Nos. 1-8 pour Choeur A Cappella-6 pour choeur mixte et 2 pour choeur d'hommes Songlist: Margoton va t'a l'iau La Belle se sied au pied de la tour Pilons l'orge Clic clac dansez sabot C'est la petit' fill' du prince La Belle si nous étions Ah ! Mon beau laboureur Les tisserands

A tremendously fun arrangement South African greeting song that exclaims Bless you in the name of the father! The use of a soloist and percussion bring this setting to life. A perfect closer for your concert festival or honor choir.

Für vier Querflöten oder andere Melodieinstrumente

Rico lernt Klavier 2

Intégrale des oeuvres pour piano

Spielen - lernen - musizieren - Mit CD zum Anhören und Mitspielen

Rico & Rica spielen vierhändig 1

Frische Lieder für Altblockflöte mit Gitarrenbegleitung

en trente-et-un morceaux pour piano

nach Motiven aus dem Räuber Hotzenplotz

pour chant et piano

Das tägliche Technik-Training für mehr Geläufigkeit Dehnbarkeit und Kraft

Arbeitsausgabe mit Kommentaren von Alfred Cortot

für Streichquartett

Pour Violon & Piano

für Orgel solo

Complete Works for Piano-This new completely revised and reset centenary edition of Satie’s complete piano music in three volumes has returned to Satie’s manuscripts and first editions to give pianists completely accurate and reliable texts to play from. As well aspresenting every piece for piano solo or piano reduction that Satie published this edition also includes some previously unknown pieces like the Petite Sonate that he wrote for Vincent d’Indy at the Schola Cantorum as well as some interestingfirst versions of well-known pieces like San Bernardo a trial version of Españaña (1913) and the markedly different first version of Les Pantins dansent (1914). In addition there areexamples of the different types of exercises that Satie completedat the Schola between 1905 and 1912 some extra trial Enfantines and some earlier drafts of his famous Sports et divertissements. To help pianists suggested metronome marks have been added throughout and there are also some performance suggestionsfor the Rose+Croix pieces of the 1890s which otherwise appear to be all quiet and slow. The notation has been made as user-friendly as possible without detracting from Satie’s concerns about the “extériorisation” of his musical thought in print.

Klavierbegleitung zu Band 1 und 2

pour soprano clarinette guitare électrique piano et accordéon

Mittelschwere Stücke für Blockflöte