Griegs Ich Liebe Dich- Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln fur den schonsten Tag im Leben eines Paares. Hier Ich liebe Dich von Edvard Grieg . Die Bearbeitung fur Chor SATB mit Orgelbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Klavierbegleitung unter der Bestellnummer PMV16162G.

Work for Piano Duet.

Union Square is a work by Hauschka for String Quartet first performed on 23rd March 2010 at the Swedish American Hall San Francisco by the Magik Magik Orchestra.

Russian Music for Piano - Book 1 Easy pieces for piano by various Russian composers edited by A.T. Weston. Gedike Petite piece Op 6 No 11 is included on ABRSM Piano Grade 2 syllabus 2017-2018

The title Perfection Studies refers to the pursuit of playing the saxophone perfectly. Therefore this book is meant for saxophonists who have already reached a fairly advanced standard. The pieces have been written especially for this book by top composers from all over the world including Jan Van der Roost Jacob de Haan Martin Ellerby and Otto M. Schwarz. Nearly all aspects of saxophone playing are addressed including melodic interpretation tone quality dynamics and vibrato. The rich range of colours and the melodic character of the studies also make them very suitable for playing at exams or recitals. A demo CD is included with performances byNobuya Sugawa to give you an idea of how the studies should be played.

enthält 10 Singpartituren und 1 Klavierparitur-The song Audi Victoria by the German band Die Prinzen arranged for SATB Choir with Piano Accompaniment. Each set consists of 10 Vocal scores and a Piano Accompaniment. The song Audi Victoria by the German band Die Prinzen arranged for SATB Choir with Piano Accompaniment. Each set consists of 10 Vocal scores and a Piano Accompaniment.

Poulenc's Elegie in memory of Denis Brain arranged for horn and piano. Duration 8 minutes. Includes score and part.

A. G. Villoldo 's El Choclo - Tango Milonga for ensemble (Accordion Quartet Bass and Drums).

Edgardo Donato 's A Media Luz for Mandolin Orchestra. Part for Mandolin no.1.

Taggart's 'Wilt Thou Be My Dearie' for soprano alto tenor and bass vocals.

The first piece by a non living composer joining the Accessible choral library series. A very effective 2 part chant like piece suitable for concerts or services. The first piece by a non living composer joining the Accessible Choral Library Series. A very effective chant like piece for Unison or 2-Part Voices. Suitable for concerts or services.

In late 1791 Mozart wrote his famous work the Concerto for “Bassettklarinette” and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale. This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire and remains a popular work to the present date. Urtext of the New Mozart Edition Full score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x16.5cm (TP254) available for sale Clarinet in B-flat & Piano reduction (BA4773-38) Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)

Tatort (Scene of the Crime) Derrick and Ein Fall für zwei (A Case for Two) are three classic crime series on German television. Two of the themes are from the pen of Klaus Doldinger and the third theme Derrick was written by Les Humphries an Englishman who had great success with the Les Humphries Singers. In Crime Scene Stefan Schwalgin has faithfully adapted the original sound of the melodies to produce a thrilling medley.

Gabriel Fauré's Les Berceaux Op.23 No.1 for Bass Voice with Piano accompaniment.

Nos. 21-40 revision and transcriptions by P. Samuel Rubio.

This stately concert opener was originally written by Jan Van der Roost for a special event in which six respected wind orchestras (two Belgian and four Dutch) of different composition (two symphonic bands two fanfare bands and two brass bands) were featured during six concerts. Each evening brought forth a performance by a symphonic band a fanfare and brass band so that the audience could experience all three types of ensembles. This was indeed an original concept.The name ConZEnSus comes from a combination of the words ‘Concert Cyclus’ (concert series) and ‘zes’ (Dutch for ‘six’). This leads to a new word which refers to ‘consensus’. The general tenor of the cycle isthus immediately indicated. The richness of color of the various ensembles is revealed through an open and friendly atmosphere. During all six concerts (over a span of three years) ConZEnSus functioned as a permanent opening number for each orchestra. Thus the same musical story was portrayed in three different packages.

This is a collection of 36 piano pieces dating from 1995 to 2002. At times enigmatic at others direct the writing captures and reflects a myriad of moods revealing Skempton's highly original voice. Although most of the pieces were composed for seasoned performers they are suitable for any pianist seeking worthwhile and imaginative contemporary repertoire. This is a collection of 36 piano pieces dating from 1995 to 2002. At times enigmatic at others direct the writing captures and reflects a myriad of moods revealing Skempton's highly original voice. Although most of the pieces were composed for seasoned performers they are suitable for any pianist seeking worthwhile and imaginative contemporary repertoire.

Ottorino Respighi (1879-1936) est considéré comme l'un des plus grands compositeurs italiens du début du XXe siècle. Respighi a composé plusieurs opéras des ballets quelques cantates des œuvres de musique de chambre et des mélodies pour orgue et piano. Son style unique a été profondément influencé par les impressionnistes français par Rimski-Korsakov et Richard Strauss. Toutefois il est surtout connu pour son triptyque symphonique Fontane di Roma (Les Fontaines de Rome) Pini di Roma (Les Pins de Rome) et Feste Romane (Fêtes romaines) . Dans le poème symphonique Les Pins de Rome il se montre un maître de l’orchestration par son utilisation de timbrestrès variés et captivants. La composition comprend quatre mouvements et s’ouvre par les Pins de la Villa Borghèse où des enfants jouent près des arbres. Après cette introduction Respighi passe brusquement aux Pins près d’une catacombe : les pins projettent leur ombre sur l’entrée d'une catacombe d’où s'élève un hymne grégorien mélancolique. Les Pins du Janicule est un nocturne où les pins se profilent au clair d'une lune sereine. Dans les Pins de la Via Appia (Voie Apienne) le jour se lève : La campagne tragique est veillée par des pins solitaires. La musique ressuscite la vision glorieuse d'une armée consulaire en marche vers le Capitole.

Piano Time Pieces 1 presents a sparkling selection of pieces in all styles. Here are classical and jazzy pieces folksongs and specially written tunes and songs and character pieces of all kinds. Practising the range of techniques and keys introduced in Piano Time 1 these pieces provide a wealth of enjoyable practice and repertoire material for all young pianists. Piano Time is a hugely successful series for all young beginners from the very first lesson up to around grade 3. With a complete range of carefully paced and attractive books - tutors books of pieces of all kinds duets and technique books - Piano Time is a highly enjoyable way to learn the piano. Piano Time Pieces 1 presents a sparkling selection of pieces in all styles. Here are classical and jazzy pieces folksongs and specially written tunes and songs and character pieces of all kinds. Practising the range of techniques and keys introduced in Piano Time 1 these pieces provide a wealth of enjoyable practice andrepertoire material for all young pianists. With superb illustrations throughout this is a must have companion volume to Piano Time 1.

A suite of five small pieces for the piano written by Oscar Espla in 1931. A suite of five small pieces for the piano written by Oscar Espla in 1931.