / 2) C Instr. (Flute Violin) / 2) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 3) C Instr. (Violin) / 3) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 4) C Instr. (Violin) / 4)tr. (Alto Sax.) / 5) C Instr. (Violin Viola) / 5) Bb Instr. (Clarinet) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin / Viola) / 6) Bb Instr. (Clarinet) / 6) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 / Bass Cello Bassoon / Cymbals Bass/ Triangle Snare drum / Four Hands Piano ad libitum. Performance possibile also without Piano.

Part of the method for all Saxophones by Marcel Mule this third volume of Fifty-Three Studies After Bohem Terschak Furstenau features the studies 36 to 53. Written for upper intermediate players this book will help the players to maintain the acquired technique and develop even more their flexibility. This series of three books is a must-have to prepare the upper intermediate players to the change of cycle. Marcel Mule (1901-2001) is one of the greatest French saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality ofsound and believed it was dependent on the embouchure the emission the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique articulation and tone productions such as 'Dix-huit Exercices ou études' 'Exercices Journaliers d'après Terschack' or '30 Grands Exercices ou études d'après Soussmann' (in two books) among others.

Break With Hungry Men Thy Bread ( Brich Dem Hungrigen Dein Brot ) BWV 39. Cantata for the First Sunday after Trinity. This cantata for the First Sunday after Trinity first performed in 1726 is one of the most musically attractive compositions composed by Bach during his time as cantor at St. Thomas Church Leipzig. In its alternating scoring for Oboes Recorders and Strings the opulently-structured opening chorus describes the gesture of the breaking of bread. The arias and recitatives for the two soloists alto and tenor show Bach at the peak of his compositional powers. The two-part cantata concludes with a simplechorus. - Urtext edition based on the 'New Bach Edition'. - Richly coloured scoring using Recorders and Oboes. - Vocal score (Ger/Eng) foreword (Ger/Eng). - Study score (TP1039) performance material (BA10039) & vocal score (BA10039-90) available for sale.

for C trumpet and piano

This Mina Anthology is The Platinum Collection featuring a number of the greatest hits of this prolific and iconic Italian songstress. Some of her most famous songs are arranged here in melody melody line format with lyrics and chord boxes.

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