Set of parts for the tenth Naxos Quartet by Peter Maxwell Davies.

100 attractive pieces-100 attractive pieces A Second Organ Miscellany represents the merging of three collections previously available separately which are no longer in print - Music of the Islands Consecration and selected pieces from CommunionInterludes . The result is a tremendous volume of 100 attractive pieces that also includes notes about each of the composers.

(Fanfare and Allegro)-Commissioned for the 100th anniversary of the Calgary Stampede Showband of Calgary Alberta Samuel Hazo has created a stunning and inspired work for mature players. The title (taken from the Latin phrase JubilateDeo) is indicative of the pervading sense of ceremony and jubilation. Bookended with a broad and powerful fanfare the exuberant allegro section features a spirited pulse with mixed meters and soaring melodies. A dynamicpercussion score is inherent throughout the work all the way to the dramatic finish. Dur: 5:00

The Vocal score for John Foulds A World Requiem originally scored for Soprano Contralto Tenor and Baritone Soli Small Chorus of Boys and Youths Full Chorus Orchestra and Organ. Includes performance notes and full lyric sheets.

The term ’Pastorale’ originally meant a (musical) poem extolling the virtues of rural life. Beethoven’s 6th symphony is a fine example of this. In his Hymnus Pastorale Bert Appermont has dressed this concept in a modern guise with a composition featuring a magnificent and broad chorale which can be played by any ensemble. It is ideal as an interlude in your concert or as a warm-up piece.

8 (or 16) C Flutes 2 (or 4) Alto Flutes 2 (or 4) Bass Flutes. First performance: Paris 2004 Orchestre des Flutes Français. 8 (or 16) C Flutes 2 (or 4) Alto Flutes 2 (or 4) Bass Flutes. First performance: Paris 2004 Orchestre des Flutes Français.

A spirited Christmas piece for secondary choir

13 pieces for Piano. Published in 2003. Up to 24 minutes. Players may play a selection of pieces or the entire collection. First performed by Hiroaki Takenouchi. 13 pieces for Piano. Published in 2003. Up to 24 minutes. Players may play a selection of pieces or the entire collection. First performed by Hiroaki Takenouchi.

This beautiful piece by Tobin Stokes is loosely based on the five stages of grieving by Elisabeth Kubler-Ross. The first section of the music set for 6-part treble choir on the text Hear my prayer Oh Lord is polyphonic at a subdued dynamic level.The second phrase of the verse and let my crying come unto thee is homophonic and builds to a full climax before diminishing to a very soft and passionate ending. This beautiful piece by Tobin Stokes is loosely based on the five stages of grieving by Elisabeth Kubler-Ross. The first section of the music set for 6-part treble choir on the text “Hear my prayer Oh Lord ”is polyphonic at a subdued dynamic level. The second phrase of the verse “and let my crying come unto thee ” is homophonic and builds to a full climax before diminishing to a very soft and passionate ending.

Boellman's most famous work for Organ.

Flute (Alto Flute) Horn Viola and Harp. Published 2008. For Arpége. First performance: Arpége 26 February Firth Hall Sheffield Score. Flute (Alto Flute) Horn Viola and Harp. Published 2008. For Arpége. First performance: Arpége 26 February Firth Hall Sheffield Score.

The title track from James Galway's new latin jazz disc arranged for easy piano. Orignally written for Flute and made famous by James Galway Mike Mower's Tango del Fuego is arranged here for Piano (Keybioard) solo.

From Sacred Harp (1844)-Based on the familiar hymn tune Beach Spring try this lyrical anthem on Trinity Sunday Pentecost for Communion or general use.

Jon Washburn Choral Series-The works of Swiss composer Ivo Antognini have been described as sublime. This setting of the beloved hymn by Franz Gruber certainly qualifies as sublime with the rich jazz chord voicings and unique choral textures. It may be performed by a vocal jazz group chamber choir or larger concert ensemble for a beautiful and warm concert moment. The works of Swiss composer Ivo Antognini have been described as sublime. This setting of the beloved hymn by Franz Gruber certainly qualifies as sublime with the rich jazz chord voicings and unique choral textures. It may beperformed by a vocal jazz group chamber choir or larger concert ensemble for a beautiful and warm concert moment.

Composed for a band festival in Duluth Minnesota and suggesting perhaps an exciting downhill ski run or possibly a snowmobile chase through the woods Due North is a fast-paced overture written entirely in a single tempo. Along the way various moods are suggested as themes and musical ideas are passed from section to section. The percussion section provides a driving rhythmic pulse throughout.

This work was commissioned by the Icelandic choir Kammerkor Suourlands (Collegium Canticorum). It was first performed in July 2004 at Skalholt music festival.

Four pieces in popular style for violin and cello using open strings with parts for optional viola and classroom instruments with piano accompaniment for group music making! The first two pieces ‘Nice ‘N’ Easy’ and ‘October Rain’ have open strings pizzicato. ‘Waltz in Jazz-Min Time’ uses open strings pizzicato and arco whilst ‘Caribbean Dance’ uses open strings and first finger pizzicato and arco. Complete parts comprising: Violin Viola cello and Glockenspiel.Four pieces in popular style for violin and cello using open strings with parts for optional viola and classroom instruments with piano accompaniment for group music making! The first two pieces ‘Nice ‘N’ Easy’ and ‘October Rain’ have open strings pizzicato. ‘Waltz in Jazz-Min Time’ uses open strings pizzicato and arco whilst ‘Caribbean Dance’ uses open strings and first finger pizzicato and arco. Complete parts comprising: Violin Viola cello and Glockenspiel.

This book the third in the series of three is the result of the need expressed by percussion educators for repertory for the student who is making the big step from the snare drum to the drum set. All of the etudes are based onone of the standard paradiddle and Ratamacue rudients.This book the third in the series of three is the result of the need expressed by percussion educators for repertory for the student who is making the big step from the snare drum to the drum set. All of the etudes are based onone of the standard paradiddle and Ratamacue rudients.

A sumptuous selection of the very best Keyboard music of the Baroque era by composers ranging from Henry Purcell to J.S. Bach and beyond all presented in one superb volume for the solo Piano. The music of the Baroque ischaracterised by innovation and invention both in the compositions of the great courts and of the church. With a melting pot of styles reaching back to the complex polyphony of the Renaissance while simultaneously pushingforwards towards the diatonic elegance of the later Classical era it is no surprise that such masterpieces as Pachelbel's Canon In D and Handel's Zadok The Priest are as popular today as ever. Every piece inthis anthology is rich in heritage and familiar to the ears of music lovers the world over. Take this opportunity to transform your repertoire - the music has been expertly adapted to appeal to the intermediate soloist whilstretaining all the beauty and character of the original works. There's simply no better way to discover the music of the masters.

The 28 chorales in this collection are suitable for concert band/wind ensemble as well as woodwind/brass choir saxophone quartet trombone quartet or mixed woodwind/brass groups. They are well-suited for use as warm-ups forstudy of precise intonation and ensemble and for concert performance. Helpful instructions to the director are included for varying dynamics through instrumentation and balance and the enhanced index includes the key and meterof each chorale. Also included are three concert selections: Chorale Prelude on I Call to Thee Lord Jesus Christ; Final Chorus from St. Matthew Passion ; Chorale Prelude on We All Believe in One God( Giant Fugue )