In this medley Tom Wallace's menacing treatment of The Who's I Can See for Miles is paired with the ultimate contrast: a cheerful setting of Happy Together the legendary hit by The Turtles. A skillful transition leads back to the powerful conclusion of I Can See for Miles.

Twenty of Joel's most famous hits arranged for easy Piano for the student or accomplished player to enjoy. All songs feature specially arranged Piano parts that are accessible to players of an early intermediate ability with suggested fingerings full lyrics and guitar chord symbols. The set includes some of the singer's best-loved ballads rock anthems and pop hits including Just The Way You Are New York State Of Mind and Uptown Girl .

Work for Violin and Piano dating from 1922. Work for Violin and Piano dating from 1922.

The proud trumpet tells the story of the boldness and daring of the protagonist famous privateer Robert Surcouf. Pascal Proust is among the best known of French composers in the field of musical pedagogy. He has produced a whole series published by De Haske that is contstantly being expanded. Proust wrote Surcouf for more advanced trumpet students witharound 4–5 years’ progress. Proust’s style is easily accessible to the student and at the same time appeals to the audience so this piece is especially suitable as a recital or competition piece.

2 Flutes Percussion. Merkelt P 2 Flutes Percussion. Merkelt P

Unlike MacMillan’s first three symphonies Symphony no 4 (2014–15) is essentially abstract. Here he is interested in the interplay of different types of material following upon a fascination with music as ritual that has stretched from Monteverdi in the early 17th century through to Boulez and Birtwistle in the present day. There are four distinct archetypes in this work which can be viewed as rituals of movement exhortation petition and joy. It is also a homage to Robert Carver (c1487–after 1566) the most important Scottish composer of the High Renaissance. There are allusions to Carver’s 10-voice Mass Dum sacrum mysterium embedded in the symphony and at anumber of points it emerges from across the centuries in a more discernible form: the vocal lines are muted and muffled literally in the distance as they are played delicately by the back desks of the violas cellos and double basses.

The music of Igor Stravinsky's Funeral Song op.5 composed by the young composer as an orchestral memorial to his teacher Nikolai Rimsky-Korsakov disappeared after just one performance in 1909. Following its rediscovery in 2015 and world premiere in St Petersburg last December orchestras around the world have swiftly added Funeral Song into their current seasons. The Funeral Song score has been reconstructed from the complete set of parts by Dr. Natalia Braginskaya and the St Petersburg Conservatory in collaboration with Stravinsky's publisher Boosey & Hawkes. This new addition to the iconic HawkesPocket Score range provides a unique insight into the music of the young Stravinsky before he found international success with his ballet The Firebird. The Hawkes Pocket Score edition of Stravinsky's Funeral Song op.5 is an essential addition to the collections of all musicologists scholars students and music lovers.

Violoncello and Contrabass- Mozart's Sancta Maria Mater Dei K.273 scored for mixed choir (SATB) Strings and Organ. Written in Salzburg in September 1777 it was most likely composed as an offertory motet for the Feast of the Blessed Virgin Mary on the 12th September.

A wonderful modern treatment of the ages old favorite We Wish You a Merry Christmas ! This creative arrangement serves equally well as an opener for your Christmas Concert as it will in the traditional closer position that the grand old carol has so long held. Be sure to hear the demo CD on this one. We think you’ll be both surprised and delighted. Without question your students will enjoy playing Good Tidings at Christmas and the audience will Love it! Original!

A Concert Overture- When Mstislav Rostropovich (or 'Slava' to his friends) invited Leonard Bernstein to help him launch his inaugural concerts as Music Director of The National Symphony Orchestra he also asked him to write a rousing new piece for the festivities. This overture is the result and the world premieretook place on October 11 1977 in Washington D.C. This is the full study score.

An album of Carlos Gardel's best-loved songs. Includes El Dia Que Me Quieras Melodia De Arrabal and many others. Also includes a brief biographical history of the composer (in Spanish).

Attributed to Mozart but possibly composed by Johann Zach and adapted by Mozart the Tantum Ergo K.142 is scored for Soprano solo mixed choir (SATB) 2 Trumpets Strings and Basso continuo.

Grades 2-3-The characterful and attractive pieces in these books were written upon specific request to provide useful core material for the ABRSM Viola syllabus. The pieces gradually introduce new technical accomplishments and a variety of rhythms styles and moods help to create solid repertoire building material. Written upon specific request to provide useful core material for the Associated Board viola syllabus the pieces gradually introduce new technical accomplishments. A variety of rhythms styles and moods help to create solid repertoire-building material. Suitable for Grades 2 and 3. pieces to suit every palate. The piano accompaniments are simple and undemanding. ...little gems... Stringendo (Australia) October 2003.

