This powerful setting of the cherished Christmas standard is ideal for mass finale or processional use. Building to a dramatic conclusion this piece is guaranteed to impress. Arranged by Mac Huff for SSA Choir. This powerful setting of the cherished Christmas standard is ideal for mass finale or processional use. Building to a dramatic conclusion this piece is guaranteed to impress. Arranged by Mac Huff for SSA Choir.

Score- String Quartet No. 3 was commissioned in 1971 by the Julliard School for the Julliard String Quartet. It subdivides the ensemble into two duos which play contrasting movements both individually and at the same time exploring feelings of rivalry and cooperation. Elliott Carter (1908-2012) was a highly regarded American composer who continued writing innovative music into his 11th decade. His early influences included Charles Ives Gustav Holst Aaron Copland and Nadia Boulanger with whom he studied in Paris in the 1930s. He was known for always adapting and changing with the times and became more and more popular as his stature grew throughthe decades.

In music the term 'bluegrass' describes the hot string-band style pioneered by Kentuckian Bill Monroe which blends old-time country music with blues rhythms and jazz-influenced improvisation. This book contains 101 authenticbluegrass guitar licks in the favorite bluegrass keys of C G D and A minor. The licks are broken down into phrases of two four and eight bars. In addition several endings and crosspicking licks are included. Each lick isplayed to a chord progression that is standard in bluegrass country and folk music. All 101 examples are recorded on the companion CD with guitar accompaniment at a moderate tempo. Whether you are a fan of old-time countrymusic traditional bluegrass or newgrass you are sure to find lots of great ideas in this new collection of bluegrass licks. So grab your instrument put on the CD pull up a chair and let's start pickin'.

Volume 2: Intermediate-Contents: Schumann: The Poor Orphan Op. 68 No. 6; Norse Song Op. 68 No. 41; Italian Sailors' Song Op. 68 No. 36; Folk Song Op. 68 No. 9; The Horseman Op. 68 No. 23; Strange Man Op. 68 No. 29 Gurlitt: Buds andBlossoms Op. 107 No. 1 Chopin: Mazurka Op. 68 No. 2; Prelude Op. 68 No. 6; Prelude Op. 28 No. 4 Heller: Study in E Op.47 No. 16; Determination Op. 45 No. 7; Sailor's Song Op. 45 No. 14; Study in Cminor Op. 47 No. 20 Field: Nocturne No. 18 in F Tchaikovsky: Chanson Triste Op. 40 No. 2; Christmas (December from The Seasons) Op. 37a No. 12 Mendelssohn: Hope (Song withoutWords) Op. 38 No. 4; Confidence (Song without Words) Op. 19 No. 4; Regrets (Song without Words) Op. 19 No. 2; Morning Song (Song without Words) Op. 62 No. 4; May Breezes (Song without Words) Op. 62 No. 1 Concone:Butterflies Op. 25 No. 5 Beethoven: Bagatelle Op. 33 No. 6; Six Easy Variations on an Original Theme; German Dance No. 1 Grieg: Berceuse Op. 38 No. 1 Sinding: Serenade Op. 33 No. 4 Nearing:Falling Leaves Burgmuller: At the Spinning Wheel Op. 109 No. 18; Study in E Op. 105 No. 9.The second of three fabulous volumes of repertoire from the Romantics for solo Piano as edited by Harold Bauer. From Beethoven to Tchaikovsky this repertoire book spans the great composers with superb examples of their solo piano works. This collection is ideal for the intermediate - late intermediate pianist.

We know that our Redeemer lives and we can stand on what He did - our Savior lives! Richard Kingmore's arrangement is full of great part-writing and a good amount of unisons making this workable for many choirs.

A delightful little piece perfect for the younger player. Originally published by OUP this is a well-deserved return to print.

Written for Walt Disney World Sammy's masterful touch shows in this fiery medley of Mickey Mouse March and Zip-A-Dee-Doo-Dah . Mostly a study in ensemble scoring in a wide variety of tempos and styles this chart isvintage Sammy at his swingin' best. Tenor sax gets a chance to solo in a quasi gospel style vamp near the end.

For SATB Choir A Cappella.

Here's a spotlight for your SSA group for the middle school holiday concert that is easy butstill provides a glowing holiday ambience.

