The absolute top slow number of the Eighties sung by Roberta Flack. She is not perhaps so well known among younger people but she has her place in history as one of the absolute divas of the world. Back into time the interlude in your concerts.

Dear Frog describes the story of a prince who changes into a frog and then waits for a princess to kiss him so that he can turn back into a prince again. A musical satire for the trombone and orchestra. What is remarkable about this work is the use of the wah-wah sourdine throughout the entire piece which gives it an extra amusing flavour.

Earth Water Sun Wind is a four movement work with the unifying theme of these four elements. The music varies from being purely descriptive of the movements’ titles to specific sound painting - Earth for example is pure music and non programmatic whereas Sun attempts to paint a specific sound picture. The Symphony as a whole concerns itself with man’s relationship with these monumental aspects of nature.

Funeral March-Beethoven’s four-movement Sonata in A-flat major Op.26 belongs to his most popular works. It is dedicated to Prince Lichnowsky one of his most generous patrons and the dedicatee of for example the Grande Sonate pathétique Op.13 and Symphony No.2 Op.35. The work’s initial drafts date from 1800–01; it was first published in March 1802. This demanding sonata is highly varied in its form: it begins with a set of variations and contains the famous Marcia funebre sulla morte d’un Eroe as its third movement earning it the nickname “Sonata with the Funeral March”. The identity of the title’s eroe (hero) remains unknown to the present day. The march was performed atBeethoven’s funeral on 29 March 1827 in an arrangement for orchestra. For this Bärenreiter edition Jonathan Del Mar possibly as one of the first editors of a modern edition consulted the composer’s autograph in the original. This enabled him to decipher details of Beethoven’s handwriting in particular with regard to the exact notation of doubtful slurs. The result is a most reliable and thoroughly-researched musical text. Differing readings and editorial decisions are documented in the Critical Commentary. The edition has been finely engraved and includes practical page turns. Information on central issues of historical performance practice (pedalling ornaments tempo dynamics articulation) is provided in a detailed chapter. Scholarly-critical Urtext edition based on most recent Beethoven research Evaluation of Beethoven’s autograph in the original Elegant engraving with practical page turns Informative Introduction (Eng / Ger) Discussion of central performance practice issues (Eng / Ger) Detailed Critical Commentary (Eng)

These eight little solos are intended to supply easy descriptive pieces for the beginner horn player which are not only beneficial for technical development but will also be useful performance material. The tunes are characteristically horn-like in nature.

Tschaikowskis famous March from the Nutcracker Siute arranged for classic bands.

J.M. Capel 's Love Could I Only Tell Thee arranged for TTBB choir by Doris Arnold .

Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza 's compositions were well-received by audiences Aria for Violin or Flute and Piano being no exception. This Bozza piece adaptable for either Violin or Flute is lyrical and graceful displaying the beautiful lower register of both instruments accompanied by rich pulsating chords in the Piano. As music educationalist Paul Griffiths has written of Bozza 's compositions his works reveal melodic fluency elegance ofstructure and a consistenly sensitive concern of instrumental capabilities. Having won many prizes at the Paris Conservatoire during the 1920s-1930s Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline Bozza 's compositions were well-received by audiences Aria for Violin or Flute and Piano being no exception. This Bozza piece adaptable for either Violin or Flute is lyrical and graceful displaying the beautiful lower register of both instruments accompanied by rich pulsating chords in the Piano. As music educationalist Paul Griffiths has writtenof Bozza 's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.'

Cole Porter's True Love for SAB.

Beethoven ’s Concerto For Violin And Orchestra is one of the most famous works in the history of music. Over the last 150 years it has been published in numerous editions none of which have up to now done justice to the work. For this edition Jonathan Del Mar has freed the work of additions made over the decades by various editors and violinists. The significance of Beethoven ’s solo and tutti markings has also been clarified for the first time. Following the publication of the full score Piano reduction and orchestral parts (BA 9019) in the autumn of 2009 Bärenreiter is now publishing a study score of this pioneeringcritical edition which will prove indispensible for all violinists and students as well as for orchestras and music libraries. An introduction by Beethoven expert Barry Cooper on the history of this concerto is included for the first time. Del Mar ’s edition clarifies Beethoven ’s solo and tutti markings for the first time.