20 contemporary works for solo piano-This remarkable set of pieces presents a unique introduction to the world of contemporary music for all pianists both amateur and professional. The volume reflects the wide range of compositional trends apparent in new music today. The pieces in this collection offer a range of moods and sound-worlds to suit all players. Twenty contemporary works for solo Piano compiled by Thalia Myers. Includes works by Diana Burrell Jonathan Harvey and Howard Skempton.

Piano Violin Cello. Panufnik A

Parents and carers of young children will find a relaxing dayful of gentle play for babies and toddlers in this picture songbook. The pictures tell baby's day from start to finish ; waking dressing going out in the park bathtime massage and bedtime. There are songs for each stage of the day each with a set of actions for interactive fun relaxation and lullaby. The accompanying CD is performed by international folk artists Sandra Kerr Leon Rosselson and Janet Russell. All the instruments and sounds are acoustic (non-electronic) making for soothing listening for everyone. Suitable for age range 0-3 years.

Danzas del infierno (Dances from Hell) is the score from an imaginary film. Therefore the images are intangible successively formed in the fantasies of the composer the conductor the musician and finally the listener.The scenario might go alittle something like this:The devil’s dance hallAfter a great but sinful life the souls of Adelbrecht and Engelbrecht descend into the dark depths of Hell. In the distance behind them the echoes of earthly lamentations resound. Over the groundand through the air moves a malignant and foul beast.They suddenly find themselves among millions of their companions in misfortune when a hellish light is kindled in a giant ballroom with six tall pillars and six gigantic chandeliers. Six footmenproclaim the Devil’s arrival (leitmotiv) and her tall silhouette promptly appears: Lucifrina! A black backless evening gown a long split up the left leg showing glimpses of her wine red garters. She looks directly into Adelbrecht’s eyes and inviteshim to open the dance with her.The devil’s tangoIn the tango we are introduced to the Devil’s dual personality. Seductive and sophisticated on the outside yet fundamentally malicious and cunning inside. The dance begins with a very subtle fugaltheme setting up the metaphor for her virtuoso dancing. But she soon lets the poor Adelbrecht know that he is supremely outdanced until he finally collapses from exhaustion.IntermezzoIn search of a new dance partner Lucifrina paves her way throughher newly arrived pupils. Engelbrecht tries to behave as unobtrusively as possible but there is no escape.The devil’s waltzFrom the very first measures of the waltz the dance is extremely wild. The centrifugal forces ensure that Engelbrecht rarelytouches the ground. He is so trampled beneath the violence of his too large and too strong partner that the other residents of Hell will scornfully call him “compote” for the rest of his death.The devils Can CanThe initiation ritual is complete. One“hell of a party” can start. There is singing drinking and dancing in a prelude to a sinfully sweet hereafter. Adelbrecht and Engelbrecht slowly get over the first shock and have a surprising meeting with their new neighbour. (The subject for the2nd suite of “Dances from Hell” is about how he went through the same thing more or less in 1827.)

In The Tower Worm Michael Stahl loses no time in bringing students and teachers together at the very start of students' piano lessons. The Primo part is easy as pie and does not exceed a range of five notes. Chordal symbols in the Secondo part encourage free accompaniments. The pieces themselves are colorful ranging from swinging and rocking to humorous and evocative of film music. Titles like Keyboard Thieves Swimming Pool Waltz and Ketchup Rock allude to the imaginative journey and The Tower Worm closes the book by making an unforgettable impact. The accompanying CD contains full versions ofall pieces and play-alongs both in the original tempo as well as in a slower one for practicing.

Raymond Premru was for many years the principal Bass Trombone of London’s Philharmonia Orchestra as well as having been a member of the Philip Johnson Brass Ensemble an active jazz musician teacher and composer. He listed hisinfluences as Berg Prokofiev Bartok Ives jazz and Bach though what emerged from his sensibility is diatonic modernist and skillfully suited to whatever instrumentation he chose.The five movements which appear typeset in thisscore – A Tale From Long Ago Blues March Of Knights And Castles Le Bateau Sur Léman and Petite March – are sometimes performed as a shortened version of the Divertimento to great effect.

Full Score for Mezzo-Soprano Narrator Dancer Solo Flute Female Chorus Orchestra Full Score for Mezzo-Soprano Narrator Dancer Solo Flute Female Chorus Orchestra