For Solo Violin-Dr. Lawrence Golan's edition of Bach's masterpieces for solo violin combines the authenticity and accuracy of a Scholarly Urtext Edition with the practicality and helpfulness of a Performing Edition. A facsimile of Bach's autograph manuscript was used in the preparation of this edition and the composer's intentions have been preserved to the last detail. Of particular note is the fact that all stems have been beamed together as they appear in the autograph manuscript. This is of great importance when making interpretive decisions regarding dotted rhythms. Helpful fingering and bowing suggestions are provided by the editor but are clearly distinguished from Bach's originalnotation allowing the performer the freedom to accept or reject any given suggestion. The volume comes complete with Dr. Golan's essay Performing Bach: Dotted Rhythms and Trills in the Sonatas and Partitas for Solo Violin which also includes scholarly discussions of vibrato fingerings bowing styles and ritardandos in Baroque music. The inclusion of this comprehensive study of Baroque performance practices makes this edition a must for any violinist interested in performing the Bach Sonatas and Partitas in an historically informed manner. Dr. Lawrence Golan's edition of Bach's masterpieces for solo violin combines the authenticity and accuracy of a Scholarly Urtext Edition with the practicality and helpfulness of a Performing Edition. A facsimile of Bach'sautograph manuscript was used in the preparation of this edition and the composer's intentions have been preserved to the last detail. Of particular note is the fact that all stems have been beamed together as they appear in theautograph manuscript. This is of great importance when making interpretive decisions regarding dotted rhythms. Helpful fingering and bowing suggestions are provided by the editor but are clearly distinguished from Bach's originalnotation allowing the performer the freedom to accept or reject any given suggestion. The volume comes complete with Dr. Golan's essay 'Performing Bach: Dotted Rhythms and Trills in the Sonatas and Partitas for Solo Violin 'which also includes scholarly discussions of vibrato fingerings bowing styles and ritardandos in Baroque music. The inclusion of this comprehensive study of Baroque performance practices makes this edition a must for anyviolinist interested in performing the Bach Sonatas and Partitas in an historically informed manner.

Written the year before his death and dedicated to the memory of Sergey Prokofiev this piece is the last of Poulenc's wind sonatas and is a work of profound poignancy and delicacy. Poulenc would not live to see the piece tofruition as the work was published posthumously. This is the 2004 updated and revised version edited by Millan Sachania.

Mozart's Sonata in C is published as part of ABRSM's 'Signature' Series a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars. Includes informative introductions and performance notes. Performers of this piece may find it helpful to view the whole sonata from the standpoint of the slow movement which one of the most touching pieces in all Mozart's solo piano works.

Shaping The Curve is based strictly on a sequence of four chords and served as a study for Nyman’s 1991 piece Where The Bee Dances for Saxophone and Orchestra.Michael Nyman is a contemporary British composer of richly layered modular minimalist pieces often incorporating period instruments or instrumentation outside the normal Orchestral offerings. He is particularly well known for his film scores including The Piano The Cook The Thief His Wifeand Her Lover Prospero’s Books and The Claim among many others. His work is widely performed.

Eleven moderately easy pieces-A delightful collection in two progressive volumes providing invaluable extra teaching material for young players who have just begun to master their instruments. Pupils will enjoy the variety of moods and styles within the collection and the charming interplay between clarinet and piano. A collection of eleven moderately easy pieces for clarinet by Michael Rose covering a variety of styles. Includes piano accompaniment.

Geoffrey Burgon 's Trumpets is a work for two Trumpets and Organ originally forming part of the ballet 'The Calm' written for The London Contemporary Dance Theatre and premiering in 1974. Thisarrangement of Trumpets was made by the composer. This is the score and parts. 'The Calm' is concerned with the interplay of differing temperaments in human behaviour with two contrastingapproaches represented by two couples.

Darth Vader lives! The amazing world of space adventure known as Star Wars returns and it is bigger than ever. With a new series of films becoming a reality its the most important entertainment story of the decade. The marvelously exciting musicof John Williams has created a magical aura and Larry Clark has masterfully scored a fresh version of this gigantic anthem. Need more be said? (2:31) John Williams' classic theme expertly arranged by Larry Clark for intermediate String Orchestra.

For High Voice with Piano Accompaniment. For High Voice with Piano Accompaniment.

Version for 2-Part Upper Voices.

Score for Lost Forever by Joby Talbot.

Written for male voice choir handbells Tibetian temple bowl and string quintet.

The spiritual Fix Me Jesus arranged by Hall Johnson for SATTBB choir a cappella.

A pastoral miniature in the best tradition of the English landscapists…' Fanfare magazine USA

For Voice and Piano For Voice and Piano

SAATB Edited by E H Fellowes. Revised by Thurston Dart

These four volumes contain all of Purcell's secular solo songs not associated with stage productions. Taken from the authoritative Purcell Society Editions the songs appear in their original keys and are most suitable for high voice.

This is the Schirmer Edition of The Lord Is My Shepherd for Upper Voices and Piano or Organ accompaniment.

Eb Alto Saxophone 1-Twelve outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing ballads rock pop holiday Latin and a great warm-up chart titled 'Loosen Up.' This collection of charts is written for full instrumentation of 5 saxophones 3 trumpets 3 trombones and 4 rhythm but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes Tenor Sax 2 Trumpets Trombone Piano Bass and Drums. Optional parts are available for C Flute Tuba (doubles Bass part) Horn in F (doubles 1st Trombone) and Baritone Horn T.C. (doubles 1st Trombone).Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Conductor's book includes a full length CD recording.

A variety of styles are presented ranging from Swing (We Wish You a Jazzy Christmas Good Swing Wenceslas Chill Out Ye Merry Gents) Boogie (Not so Silent Night) and Ragtime (Clearly a Midnight Rag) to Reggae (Bells a Jinglin') Latin (O Rumb' all Ye Faithful Tannenbaum Tango) Smooth lyrical (Boogie on Down to that Manger Chanson pour l'Enfant de Noël) and a mixture of Disco and Boogie (Three Cool Orient Dudes). These pieces are fun to play and provide plenty of surprises!

Text by A.E. Housman. Text by A.E. Housman.