Pour composer cette œuvre monumentale Franco Cesarini s’est inspiré de trois mosaïques byzantines qui ornent des églises de Venise et de Palerme et représentent des passages de l’Évangile selon Matthieu. Les motifs musicaux développés dans les trois tableaux de la composition sont empruntés à des chants grégoriens. 1. La Naissance de Jésus-Christ : Les Mages à Bethléem : “[…] l’étoile qu’ils avaient vue en Orient les précédait ; arrivée au-dessus (du lieu) où était le petit enfant elle s’arrêta. À la vue de l’étoile ils éprouvèrent une très grande joie.” (Mt 2.9 10) / 2. Le Temple de Jérusalem : “[…] le voile du temple se déchira en deux du haut en bas la terre trembla les rochers se fendirent les tombeaux s’ouvrirent et les corps de plusieurs saints qui étaient décédés ressuscitèrent.” (Mt 27.51 52) / 3. L’Ange de la Résurrection : “[…] car un ange du Seigneur descendit du ciel vint rouler la pierre et s’assit dessus. Son aspect était comme l’éclair et son vêtement blanc comme la neige.” (Mt 28.2 3).

Violin Viola Cello. Brugk Hm

Air de Cordiani 'Lucrèce ! Lucrèce ! Que ne m'accablais-tu de tes rigueurs'

Choeur - Satb- SATB chorus

Kjeld Bonfils ' Er Det Virk'lig Sandt fra Melodi Grand Prix 1962. For sang og klaver. Tekst af Sejer Volmer-Sørensen. Kjeld Bonfils ' Er Det Virk'lig Sandt fra Melodi Grand Prix 1962. For sang og klaver. Tekst af Sejer Volmer-Sorensen.

Le coeur sur la main (cycle 2) (5e) (4') pour flûte et piano. Par Sichler aux éditions Leduc. Partition / Livre de chansons pour Flûte

. . . for Choirs Collections-This unique collection approaches Advent afresh drawing together 52 beautiful and accessible pieces that span the whole gamut of periods styles and traditions. Advent for Choirs is the perfect musical and liturgical resource for all church cathedral and concert choirs and includes approachable new settings unjustly neglected music and works not easily available elsewhere. An accessible and comprehensive liturgical and musical resource for use in carol services concerts and throughout the Advent season. All pieces are suitable for SATB choirs of all sizes and abilities. Accompaniments for Keyboard instruments are included where appropriate.

Cello. Dvorak A. No. 1 Op. 54 No. 1 And No. 2 Op. 54 No. 4

Uses: General Trinity Sunday Scripture: Psalm 29; Isaiah 6:1-8; Revelation 4:1-11; John 16:12-15 This anthem is something very special from composer Heather Sorenson. With a fresh compositional style this writer is establishing a new voice for the sanctuary choir. Celebrate the mystery and majesty of God with this fascinating anthem which comes with an orchestral option along with the well-crafted piano accompaniment.Profound! Available separately: SATB iPrint Full Orch CD-ROM StudioTrax CD. Duration: ca. 4:19.

Dramatic cantata for SATB Chorus ATBB soloists and orchestra (piano reduction).

Score-First performed by the Julliard String Quartet in 1960. Awarded the 1960 Pulitzer Prize the 1960 New York Music Critics Circle Award and the 1961 International Rostrum of Composers Award (UNESCO). Duration ca. 20 minutes. This piece was commissioned by the Stanley String Quartet in 1958 and completed in 1959. It was awarded the Pulitzer prize in 1960. Scored for 2 Violins Viola Cello.

From the Musical A Little Night Music-This wonderful ballad from Sondheim’s A Little Night Music has been recorded by countless artists and enjoys an enduring popularity with all audiences. Available once again here is the classic arrangement for band by Frank Cofield.

This lively traditional hornpipe will be instantly recognised by all through its use as the theme tune to the BBC childrens series 'Blue Peter'.

For SATB and Organ. This tuneful and gentle setting of the Gaelic blessing is a perfect option for weddings and general use. Its shapely melody floating soprano descant and mellifluous closing 'Amen' make this a setting of great beauty. For SATB and Organ. This tuneful and gentle setting of the Gaelic blessing is a perfect option for weddings and general use. Its shapely melody floating soprano descant and mellifluous closing 'Amen' make this a setting of great beauty.

This concert setting of Psalm 121 is artfulfully arranged by Doug Andrews. Featuring a thick choral texture of lush harmonies and beautiful melodic lines that intertwine together. Performance Time: Approx. 2:30

for SAA and piano Exhibiting Chydenius's unique style this contemplative ballad sets a wistful text by American lyrical poet Sara Teasdale. The close harmonies persuasive melodies and appealing syncopations in the voices make The Kiss ideal for upper-voice choirs looking for an evocative concert piece. Jussi Chydenius: The Kiss is here arranged for SAA and Piano. Exhibiting Chydenius 's unique style this contemplative ballad sets a wistful text by American lyrical poet Sara Teasdale. The close harmonies persuasive melodies and appealing syncopations in the voices are underpinned by a stylistic Piano part with a rhythmic chord pattern that creates a sense of build and drive. The Kiss is ideal for upper-voice choirs looking for an evocative concert piece.

Somewhere Out There is a song written by James Horner Barry Mann and Cynthia Weil. It appears in the 1986 animated feature An American Tail. The song was recorded by Linda Ronstadt and James Ingram and the single went to #2 on the Billboard Hot 100 singles chart in March of 1987. It won two Grammy Awards in 1988 for Song of the Year and Best Song Written Specifically for a Motion Picture or Television. It also earned an Academy Award nomination in 1987 for Best Original Song. Somewhere Out There is a song written by James Horner Barry Mann and Cynthia Weil . It appears in the 1986 animated feature An American Tail produced by Steven Spielberg where it was sung beautifully by Linda Ronstadt and James Ingram. The single went to #2 on the Billboard Hot 100 singles chart in March of 1987. It won two Grammy Awards in 1988 for Song of the Year and Best Song Written Specifically for a Motion Picture or Television. It also earned an Academy Award nomination in 1987 for Best Original Song. Spielberg's tale is about a group of mice who after immigrating toNew York from Russia become separated and Fievel has to find his way back to his family. This inspirational song depicts the same sentiment of loss and optimism that the animated film shows and the popularity of the song is evident from the number of cover versions there are available most notably by Liza Minnelli at Carnegie Hall. The SAB arrangement of this brilliant tune will create a highly effective and emotional rendition that will pleasantly surprise your audience with a new and unique take on a familiar and famous film song.

Composed in 1902.

for middle-fiddle (viola) solo-1908 composition for Viola by Percy Aldridge Grainger. 1908 composition for Viola by Percy Aldridge Grainger.

Nos. 5-8-Numbers 5-8 of Dvorak's Slavonic Dances arranged for piano 4 hands.