It is rare to find a two-part mixed anthem with this much power. Lynn Shaw Bailey adapts this ubiquitous poem with sensitivity and understanding. Her choice of two-part-voicing makes for an easy learning curve allowing specialfocus on the text. A Prayer for Serenity is perfect for healing services or for Lenten contemplations. Calming!

Written for and recommended by Roger Birnstingl this piece is beautiful funny and charming.

Vocal or Alto Sax Solo-Mike Tomaro brings us a bluesy and soulful rendition of this patriotic favorite that features either an alto sax soloist or vocal soloist. Great gospel feel for big band!

In this book you will find 120 2-bar ii-V riffs--ten different riffs for each of the 12 keys. Learning these riffs in all possible positions and using as many different fingerings as possible will help students learn the fingerboard and find the best fingerings and positions for them. In this book you will find 120 2-bar ii-V riffs--ten different riffs for each of the 12 keys. Learning these riffs in all possible positions and using as many different fingerings as possible will help students learn thefingerboard and find the best fingerings and positions for them.

Philip Glass ' Bent (1996) suite for String Quartet. Score and parts.

From the wildly popular American Idol Season 4 finalists this pop hit was designated as the Disaster Relief Single for the American Red Cross and is now a superb choral chart by Alan Billingsley.Available separately: SATB SABand SSA. ShowTrax CD also available. Performance Time: Approx. 3:20

The harp is the quintessential wedding instrument. Its romantic image and sound make it ideal for the special day which represents a landmark in the life of the bride and groom and their families. The music they choose will stay with them in memory and meaning for a lifetime. This book contains a variety of classic traditional and ethnic music some pieces you will recognize as standards and some you may never have heard before. Selections in this book may be played on any style or type of harp. These tunes and pieces have been chosen because they are in the public domain and also because they could make the difference between an ordinary wedding and a very special one.Divided into four sections: Preludes Processionals Meditations and Recessionals this music offers more than enough choices to get you through an entire wedding ceremony and reception. These arrangements are interesting to the player as well as the listener and take full advantage of the harmonic capabilities of the lever harp. Includes important and useful tips and suggestions regarding music selections fees for services contracts proper attire etiquette and more. Includes access to online audio. The Harp is the quintessential wedding instrument. The romantic image and sound it produces makes the Harp ideal for the special day which represents a landmark in the life of the bride and groom and their families. The musicthey choose will stay with them in memory and meaning for a lifetime. This book contains a variety of classic traditional and ethnic music some pieces you will recognise as 'standards ' and some you may never have heardbefore. Selections in this book may be played on any style or type of Harp. Divided into four sections: Preludes Processionals Meditations and Recessionals this music offers more than enough choices to get you through anentire wedding ceremony and reception. 'Wedding Music For The Lever Harp' includes important useful tips and suggestions regarding music selections fees for services contracts proper attire etiquette and more. Includes access to online audio.

This is the first section of the five-part Tempest Songbook. Ariel’s Lament is a luminous and beguiling rendering of the air sprite Ariel’s greeting to his master Prospero with deft instrumentation in the Flute part andvirtuosic requirements of the Soprano all suffusing the space with the magical use of Harp. As Ariel sings ‘I charmed their ears.’ Kaija Saariaho is a contemporary Finnish composer living and working in Paris and muchinfluenced by the electronic experimentation of IRCAM although Ariel’s Lament is entirely acoustic in its instrumentation. She gained international renown for her first opera l’Amour du Loin and continues a prolific compositionallife with a wide range of international performances.

Exercises For Development Of Control And Technique-Joe Morello. This is The book on hand development and drumstick control. Features: Accent studies Buzz-roll exercises Single and double-stroke patterns Control studies Triplet studies Flam patterns Dynamic development Endurance studies Joe Morello. This is The book on hand development and drumstick control. Features: Accent studies Buzz-roll exercises Single and double-stroke patterns Control studies Triplet studies Flampatterns Dynamic development Endurance studies

Sheet Music When I Bring to You Colour'd Toys is the first of three songs from the Gitanjali cycle. Based on the poetry of Rabindranath Tagore these songs have long been one of John Carpenter's most popular works. This version is arranged for Medium Or High Voice and a Piano accompaniment.

For unaccompanied violin. Studies in the First Position.