Stomp! Score

Using the familiar carol Deck the Hall as a starting point Richard has created a high-energy fantasy perfect for the holiday season. The melody is passed from section to section amid a variety of textures and moods. Entertaining and festive! Using the familiar carol Deck the Hall as a starting point Richard has created a high-energy fantasy perfect for the holiday season. The melody is passed from section to section amid a variety of textures and moods. Entertaining and festive!

An a cappella setting for SATB of Gabriel Fauré’s famous Pie Jesu taken from his Requiem. In Barnaby Smith’s arrangement the famous melody is framed at the start and end by atmospheric plainsong. As recorded by VOCES8. An a cappella setting for SATB of Gabriel Fauré’s famous Pie Jesu taken from his Requiem. In Barnaby Smith’s arrangement the famous melody is framed at the start and end by atmospheric plainsong. As recorded by VOCES8.

The Sing a Merry Christmas! Series offers three medleys of contemporary anthems. Each has optional narration/drama which can be added for a special touch. Perform the medleys separately during the Christmas season or together to create a complete Christmas “mini-musical” presentation. “It's a Wonderful Christmas” arranged by Mark Hayes includes: The Most Wonderful Time of the Year The Christmas Song (Chestnuts Roasting on an Open Fire) Because It's Christmas. Available: SATB Instrumental Pak ChoirTrax CD.

Lively Guitar Tunes is a collection of 38 lively up-tempo tunes arranged for guitar. The collection includes fiddle tunes reels hornpipes jigs sea chanteys bluegrass old-time melodies and some original compositions–an ideal collection for adding to repertoire improving picking technique or just having fun playing the guitar. Backup chords and tablature are included and each tune is recorded with melody and guitar accompaniment. Includes access to online audio.Lively Guitar Tunes is a collection of 38 lively up-tempo tunes arranged for guitar. The collection includes fiddle tunes reels hornpipes jigs sea chanteys bluegrass old-time melodies and some original compositions–an ideal collection for adding to repertoire improving picking technique or just having fun playing the guitar. Backup chords and tablature are included and each tune is recorded with melody and guitar accompaniment. Includes access to online audio.

This text found in the 1978 Lutheran Book of Worship has been given a new tune by the composer until the fourth stanza when the tune PICARDY takes over for a majestic ending using the text King of Kings yet born of Mary from a different source. Accessible unison and SATB writing with a few brief places where men's voices and women's voices sing alone. Duration: 4:00 This text found in the 1978 Lutheran Book of Worship has been given a new tune by the composer until the fourth stanza when the tune PICARDY takes over for a majestic ending using the text King of Kings yet born of Mary from a different source. Accessible unison and SATB writing with a few brief places where men's voices and women's voices sing alone. Duration: 4:00

While this ancient Greek evening hymn text Phos hilaron is set for a cappella SATB divisi voices it is within the reach of most mixed-voice choirs. Michael J. Trotta makes tasteful use of seconds in the harmonies lending a modern sound to the largely homophonic writing. A contrasting middle section assigns a rhythmic melody to the sopranos and builds to a climax before returning to the original unhurried material. Observing the dynamic and tempo variations will ensure an expressive performance. Duration 3:00While this ancient Greek evening hymn text Phos hilaron is set for a cappella SATB divisi voices it is within the reach of most mixed-voice choirs. Michael J. Trotta makes tasteful use of seconds in the harmonies lending a modern sound to the largely homophonic writing. A contrasting middle section assigns a rhythmic melody to the sopranos and builds to a climax before returning to the original unhurried material. Observing the dynamic and tempo variations will ensure an expressive performance. Duration 3:00

