Ideal for Christmas or contest programming this accessible well-crafted work is infused with a joyful spirit! With an easily-learned Latin refrain and contrasting English phrases your singers will develop important performance skills. Discovery Level 2.

This powerful dramatic score by Richard Rodgers has established itelf as one of the most impressive works of its type for mature concert band.

extrait du - excerpt from Série I Vol. 1-The present edition of the 2nd Arabesque is an excerpt from the Complete Works of Claude Debussy (Series I volume 1). Debussy's Deux Arabesques complement his French classicism: beside their Bergamasque flavour they follow their title accurately by exploring a constant thread in Debussy's music: his tendency to overlay slow-moving inner melodies with surface tracery and melodic ornamentation in the manner of the Moorish art that gives us the term arabesque.2012 marks 150 years since the birth of Claude Debussy and to celebrate this anniversary Durand have made available more titles individually from their critical editions of his works. List oftitles: La Fille aux cheveux de lin (DD 01598300) Danseuses de Delphes (DD 01597100) The Little Shepherd (DD 01599400) Six Épigraphes Antiques (DD 01603200) Des pas sur la neige (DD 01604200) 2e Arabesque (DD 01603800) Claude Debussy 's Deuxième Arabesque for solo Piano.

One of Liszt’s most admired and performed masterpieces for piano along with the six Consolations ten Harmonies poetiques et religieuses two Ballades and two Legendes all reprinted from the authoritative Franz Liszt-Stiftung edition published by Breitkopf & Härtel of Leipzig.

(from The Wizard of Oz)-This stunning setting of the timeless ballad from The Wizard of Oz is one you will return to again and again. Simplicity elegance and perfect moments of breathtaking sonority will showcase concert and community choirs at their very best! This stunning setting of the timeless ballad from The Wizard of Oz is one you will return to again and again. Simplicity elegance and perfect moments of breathtaking sonority will showcase concert and community choirs at their very best!

Isaac Watts (1674-1748) wrote the lyrics of There is a land of pure delight and is known as the Father of English Hymnody. Watts was for the English hymn as Ambrose was for the medieval Latin hymn and what Martin Luther was for the German chorale. He wrote about 750 songs and some of them survide the ravahes of time. (Joy To The World When I survey the wondrous cross I sing the Mighty Power of God) There is a Land of Pure Delight is usually in English-speaking areas sung on Luther Orlando Emerson's melody ('Ascription'). Here is used a traditional English melody ('Mendip'). There is a land of pure delight Wheresaints immortal Reign. Infinite day excludes the night And pleasures banish pain.

“Putting on the Ritz : c'est ainsi que les Anglo-Saxons se « mettent sur leur 31 » consacrant au passage le mondialement célèbre palace comme éternel symbole de du luxe et de la perfection. Irving Berlin célèbrera cet art de vivre avec la chanson Puttin’ on the Ritz reprise par de nombreux artistes. Lorenzo Bocci en a réalisé un arrangement absolument “ritzy.

With a strong showing on the Hot 100 Rock and AC charts as well as a high profile cover of the song by the Glee cast this song by the group Imagine Dragons crosses generations and genres with its unique mandolin sound that builds into an irresistible chorus.

This work takes both its name and inspiration from a lighthouse “Sword Cape” that keeps watch near Japan’s naval base. The piece describes how come rain or shine the lighthouse bids a safe journey to departing ships guides them during their travels and eventually welcomes them home again. The music evokes many musical images - grand ships sailing by white-capped waves the deep blue of the ocean and the light of ‘sword cape” as it silently guides ships over the mysterious waters.

Everybody is familiar with the zoo. Remember all those animals? Big ones small ones. Water dwellers air-bound birds long legged hoppers creeping bugs. All animals seem to have their own peculiarities. Now Carl Wittrock (who also composed the world-famous master piece 'Lord Tullamore') invites you to join him in a musical exploration of the animal kingdom. An invitation you must not reject! In his 'A view at the Zoo' Wittrock presents ten distinctly different animals as compositions of music. You may be familiar with some of those animals such as the white swan or the butterfly but there are also more exotic breeds like the lion the monkey or theelephant. The composition as a whole is built around a structure of shorter fragments reminiscent of 'The Paintings Exhibition' by Moussorgsky. The parts are decorated with recognizable illustrations of the different animals. At each composition Wittrock looks for something that can fascinate both musicians and listeners. In this he succeeded extremely well.

Auszuge der Originalmusik zum Film Jenseits der Stille .

Trio Flex is a clever concept that offers you a range of possible options. As well as a demo version played by live instruments the enclosed CD contains two play-along tracks for each piece. One track features the combo only and the other track features the combo plus the second and third parts of the trio. Peter Kleine Schaars has arranged ten well-known numbers for three wind instruments in various styles and genres. Play the melody with the combo on the CD or play the trio version with the other two recorded parts. That will sound great in itself. But you can also form a trio with two co-players and have yourselves accompanied by the combo on the CD. No matterwihich variation you choose get ready for a musical experience that will amaze your audience!

from the Oratorio Deborah-It is always refreshing and grounding to sing a Handel anthem. This Alleluia from the oratorio Deborah was first used by Handel in the Coronation Anthem No. 3 Let Thy Hand Be Strengthened. Robert Sieving has arranged the piece for SAATB choir and organ. Energetic and majestic aptly describe this worthy anthem for both church and school.

The Samba is a Latin American dance which is mostly associated with parties as a result of the fast tempo in which it is usually played. ‘Sumba Samba’ forms an exception to this rule. In order to get this samba to swing it is important to stick to the tempo prescribed. ‘Sumba Samba’ starts with a motif which will play an important role throughout the piece. This motif can be heard in the first notes of the ‘refrain’ and as said before has been used in the introduction as well as in the transition after the middle part (letter G). Furthermore it plays an important role in the middle part itself (letter E) in which the samba has momentarily disappeared and acompletely different atmosphere has been created. At letter H we pick up where we left off with the samba and swing to the end of this composition.

Easy Piano Sheet Music-Sheet music. Easy Piano Sheet Music. Sheet music.

Singing superstar Adele has taken the pop charts by storm and here is a very effective arrangement of her #1 hit for beginning jazz ensembles. John Berry effectively gives each section important parts to play and there are nosolos required. Fun to play and quick to learn.

'Summertime Revised' in A Minor arranged for piano and vocals.

It takes all the colors to make a rainbow! This is the positive message of this original song that's just right for younger singers with a happy upbeat sound. Available separately: 2-Part ShowTrax CD. Duration: ca. 2:00.

Choral Medley-The passing of Phil Everly has reminded the world once again of the great rock and roll legacy of the Everly Brothers. Influencing groups from Simon and Garfunkel to the Beatles their signature harmonies and performances are timeless! Enjoy this 4-minute tribute of three of their hit songs: All I Have to Do Is Dream Bye Bye Love Wake Up Little Susie.

32 pieces to play in third second and half position-5 collections to give a structured training scheme for the viola player to play in position. Positions 3-2-1/2 - a collection of over 30 pieces some well-know and some not to develop playing between position 3 and 2 and 1/2.