100 Lyrics with chords + 2 CD with 36 backing tracks

Hohe Stimme / High Voice- Walther Durr one of the most distinguished Schubert-scientists publishes an addition to the new Urtext-edition of Schubert-songs in high middle and low range.

Opera in 2 acts-Libretto. Argento D

Opera in 3 acts and a prologue-Libretto. Britten B

Felix Mendelssohn Bartholdy completed his first oratorio – St. Paul Op.36 – in 1836 at the age of twenty-seven. The first version which was premiered on 22 May 1836 was then extensively revised by the composer. This second version which at the same time served as the basis for the published version was premiered as early as October that year in Birmingham. The acclaim with which the oratorio was received was exceptional. Within eighteen months of completing the score Mendelssohn was able to list fifty performances of the work. Robert Schumann praised the work effusively and even Richard Wagner who later denigrated Mendelssohn was full of admiration. Today St. Paul belongs to the core repertoire of sacred choral music. This Urtext edition of the oratorio edited by the internationally-recognised Mendelssohn scholar Michael Cooper is based on all critical sources. As well as the principal version of the work the score also includes for the first time numbers which were composed for the first version and subsequently removed. This gives not only an insight into the history of the composition of the work but also with the complete performing material into the performance of the original version. The full score and vocal score (BA9071-90) include the German and English texts of the oratorio. The vocal score is by Mendelssohn . Urtext edition representing the latest musicological research Includes all numbers from the original version for the first time Vocal texts in German and English Straightforward Piano reduction

The recent rise in popularity of Latin music has prompted us to bring you this exciting play-along book. It contains ten well-known melodies all with the characteristic Spanish and South American feel. This book comes with a backing CD to ensure truly exotic performances.

For Violoncello and Pianoforte- Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy a special place within the repertoire of cellists and chamber musicians. The lyrical Song without Words (Romance sans paroles) is among the most popular of all teaching pieces. Mendelssohn was inspired by his contacts with the leading cellists of his day to write for this instrument. This unique Urtext edition contains all of Mendelssohn’s finished works for violoncello and piano as well as reconstructions and completions of his unfinished works for the same scoring. The editor R. Larry Todd has composed the cello part for the variations and has completed the graceful Assaitranquillo. Urtext edition containing all of Mendelssohn’s works for violoncello and piano in 2 volumes Also includes reconstructions or completions of Mendelssohn’s unfinished works for violoncello and piano Informative Foreword (Eng/Ger) and Critical Commentary (Eng) with facsimile pages Special price for both volumes I and II (BA9098)

Pater Noster was composed by Michael Bojesen in 1991. This version is for SATB Choir. Pater Noster was composed by Michael Bojesen in 1991. This version is for SATB Choir.

Looking Up Moving On was commissioned by the Tokyo Kosei Wind Orchestra and featured in their concert programme in their May 2012 tour which took in many areas destroyed by the earthquake and tsunami in 2011. The timeless message of thismoving work is the belief in the tremendous capacity of humankind to recover from such disasters and look optimistically to the future. Looking Up Moving On was commissioned by the Tokyo Kosei Wind Orchestra and featured in their concert programme in their May 2012 tour which took in many areas destroyed by the earthquake and tsunami in 2011. The timeless message of this moving work is the belief in the tremendous capacity of humankind to recover from such disasters and look optimistically to the future.

for flute (or oboe or violin) and bass continuo

from CoolSide of Yuletide-This arrangement of three well-known carols “Hark the Herald Angels Sing ” “Angels We Have Heard on High ” and “The First Noel” uses contemporary musical styles altered harmonies and word play to expand the palette of the carol experience. This and other selections from the CoolSide of Yuletide series can be heard on the album of the same name by the Young People's Chorus of New York City. This arrangement of three well-known carols “Hark the Herald Angels Sing ” “Angels We Have Heard on High ” and “The First Noel” uses contemporary musical styles altered harmonies and word play to expand the palette of the carol experience. This and other selections from the CoolSide of Yuletide series can be heard on the album of the same name by the Young People's Chorus of New York City.

No. 6 Upward going-This Tewa text is quite vigorous. SATB. Raminsh I

Hawkes Pocket Scores HPS 1140-Study Score of Malcolm Williamson's Concerto No.2 for Piano and Orchestra. Hawkes Pocket Score 1140.

Von Bruno Mars bis Skyfall- This new and modern book by Hans-Gunter Heumann is the following edition to successful Piano Gefällt Mir! 50 Chart Und Film Hits BOE7624. It combines 50 up to date chart and film hits from Bruno Mars to Skyfall.

Three Shaker Songs draws its text from anonymous Shakers of the 19th century. The music reflects the very direct meddage of the texts: the joyous riddance of Old ugly (the Devil); a self-admonition not to be cross sharp-tongued or willful; and an invitation to participate fully in life. The music does not use Shaker tunes but is recognizably American in its rhythmic syncopations. SA. Vigeland N

Suite in six movements-Organ. Rorem N

Piano. Schnittke A

by Ciro Fiorentino. For solo guitar and for two guitars.

Vårvise for Voice and Piano with chord symbols. Music by Olav Gerthel text by Sven Buemann. Vårvise for Voice and Piano with chord symbols. Music by Olav Gerthel text by Sven Buemann.

Der schwedische Jazzpianist Esbjorn Svensson war stilistisch ein Pionier und hat mit seinem Trio einen ganz besonderen Sound erschaffen. Auf hochster Ebene der Interaktion verschmolzen Jazz Pop Rock Klassik und schwedische Volksmusiktradition zu einer eigenen Klangwelt. Das Trio war ein herausragendes musikalisches Phänomen dessen Ansehen und Wirkung bei dem Publikum und anderen Musikern mit den Jahren immer mehr zunahmen. 2018 jährt sich der Todestag des Ausnahmekunstlers zum 10. Mal - und bis heute hort man bei vielen jungen Jazzern den Einfluss und die Inspiration Esbjorn Svenssons heraus. Das Songbook Volume 2 knupft mit seiner Titelauswahl an den Vorgänger an und enthält neben 21 der besten Songs des auBergewohnlichen Trios auch viele Fotos der Musiker. Alle Titel sind fur Klavier mit Akkordbezifferung und Bass (optional) notiert.