47 Orgelkoraler Af Nutidige Danske Komponister. Edited by Bengt Johnsson (1957).

Cantata for the 8th Sunday after Trinity- Es Ist Dir Gesagt Mensch Was Gut Ist BWV 45 Cantata for the 8th Sunday after Trinity - Performance material (BA10045) vocal score (BA10045-90) and study score (TP1045) available for sale. Bärenreiter's editions of Bach Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach ’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year aswell as for numerous secular occasions such as council inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.

The attacks in Brussels on 22 March 2016 created a shockwave throughout Belgium and the rest of the world. Equally the attacks in Paris and Nice led to great public indignation fear and disbelief. What has happened to the western world? Have our cultures grown apart to such an extent that we do not understand each other anymore? Bert Appermont’s intention was to voice certain emotions that these acts of terror have caused: particularly fear grief anger and helplessness. He uses the French children’s song Au Claire de la Lune as a connecting thread throughout the work. This piece is also about hope and faith in another world and is meant to pay homage to allvictims resulting in a dignified remembrance. The musical development is presented in four through-composed parts titled Innocence In Cold Blood In Memoriam – We Shall Rise Again and A New Day . This work was commissioned by the Brassband Oberösterreich (Brass Band Upper Austria) to be played at the European Brass Band Championships 2017.

In this exciting suite Philip Sparke sets out to capture the essence of his hometown London with each of the three movements depicting one of the many characteristics of this fascinating city. Skyline shows the frantic lifestyles of Londoners with millions of diverse people with different hopes and needs. Autumn shows the changes that take place in London during the different seasons and Downtown portrays the exciting nightlife of the West End.

Arranged by William Stickles TTBB with Piano Accompaniment.

by Ciro Fiorentino. Learn and play 18 tangos arranged 1 or 2 classical guitars.

Forbarm dig! / Have Mercy! BVN 337 for Organ solo by Rued Langgaard (1947). The Rued Langgaard Edition. Forbarm dig! / Have Mercy! BVN 337 for Organ solo by Rued Langgaard (1947). Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition.

Les Corps Glorieux by Olivier Messiaen is a composition that depicts his Roman Catholic faith. Written for Organ in 1939 it is a mix between Indian music and Gregorian Plainsong. This third volume includes the final three pieces of the whole composition: 5. Force et agilité des Corps Glorieux 6. Joie et clarté des Corps Glorieux and 7. Le Mystère de la Sainte-Trinité. This piece is divided into 7 sections: 1. Subtilité des Corps Glorieux 2. Les eaux de la Grâce 3. L'ange aux parfums 4. Combat de Mort et de la Vie 5. Force et agilité desCorps Glorieux 6. Joie et clarté des Corps Glorieux 7. Le Mystère de la Sainte-Trinité Olivier Messiaen (1908-1992) was a French organist and composer who was also passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.

For sheer raw excitement this work inspired by the 1993 Storm of the Century the great blizzard which covered much of the United States will become a classic. The blending of the choirs and the dynamic shaping of the lines will bring a stunning experience to your concert audience. Soaring! (6:00) This title is available in SmartMusic. For sheer raw excitement this work inspired by the 1993 Storm of the Century the great blizzard which covered much of the United States will become a classic. The blending of the choirs and the dynamic shaping of the lines will bring a stunning exp

Haydn 's Symphony Hob. I:89 belongs to a group of symphonies composed between the ‘Paris’ symphonies (Hob. I:82-87) and their ‘London’ counterparts (Hob. I: 93-104) – the last ones he wrote before his trips to England in 1791-92 and 1794-95. The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece possibly owing to deadline pressure. The second and fourth movements are arrangements of movements 2 and 3 from his Concerto in F major Hob. VIIh:5 for two “lire organizzate” and orchestra. The fact that he also arranged movements from his other lire concertos suggests that heregarded them as a sort of musical quarry. This at least allowed him to recycle parts of these works after his patron had probably prohibited him from offering them commercially. This edition continues the collaboration with the Henle publishing company regarding Haydn's large-scale choral works operas and symphonies. It is based on the Henle Complete Edition of the Works of Joseph Haydn. The complete performance material for several Sturm und Drang symphonies and all of the London and Paris symphonies is now available from Bärenreiter.