Suite for Harp and Strings in Six Movements-for solo harp and strings Suite Lyrique is a work in six movements with music taken from the composer's Suite Antique of 1979 for flute harpsichord and strings. The harp part and full score are available on sale and string parts and scores available on hire. Suite Lyrique is a work in six movements for harp and strings with music taken from the composer's Suite Antique of 1979 for flute harpsichord and strings. The six movements - Prelude Ostinato Aria (Jazz) Waltz Chanson and Rondeau - explore different moods and exploit the harp's sound world and capabilities to the full to create a highly attractive and joyful concert work.

The Lord Is In His Holy Temple an anthem composed by Edward Henry Thorne for SATB choir with Organ Accompaniment.

A fable with music for narrator mixed choir and small orchestra or oboe bassoon and piano This delightful work tells the story of the 14th-century Dominican mystic Heinrich Suso who according to legend notated the carol In dulci jubilo after it had been sung to him by a band of angels: he is unexpectedly aided by Sigismund his donkey. A fable with music for narrator mixed choir and small orchestra or oboe bassoon and piano This delightful work tells the story of the 14th-century Dominican mystic Heinrich Suso who according to legend notated the carol In dulci jubilo after it had been sung to him by a band of angels; he is unexpectedly aided by Sigismund his donkey.

This engagingly written piece sets the Lamentations of Jeremiah. The overlapping passages of music passed between the soloists and the choir create a dramatic effect whilst the harmonic language gives the music a sense of regret.

for SATB chorus and organ or orchestra with extended verses for ATBB Orchestral material is available on hire By English composer and organist John Blow I Beheld And Lo A Great Multitude has been arranged for SATB chorus and Organ or String Orchestra with extended verses for ATBB by Watkins Shaw.

For 2 recorders (AT).

Mendelssohn 's ' How Lovely Are The Messengers ' arranged for SS or SA with Piano accompaniment.

For SATB and organ. For SATB and organ.

Accord des 3 Sons - Realisation- As one of the fundamentals in the study of harmony particularly for Baroque music Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960 after a considerable amount of time working in the field. With Challan s experiences in mind 380 Figured Bass Exercises is very well-informed. Part B of the first volume provides 90 exercises in which the student can practise the basics of the realisation offigured bass. Challan s 380 Figured Bass Exercises is essential to all harmony studies given that the realisation of figured bass remains an important part of music education.

A Madrigal from A Garland for The Queen-A Madrigal from 'A Garland for The Queen'

for SATB and piano This is a hauntingly beautiful spiritual-style setting of a sixteenth-century text attributed to Thomas Ravenscroft. Also in the anthology Christmas Spirituals for Choirs. This is a hauntingly beautiful spiritual-style setting of a sixteenth-century text attributed to Thomas Ravenscroft for SATB chorus with Piano accompaniment.

Violin Piano. Schaefer K

Flute Piano. Crooke S

for SSATB and organ This completes the Church Music Society's set of four pieces by Samuel Wesley which were much acclaimed by Vincent Novello. The striding bass line of the opening sets the mood for an impressive piece for a special occasion. The organ part supports the voices throughout and adds a ten-bar 'coda'. Samuel Wesley 's Exultate Deo for SSATB Choir and Organ. This completes the Church Music Society's set of four pieces by Samuel Wesley which were much acclaimed by Vincent Novello. The striding Bass line of the opening sets the mood for an impressive piece for a special occasion. The Organ part supports the voices throughout and adds a ten-bar 'coda'.

Originally part of Walton's film score to Henry V composed in 1943 'Touch her soft lips and part' has been taken from the original string version and arranged beautifully by Michael Berkeley for a smaller ensemble.

A new edition in study score format of Vaughan Williams's much-loved Symphony No. 5 correcting errors and misprints and based on research of the extant sources. Contains a preface on the history of the work by Michael Kennedy. Vaughan Williams 5th Symphony is a set work on the new AQA A-Level Music Syllabus. This new large format study score has been produced after feedback from teachers. It is newly engraved easy to read and has space for students to make notes It corrects misprints included in the previous editions It includes a preface by Vaughan Williams scholar Michael Kennedy on the history of the work

for 3 trios of 3 equal instruments each

Bass Clarinet. Zander Hj

Pianogongs was inspired by the sonorities of the percussion section of the Beijing opera. The work is for one performer and features a combination of piano (functioning like a percussion instrument) and 2 gongs which are laid on the soft top of an extra piano bench to the left of the performer. The structure of the piece is formed by alternation of three different musical ideas: a fast repetitive rhythm a series of chords based on the major triad and perfect fourth and an energetic staccato motif.

3 Flutes. Devienne F 3 Flutes. Devienne F