Parts for Clarinet Bassoon Horn Cello and Double Bass. Parts for Clarinet Bassoon Horn Cello and Double Bass.

This piece was commissioned by the Dutch province of Groningen for the celebrations commemorating the liberation festivities in 1987. In the composition the dream of a world without war is symbolized. It is the first composition in a series in which Jacob de Haan combines concert music with pop music in a style which reminds one of film music. Later compositions in which he has reaped much success with the same formula in style are Oregon La Storia and Utopia.

50'ernes Rock'n'Roll - en ny ungdoms musik by Thomas Rockwell & Karsten Tanggaard . Textbook about the music of the 1950's. 50'ernes Rock'n'Roll - en ny ungdoms musik by Thomas Rockwell & Karsten Tanggaard . Textbook about the music of the 1950's.

Between 1905 and 1934 Gustav Holst was Director of Music at St Paul’s Girls School in Brook Green London. St Paul’s Suite written for the school’s string orchestra was premiered there in 1913 and consists of four movements: an energetic Jig in 6/8 and 9/8 Ostinato based on a simple 4-note theme Intermezzo an energetic and rhythmic dance and Finale adapted from the Second Suite in F in which Holst brilliantly combines The Dargason and The English Dancing Master with the traditional melody Greensleeves .

for percussion ensemble (minimum 5 players)

Musik ABC For De Små has been composed by Inger Lüttichau . Musik ABC For De Små has been composed by Inger Lüttichau .

To this day Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments despite being a violinist himself. His Caprice No. 2 for Trumpet with Piano accompaniment is no exception to the composer's success. During his studies at the Paris Conservatoire Bozza won prizes for Violin conducting and composition as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes whilst remaining a prominent composer. Composed in 1978 Bozza 's Caprice No. 2 addresses advanced aspects of theTrumpet including complex rhythms exploited tonalilty and articulation. As music educationalist Paul Griffiths has written of Bozza 's compositions 'his works reveal melodic fluency elegance of structure and a consistenly sensitive concern of instrumental capabilities.'

Start Of Something New: Breaking Free: We’re All In This Together-Ask any child what their favourite film has been over the past few years and a large number will say High School Musical . The music is full of energy and emotion and has been an essential part of the films success. This fun-filled medley features three songs from the original film: Start Of Something New Breaking Free and We‘re All In This Together .

20 Progressive Pieces with Piano Accompaniment-Philip Sparke’s Starter Solos is the first volume of a progressive series of books that takes the young wind player from beginner to accomplished musician. Specifically tailored for each instrument this collection of 20 solos starts with pieces based on only a handful of notes and carefully introduces new musical elements such as articulation dynamics and key signatures in a structured progression to speed the learning process. The books provide invaluable additional material to complement any teaching method. Starter Solos comes with a play-along CD. The advantages of playing either with piano or CD accompaniment are that the beginning player can nowexperience the important aspects of ensemble playing from their earliest lessons thus developing the essential skills of listening while they play and maintaining strict tempo which is not always a factor when playing alone. Philip Sparke’s Starter Solos is the first volume of a progressive series of books that takes the young wind player from beginner to accomplished musician. Specifically tailored for each instrument this collection of 20 solos starts with pieces based on only a handful of notes and carefully introduces new musical elements such as articulation dynamics and key signatures in a structured progression to speed the learning process. The books provide invaluable additional material to complement any teaching method. Starter Solos comes with a play-along CD. The advantages of playing either with piano or CD accompaniment are that the beginning player can now experience theimportant aspects of ensemble playing from their earliest lessons thus developing the essential skills of listening while they play and maintaining strict tempo which is not always a factor when playing alone.