This Epiphany carol by Julian Revie for 3-part treble voices and organ was written for a children's choral festival. The inventive organ accompaniment occasionally mimics shimmering starlight. The melodic phrases rise and fall very naturally sung in unison or 2 parts until the final section of the piece where 3 parts sing canonically. The original text is both poetic and immediate- To follow the star is our joy our delight sums up the radiant and mystical nature of this piece. Duration 5:00This Epiphany carol by Julian Revie for 3-part treble voices and organ was written for a children's choral festival. The inventive organ accompaniment occasionally mimics shimmering starlight. The melodic phrases rise and fall very naturally sung in unison or 2 parts until the final section of the piece where 3 parts sing canonically. The original text is both poetic and immediate- To follow the star is our joy our delight sums up the radiant and mystical nature of this piece. Duration 5:00

A recurring rhythmic motif begins in the accompaniment and anchors this simple but creative setting of the tune VENI EMMANUEL. The composer specifies sopranos/tenors on the upper staff and altos/basses on the lower but we were intrigued by the fact that the piece is well-written and flexible enough to be successful in a variety of situations large or small. Duration 3:00 A recurring rhythmic motif begins in the accompaniment and anchors this simple but creative setting of the tune VENI EMMANUEL. The composer specifies sopranos/tenors on the upper staff and altos/basses on the lower but we were intrigued by the fact that the piece is well-written and flexible enough to be successful in a variety of situations large or small. Duration 3:00

A joyful and rhythmic setting of a favorite text. The original melody captures all of the buoyancy inherent in the lyrics. This is a new voicing of the very popular SATB version that has been in our catalog since 2016. Duration 3:00 A joyful and rhythmic setting of a favorite text. The original melody captures all of the buoyancy inherent in the lyrics. This is a new voicing of the very popular SATB version that has been in our catalog since 2016. Duration 3:00

String Quartet No. 10

This charming and somewhat dark musical offering is a departure from this composer's usual epic style. Originally scored for fifteen players this piece is much more intimate than the composer's thickly orchestrated grand works. Stylistically a minimalistic compositional approach is used as the melodic content slowly unfolds over shifting ostinato patterns.

Bicycle Race

Jesus Comes

Welcome Yule

A work for soprano flute guitar and pre-recorded electronics. The first performance was given on 5 August 2010 at the Skálholt Summer Concerts Iceland by Tiffany DuMouchelle (soprano) Berglind María Tómasdóttir (flute) and Pablo Gómez Cano (guitar).A work for soprano flute guitar and pre-recorded electronics. The first performance was given on 5 August 2010 at the Skálholt Summer Concerts Iceland by Tiffany DuMouchelle (soprano) Berglind María Tómasdóttir (flute) and Pablo Gómez Cano (guitar).

for SATB unaccompanied With a text by Thomas Campion View me Lord is a tender prayer characterized by its sensitive text-setting. Each verse features a change in voicing rhythm and harmony while the ever-changing metre provides a feeling of fluidity.

for SATB and piano or harp Higgins's arrangement of Away in a manger is beautiful and delicate. The first verse is taken by unison upper voices: the second is a cappella with a soloist (or small group) on the melody accompanied by sustained 'ooh's: and the last verse features fresh homophonic harmonies.

for SATB unaccompanied This bittersweet pastoral tune pairs Bednall's flowing melody lines with the tender words of the contemplative and much loved World War One poet Siegfried Sasson. Bednall's 5/4 metre lends a wistful whimsical feel to the music allowing the song to flow freely.

Following the critically acclaimed publication of the 35 Piano Sonatas in separate editions Bärenreiter now presents Beethoven’s Complete Piano Sonatas in three volumes. This edition which is unparalleled in terms of its philological accuracy has been edited by world-renowned Beethoven expert Jonathan Del Mar guaranteeing a musical text at the forefront of musicological scholarship. Each volume is equipped with a table of contents including incipits of each sonata. Running titles with opus and movement numbers enable a quick identification of individual works and movements. Volume I includes a Foreword (Eng/Ger) which covers all salient editorial issues withregard to Beethoven’s notation and performance practice issues supplemented by facsimile pages. An indispensable standard work at the cutting edge of Beethoven scholarship! - A definitive new critical performing edition at the cutting edge of Beethoven scholarship - Elegant ready-friendly layout with practical page turns - Table of contents with incipits as well as running titles enable easy location of works