TTBarB and piano.

Serenade de Zanetto 'Mignone voici l'Avril! Le Soleil revient d'Exil'

For unaccompanied violin. Students who follow faithfully the instructions given in this edition will find themselves having acquired the correct position of the left hand without which a reliable technic cannot be attained.

Study score of The Three Kings A Christmas Cantata for SATB soli chorus and orchestra. Texts by George Mackay Brown and mediaeval anonymous. This work was commissioned by the London Symphony Chorus to commemorate its30th anniversary. First performed on 15th October 1995 at the Barbican Hall London. Duration 50 minutes. Vocal Score also available for sale. Conductor's score and orchestral parts are available for hire.

Hymns Of Paradise for bass solo SA chorus and six violins. This work was commissioned by Ross Pople for performance by the London Festival Orchestsra. It was first performed on 27th May 1993 at St Paul's Cathedral.

Chopin's Mazurkas are published as part of ABRSM's 'Signature' Series - a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars. Includes informative introductions and performance notes. The Mazurka is a traditional dance from Mazoria an old Kingdom of Poland that Chopin was native to. He has made great use of the folk music of this region and they are characterised by subtle changes in the unusual rhythm varied melodic colour and demonstrate his vast range of compositional ability. Ranging from brief and vigorous dances to deep and complex extended works they are each very individual with a unique character. Either slow or fast the dance was generally performed by a large company in the manner of a village or folk dance. This fantastic edition contains 51 of Chopin's fantastic Mazurkas set here for Piano solo.

Your favourite ABRSM piano exam pieces-Encore is the official collection of best-loved ABRSM piano exam pieces selected from syllabuses of the past few decades. Pianists will find an appealing mix of repertoire while teachers can be confident that the perfect balance of content has been selected at every level. Encore is the official collection of best-loved ABRSM Piano exam pieces from Grades 1 to 8. Book 2 features popular pieces set on ABRSM Grades 3 and 4. Have fun exploring modern favourites and timeless classics like Top Cat! or Burgmuller's dramatic Ballade Plus we've included background information and new ideas for exploring the music. Encore is perfect for: Developing skills and technique between grades. Sourcing music for a concert or recital Learning or playing for fun away from the exam format. Adults returning to Pianoplaying looking for approachable repertoire they'll recognise. For teachers we've made sure that the content is perfectly balanced at every level. For quick reference each piece has a note highlighting skills to focus on. Encore is packed full of music that will: Motivate students - all the pieces have been chosen for their ongoing popular appeal. Form a bank of rich content so you can pick and choose pieces to help each student improve. Introduce new skills and techniques to prepare exam candidates for the next level. Whether you're working through our exams playing informally or planning a performance Encore is full of music you'll want to play again and again.

Borodin's Sonata in B Minor (h-Moll) for Cello and Piano. Edited by Michael Goldstein.

For SATB Choir (Mixed Voices) with Piano accompaniment and Guitar chords. Arranged by Hywel Davies.

TTBB unaccompanied but includes Piano accompaniment for rehearsal.

Edited by Robin Langley Amongst the most widely-disseminated and influential piano music of the early 19th century the sixteen Nocturnes of John Field are here published together for the first time in an edition that through careful consideration of publishers' plate numbers Russian first editions and the composer's habits of revision reveals the number and chronology of the little-known Nocturne No. 10 and its relation to the unnumbered 'Troubadour' Nocturne H.55. First published in 1997.

Job (Vocal Score)-A substantial work for four soli SATB chorus and orchestra using text from the translation of Stephen Mitchell's The Book Of Job . Like Vaughan Williams in his Job: A Masque for Dancing Davies was inspired inpart by William Blake's 21 engravings for the Book of Job. His oratorio however is less dependent on find parallels for Blake's visual details given the direct poetry in David Lemon's adaptation of the Stephen Mitchelltranslation from the biblical original it is hardly surprising that the spotlight should be so much on Job's suffering litany. The baritone has the lion's share of the setting though the other soloists occasionally reinforce hisplea and chorale-like episodes universalize his predicament. Davies frames with work with two seminal plainsong-like passages; there is also plenty of dramatic contrast both within Job's monologues and in the vivid orchestralwriting for the smarmy Comforters the initially shrill God who finally appears out of a dazzling orchestral whirlwind and the animal life he uses to illustrate the wonders of creation to a humbled Job. Commissioned by theUniversity of British Colombia it was first performed in May 1997 by Valdine Anderson (soprano) Linda Maguire (mezzo soprano) Paul Moore (tenor) and Kevin McMillan (baritone) with the Vancouver Bach Choir and the CBC VancouverOrchestra conducted by the composer. Vocal score with piano reduction of the orchestral score. Duration c. 70mins.

This version is arranged for bass voice alto flute harpsichord and cello. Score edition only. Separate parts are also available on sale.

Beyond Dark consists of one movement which is in three sections fast-slow-fast. Influences from the modern jazz harmony of Herbie Hancock and Chick Corea and also traditional Japanese instruments such as the koto and shakahachi.The piece lends itself to alternative fingerings which helps to give the piece an exotic flavour - some of which are included in the score included some of these optional fingerings in the score.

Sonate für Orgel und Kammerorchester (Streicher ohne Viola)- The 17 Church or 'Epistle' Sonatas were composed between 1772 and 1780. They are short single-movement pieces intended to be played during a celebration of the Mass. Three of the sonatas are scored for small Orchestra including Oboes Horns Trumpets and Timpani and the rest are scored for Organ and strings without Violas. The Sonata in this Volume 5 is the Sonata in C major K.263 (Organ Solo Trumpet (2) Strings). Also available: Volume 1: BA4731. Volume 2: BA4732. Volume 3/4: BA4733.

Book 2-Pack (Score and one of each part (excluding Supplementary parts)) Edited by Scott Stroman Rockin’ Daddy (Myhill); Ballad for One (Myhill); Granite City Blues (Michael); Ultima Bossa (Myhill)

Alto Piano. Brahms J.

Grades 1-5-A collection of progressive studies in two volumes for unaccompanied flute. Carefully written to explore different aspects of flautist's technique these attractive and well-crafted studies also contain a mix of articulations speeds time signatures and rhythms to provide original and varied study repertoire for teacher and pupil. Fifty progressive studies for unaccompanied flute. The fifty short unaccompanied pieces in these two books explore the versatility of the flute and the many moods and styles it can portray. These pieces have been designed primarily as studies but may be grouped as desired into suites for solo performance. The material has been arranged in progressive order of difficulty with Book 1 covering a level of Grades 1-5 and Book 2 covering Grades 6-8.

Vocal Score for the Opera in Two Acts.Caritas’ is in two acts the first consisting of 12 short scenes the second being a continuous scena. The overall form of the opera retains the architecture of Wesker’s stage play butalters the proportions in order to create a musically dynamic form. While each scene of the first act is centred around a specific pitch the second act is a Passacaglia whose ‘ground’ is a Cantus Firmus each repetition ofwhich begins on a different note from those of its previous statements. These large-scale architectural features are both reflected in and derived from the musical material itself.

13 Pieces-Piano. Dvorak A