Dramatic Tableaux-Libretto. Birtwistle H

to my mother- Mysterious Waltz : this title should draw your attention! This particular waltz is not based on any specific example least of all the Viennese waltz. Two souls are latent in this work one lovely and cheerful and one melancholic with a touch of irony. Which of these two characters will finally dominate the listener depends on the conductor who will reveal this secret according to his personal disposition…

Each book includes eight pages of full-color photo panels from the motion picture. Each book (except piano accompaniment) includes a CD with demonstration and play-along tracks for each title. Sure to be a hit with all instrumentalists. Titles are: Across the Stars (Love Theme from Star Wars: Episode II) * The Arena * Duel of the Fates (Featured Theme in Return to Tatooine) * Imperial March (Featured Theme in Confrontation with Count Dooku and Finale) * May the Force Be with You (Featured Theme in Return to Tatooine) * The Meadow Picnic * Star Wars (Main Title).Selections from the original motion picture soundtrack 'Episode II Attack Of The Clones' arranged for Flute. The arrangements in this series are fully compatible with each other and can be played together or as solos. Each book includes a fully orchestrated accompaniment CD. Each song on the CD includes a complete demonstration track followed by a play-along accompaniment track. Also includes colour pictures from the film. Suitable for grade 3-4 standard.

Arrangement for piano solo by Leonard Bernstein-From the time of Copland's first visit to Mexico City in 1932 when his friend Carlos Chávez took him out a nightclub called El Salón México Copland wanted to compose a piece about the unusual dance hall. He said I was attracted by the spirit of the place and by the Mexican people. Using Mexican melodies seemed appropriate. My purpose was not merely to quote literally but to heighten without in any way falsifying the natural simplicity of Mexican tunes. Much to Copland's surprise and delight El Salón Méxicowas welcomed warmly in Mexico and has consistently been one of his most performed pieces. He said Never in my wildest dreams did I expect the kind of acceptance for thepiece! Piano. Copland A

1. und 2. Satz-The Hal Leonard Classical Play-Along series will help you play great classical pieces. Using the Amazing Slow-Downer technology included on the CD (adapted for PC and Mac computers) you can adjust the recording to any tempo you like without altering the pitch. Listen first to the full performance tracks to hear how the piece sounds with an accompaniment and then play along using the accompaniment tracks. Hal Leonard Classical Play-Along is an effectice and time-tested method of practising.

John Davies' paraphrase of the 150th Psalm says much in few words and brings familiar sentiments to life in a new way. Each line of text is infused with exultation which is echoed in the vocal fanfare figures. SA. Brunner D

for 4 saxophones (1 player) and 6 percussion

A movement from The Armed Man : A Mass for Peace from Adiemus composer Karl Jenkins. Recently performed by Hayley Westenra on her best-selling album Pure .

The work opens with a stern fanfare in bare fifths which leads to a cantabile theme introduced by alto saxophone. This builds to a climax and reintroduces the fanfare which slowly evolves into the subsequent vivo. A perky tune emerges on flute saxophone and trumpet which after a short bridge passage leads to a contrasting melody on low clarinets and saxophones. After some development a true ‘second subject’ appears for the whole band. A recapitulation leads briefly back to the opening fanfare before the vivo returns to close the work in celebratory mood.

For Violoncello and Pianoforte- Felix Mendelssohn Bartholdy’s works for violoncello and piano occupy a special place within the repertoire of cellists and chamber musicians. The lyrical Song without Words (Romance sans paroles) is among the most popular of all teaching pieces. Mendelssohn was inspired by his contacts with the leading cellists of his day to write for this instrument. This unique Urtext edition contains all of Mendelssohn’s finished works for violoncello and piano as well as reconstructions and completions of his unfinished works for the same scoring. The editor R. Larry Todd has composed the cello part for the variations and has completed the graceful Assaitranquillo. Urtext edition containing all of Mendelssohn’s works for violoncello and piano in 2 volumes Also includes reconstructions or completions of Mendelssohn’s unfinished works for violoncello and piano Informative Foreword (Eng/Ger) and Critical Commentary (Eng) with facsimile pages Special price for both volumes I and II (BA9098)

The title Song For A New Generation refers to the approaching millennium change. The composition starts with a sustaining bolero-tempo the themes make their entry and the music gradually swells to an overwhelming climax. The turbulent harmonic passages symbolize the wars of the past. In the end the main theme returns once more describing a call for peace on earth.