Note-for-Note Keyboard Transcriptions-14 exact transcriptions of the keyboard parts from the 2016 album release by Dream Theater approved by Jordan Rudess himself. Includes: Dystopian Overture • The Gift of Music • Heavens Cove • A Life Left Behind • Lord Nafaryus • Moment of Betrayal •My Last Farewell • A New Beginning • The Path That Divides • Ravenskill • A Tempting Offer • Three Days • The Walking Shadow • When Your Time Has Come.14 exact transcriptions of the Keyboard parts from the 2016 album release by Dream Theater approved by Jordan Rudess himself. Includes: 'Dystopian Overture' 'The Gift of Music' 'Heaven's Cove' 'A Life Left Behind' 'Lord Nafaryus' 'Moment of Betrayal' 'My Last Farewell' 'A New Beginning' 'The Path That Divides' 'Ravenskill' 'A Tempting Offer' 'Three Days' 'The Walking Shadow' 'When Your Time Has Come'.

3rd Movement of The Seas of the Moon-The third movement of Robert Buckley's grandly cinematic suite describing impressions of the seas of the moon Sea of Clouds was inspired by a series of paintings done by Claude Monet in the London fog. Monet captured the gradations of light as it was affected by fog with ghostly images sifting through. This movement is mostly subdued and dreamlike the music ebbing and flowing and eventually building to a vast wall of sound and then dissolving into silence. Dur: 5:05

4th Movement of The Seas of the Moon-The fourth movement of Robert Buckley's grandly cinematic suite describing impressions of the seas of the moon Serpent Sea is animated exuberant and somewhat over-the-top. It was inspired by the idea of two huge winged serpents rising out of the waves and frolicking together in a wild barbaric dance. The pair do however show a more graceful side every once in a while - represented by an exotic theme that starts in the clarinet and flute. The movement ends with a wild flurry as the serpents vanish back into the sea. Dur: 3:50

Op. Woo 119

for choir and fixed media-Isthmus denotes a narrow strip of land with sea on either side forming a link between two larger ars of land. The title is a metaphor for an effort to bond artistically my experiences of living in Cyprus my birthplace and in the USA my recently adopted homeland. Having lived in a small partitioned island for my formative years and in England for eleven years water has always had a double meaning: it has at once served as a gateway to other cultures but also as a border a violent and absolute interruption of a continuum. While in the USA or indeed in a now connected Europe it is possible to travel on land for days without having to encounter a border in the countries where I lived for most of my life that was not possible. As an artist this notion of establishing boundaries and consciously trying to break them is very close to me as my music deals both with modernity but also with tradition and similarly with metaphor and reality. As a Cypriot the sea the world of antiquity the mysteries of the oracles the notion of borders and the pastoral are all very central to my way of thinking. In Cyprus different layers of history are frequently superimposed on a single building that might still preserve its Roman Byzantine Venetian and Ottoman features in its layers of stone and architecture. Similarly ancient ruins or the barbed wire of modern conflict often interrupt placid fields. An isthmus therefore can be seen to symbolize my artistic struggle to join strikingly different experiences and notions in a cohesive way. Similar to an isthmus in this short piece I connect these experiences with the purpose of creating a distinct and unique sonic context connecting technology and tradition the pastoral with the urban the musical with the extra-musical and the abstract with the concrete. For example the choir does not always sing in the traditional sense but the singers imitate various natural sounds such as water air crickets or birds to create a vivid visual impression for the work. Scandinavian herding calls blend with field recordings from the seas of Cyprus and the lakes of Upstate New York communicated within clearly defined singular acoustic sources and spaces through wireless speakers. The text used is both onomatopoeic articulating an imaginary language but also literal with a setting of the poem “To make a prairie” by the iconic American poet Emily Dickinson and a tiny fragment from Callimachus’ “Hymn to Demeter.” Technology is used sparsely and very intentionally to articulate the expressive qualities of pastoral imagery creating one unified synthetic timbre with the choristers’ sounds. This piece is dedicated to the wonderful singers of the Georgia Institute of Technology Chamber Choir with special thanks to Professors Hsu and Ulrich without whose support this composition would not have been possible. Practical notes: A choir of no less than 24 singers i

Sunday Bloody Sunday - Where The Streets Have No Name - One - Pride (In The Name Of Love)-Although U2 have been a leading rock band for several decades there are hardly any quality band medleys available. The German arranger Wolfgang Wössner is famous for making arrangements of classic rock repertoire and he saw the opportunity to create a new medley of famous U2 songs. ‘U2 On Stage’ features 'Sunday Bloody Sunday’ ‘Where The Streets Have No Name’ ‘One’ and ‘Pride (In The Name Of Love)’. Although U2 have been a leading rock band for several decades there are hardly any quality band medleys available. The German arranger Wolfgang Wössner is famous for making arrangements of classic rock repertoire and he saw the opportunity to create a new medley of famous U2 songs. ‘U2 On Stage’ features 'Sunday Bloody Sunday’ ‘Where The Streets Have No Name’ ‘One’ and ‘Pride (In The Name Of Love)’.

Op. Woo 131

Tender Love - Op. Woo 123

Volume 2 - Solo and Duets

Spiral Binding

Adapted for Wind Ensemble Choir and Smartphone App-Score and Parts includes 40 choral octavos. GRAMMY® Award-winning American composer Eric Whitacre's symphonic work Deep Field was inspired by the world's most famous space observatory the Hubble Space Telescope and its greatest discovery the iconic Deep Field image. The new film - Deep Field: The Impossible Magnitude of Our Universe - illuminates the score by combining Hubble's stunning imagery including never-seen-before galaxy fly-bys with bespoke animations to create an immersive unforgettable journey from planet Earth to the furthest edges of our universe. The soundtrack features a new epic Virtual Choir representing 120 countries: over 8 000 voices aged 4 to 87 alongside the Royal Philharmonic Orchestra and Eric Whitacre Singers. The smartphone App playing the Deep Field electronica should be triggered by audience members from bar 217 to the end of the piece as cued by the conductor. The app is free and must be downloaded in advance of the performance. It is available via the App Store and Google Play Store by searching Deep Field.

A Child Is Born In Bethlehem

pour flûte seule ed. revue et corrigée par P. Butin

CD zum Anhören und Mitspielen zu SY 2737 und SY2500A

pour huit instruments à cordes

Pour clarinette seule en si bémol

11 Gospel Songs For Mixed Voices - Full Score

11 Gospel Songs For Mixed Voices-11 new gospel songs for mixed voices soloists and piano. Groovy funky and full of spirit and soul. CONTENTS: A New Song (Psalm 149) All The Praise Come Holy Spirit Do You Know – Get New Life Great King I’ll Never Forget Lord You Are Good New Day Power Within Worship Song You Show Me

Flöte lernen für die Jüngsten mit Flauti und Timpo - jetzt neu in 4 Bänden

Piano Reduction