Sophie Dufeutrelle 's La Voliere Du Puy (Le Puy Aviary) for Flute ensemble.

For baritone (or alto or tenor) saxophone and one percussion player.

Music for Brass no.2011.

as performed by Queen-This 1983 hit performed by Queen became a huge success not only because of the universal meaning of the lyrics but also because of the iconic official video. The Austrian composer and arranger Thomas Doss also a big fan of Queen’s music made this refreshing grade 3 arrangement. This title will certainly spice up your concert!

A glorious and rejoiceful chorale prelude by Lloyd Pfautsch based on a 1657 melody by Neumark. Set for a Brass ensemble made of two Trumpets trombone (or horn) and a second Trombone.

For 3 Trumpets 3 Trombones and Tuba (or Bass Trombone).

Sonaten 1-3- Sonatas 1-3

as performed by Frankie Goes to Hollywood-Frankie Goes to Hollywood were a controversial 1980s pop phenomenon. The Power of Love is an incredible breathtaking ballad untypical of the band’s usual style but a huge hit nonetheless.

The series of symphonies in the New Schubert Edition is a milestone of modern scholarly-critical editing lending these works a transparency lacking in earlier editions of a more romantic bent. The eight symphonies trace Schubert's artistic evolution from the First Symphony which develops a theme from Beethoven's Eroica to the Mozartean Fifth and the romanticism of the 'Great' Eighth. Full score performance material and study score for all symphonies are available for sale. Symphony No.1 in D major D 82 (BA5601 TP401) Symphony No.2 in B-flat major D 125 (BA5602 TP402) Symphony No.3 in D major D 200 (BA5603 TP403) SymphonyNo.4 in C minor D 417 Tragic (BA5604 TP404) Symphony No.5 in B-flat major D 485 (BA5645 TP405) Symphony No.6 in C major D 589 (BA5646 TP406) Symphony No.7 in B minor D 759 Unfinished (BA5647 TP407) Symphony No.8 in C major D 944 The Great (BA5648 TP408)

Tome 2-« Ce fut une sorte de soleil qui illuminait la musique celle du passé comme celle du futur d’un éclairage généreux et plein d’amour comme ces arcs-en-ciel de vitraux sonores qu’il chérissait. » – tel est le souvenir ému que Xenakis a conservé de l’enseignement d’Olivier Messiaen (1908-1992) au Conservatoire de Paris où celui-ci fut professeur entre 1941 et 1978 formant l’élite de l’avant-garde européenne (Boulez Stockhausen Amy Levinas Murail ...). Cette soif de transmission se retrouve intacte dans ce qu’il faut bien nommer l’œuvre d’une vie : le Traité de rythme de couleur et d'ornithologie qui regroupe l’ensemble de ses recherches théoriques et analytiques depuis 1949 jusqu’à sa mort. C’est à la veuve du compositeur Yvonne Loriod que revient le mérite d’avoir remis en ordre cette somme respectant le plan en sept tomes prévu par l’auteur. Publié en 1995 chez Leduc le 2e volume transporte le lecteur ébloui dans « des contrées merveilleuses imaginaires inconnues de la tradition académique » (Alain Louvier) : les rythmes non-rétrogradables (deux groupes rythmiques symétriques autour d’une partie centrale) les développements par élimination interpolations canons et pédales rythmiques constituent autant de techniques que Messiaen rend limpides. On y trouve aussi des morceaux de choix : les célèbres analyses consacrées au Sacre du Printemps de Strawinsky et à sa propre Turangalîla-Symphonie. Conçu par un esprit universel curieux de tout ce traité exhale un souffle d’absolu.

Schubert’s operas contain a wealth of magnificent music. This anthology of opera arias for baritone with piano accompaniment presents a delightful selection from Des Teufels Lustschloss D 84 Adrast D 137 Die Freunde von Salamanka D 326 Alfonso und Estrella D 732 and Fierabras D 796. An enclosed violoncello part for the aria “Wo find ich nur den Ort mein Haupt zur Ruh zu legen” (Alfonso und Estrella) makes it possible to perform this piece in a chamber music setting. Urtext edition based on the New Schubert Edition Trilingual texts (Ger/Eng/Fr) with an informative Foreword notes on the arias’ dramatic context and literal translations of the aria textsinto English and French Idiomatic playable piano part

as performed by Christiano and his Magical Orchestra-Composer and arranger Marc Jeanbourquin made an arrangement of The Journey Notebook originally written for orchestra and combo by Jo Hermans and Wietse Meys. This piece consists of different short musical stories allowing each section to represent itself in its own unique way. Catchy rhythms and melodies make this lovely piece a 'must play’ in your concert!

American composer trombonist conductor and teacher David Uber (b. 1921) is a virtuoso performer on the Trombone as well as a popular music professor. His 23 Virtuoso Clef Studies remain significant for Trombone Baritone Euphonium and Tenor Tuba players. Uber 's 23 Virtuoso Clef Studies were compiled in 1982 and address advanced musical techniques including unusual time signatures complex rhythms accidentals variations in performance directions breath control unusual intervals complex key signatures ornamentation and articulation among other aspects. For all advanced Trombone Baritone Euphonium andTenor Tuba players Uber 's 23 Virtuoso Clef Studies ensure progressive technical studies.

Variations pour Flûte

for alto saxophone (or tenor saxophone or clarinet) and piano

For 2 trumpets horn and 2 trombones.

In Memory of Richard Nordraak 1842 - 1866 (for 4 horns 3 trumpets 3 trombones euphonium tuba and percussion)

from the Paramount Television Series STAR TREK-Who doesn’t know the famous introduction To boldly go where no man has gone before at the beginning of each Star Trek sequel? Many generations grew up with Star Trek - one of the most iconic Sci-Fi series ever written. The original theme is as iconic as the opening line. A great warm up for the next Star Trek series in 2017 arranged by Thomas Doss.

for bassoon and trumpet

for Tuba- 24 Melodious études is a set of studies by S. Vasiliev for Tuba. Number 276 of the collection Music for Brass each study is between one and two pages long and will enable intermediate players to work on their embouchure and their breathing. They will also help to gain a better sonority. S. Vasiliev has managed to make them quite lyrical to avoid any fastidious feeling while working on them. This volume is definitely a must-have for all tubists willing to improve their skills and abilities. This volume was selected for the ABRSM Tuba Syllabus Grade 4.