A familiar melody and a powerful text join to make this Tom Fettke arrangement a new favorite. Behold the Risen Lamb is a wonderful anthem of prayer and praise reflecting the awesome wonder at Christ's sacrifice andresurrection and expressing gratitude for the gift of life everlasting. One with my Lord I cannot die. My soul is purchased by His blood; my life is safe with Christ on high... Very moving for Lent Easter orcommunion services.

With strong lyrics and a great hook this song shot to the top of the charts in 1973 (Dobie Gray). Today's audience will find themselves still humming along ...give me the beat boys and free my soul...Available separately:SATB SAB 2-Part and ShowTrax CD. Performance Time: Approx. 2:35.With strong lyrics and a great hook this song shot to the top of the charts in 1973 (Dobie Gray). Today's audience will find themselves still humming along ...give me the beat boys and free my soul...Available separately: SATB SAB 2-Part and ShowTrax CD. Performance Time: Approx. 2:35.

Solo Part.

Gordon Goodwin's CD Big Phat Band - Swingin' For The Fences contains a wealth of terrific charts in a wide variety of styles by this talented writer. This sizzling Latin masterpiece written in a songostyle features intricate unison lines blazing ensemble passages and a continuously energetic rhythmic drive. For the mature band this is one impressive chart!

A Tchaikovsky Collection-This collection presents melodies from across the range and includes passages which clarinettists will find in Tchaikovsky's own orchestral clarinet parts. The pieces should be treated as duets for Clarinet and Piano with theplayers listening carefully to one another. Arranged by Thea King and Alan Frank. Includes score and part.

Feature your guys with the smooth sounds of street-corner doo-wop with this 6-minute medley of favorites! Includes: Silhouettes (The Rays 1957) In the Still of the Nite (Five Satins 1956) Save the Last Dance for Me (Drifters 1960).Available separately: TTBB and ShowTrax CD. Performance Time: Approx. 4:20.

Sheet Music The greatest piano virtuoso of the 19th Century Franz Liszt

An arrangement of one of the most famous Vaughan Williams works two Pianos by Maurice Jacobson.

From the Twentieth Century Fox Feature Film Home Alone-From the family favorite Home Alone this wonderful song is establishing itself as a holiday classic. Beautifully arranged here for young players by Robert Longfield.

Pythikos Nomos is scored for alto saxophone (or clarinet in A) and piano. It was at the request of John- Edward Kelly that Brian Elias first decide to write a work for saxophone and piano. ‘Pythikos Nomos’ (Pyhton’s Law)is an ancient Greek musical form invented by Sakadas in 586 BC for the Pythian games to describe the battle between Apollo and the monster on the slopes of Parnassus. It is reputedly the first known genre of programmemusic. Brian Elias decided that the characteristic sounds of the saxophone would be well suited to ancient Greek rhythms and was interested in the implications of this form as an early sonata shape. According to legend Apollofought and defeated the monster on the site which came to be called Delphi. He returned to Delphi in triumph after a period of purification escorted by priests singing hymns of praise. Several versions of the instrumental formexist following the general storyline. Brian chose to base his piece around six sections: (i) Peira (introduction) (ii) Kataleusmos (Apollo incites the monster to battle) (iii) Imabikon (the battle) (iv) Spondeion (hymn ofvictory) (v) Katachoreusis (victory dance) (vi) Syrinxes (the last breaths of the dying monster). The central hymn of victory incorporates a quote from the first Delphic Hym a surviving fragment of ancient Greek music. Thiswork was written for John-Edward Kelly and Bob J.W.Versteegh who gave the first performance on 1st July 1988 at the Wigmore Hall London. Duration c.10 minutes. The score is in C.

Published in 1994 and commissioned by Tall Poppies. First performed by Ian Munro. Pieces 1 and 5 are also featured in the Pianthology collection. For Solo Piano. Published in 1994 and commissioned by Tall Poppies. First performed by Ian Munro. Pieces 1 and 5 are also featured in the Pianthology collection. For Solo Piano.

From one of the hottest new swing bands in the country Cherry Poppin' Daddies here is an outstanding arrangement of their current huge hit. From one of the hottest new swing bands in the country Cherry Poppin' Daddies here is an outstanding arrangement of their current huge hit.

Patti Drennan animates an old gospel hymn with new life in this splendid arrangement. Lay down your troubles at the foot of the cross and celebrate grace as you encourage your church with a timeless message for Lent or Holy Week. Inspiring!

from Jump In-Feel the power of the music and the rhythm! Over eight million people watched the Disney Channel movie Jump In and this energetic single shows you why. Available separately: 3-Part Mixed 2-Part ShowTrax CD. Duration: ca. 3:45.

Oboe quartet in which the Norwegian composer used fractal mathematics as part of his compositional technique.

Kites is scored for wind quintet and string quintet and came about through Holt's interest in Japanese things. The kite that features is preceded by an introduction of fragile slow and serene scene-setting music. Like Kites Holt's musical ideas are objects defined by the forces within them; intervals dynamic intensities and tensions between different instruments and registers. Many of these featurethroughout the piece which has a graceful ending likened to a Light breeze blowing shoreward form the ocean.

Caliban's Dream was written as a 50th birthday tribute to Brian Ferneyhough in 1993. Arranged for baritone voice clarinet mandolin guitar harp and double bass. This edition includes the parts only. A separate scoreincluding the vocal score is also available on sale.

Grade 4. (Lowden)

Volume I includes: Away in a Manger Gesu Bambino Go Tell it on the Mountain O Holy Night.

Geoffrey Burgon's Six Studies were originally composed for solo cello. This transcription authorised by the composer has involved some changes in register and notes due to the different timbres and response of the viola and theconsiderable difference in physical size of the two instruments. This work was commissioned by the Portsmouth Festival with funds provided by Southen Arts. The first performance was given by Julian Lloyd Webber at theCathedral Church of Old Portsmouth in June 1980.