The Trio for Three Flutes here presented appeared in 1964 when Jean-Pierre Rampal acquired a non-original manuscript of this work in the Czech Republic. Attributed to an early period for its light character and instrumentation the Trio was taken into serious consideration by Beethoven scholar and redactor of arguably the most complete of Beethoven's catalogues the chronological and thematic catalogue of all Beethoven's works including the unpublished ones and the unused sketches (1968) whose 849 entries include the opus numbers the Kinsky-Halm the Hess and the Grove catalogues. The Trio for Three Flutes is cited in the Biamonti Appendix II 64 as a work of uncertainauthorship but nonetheless attributed to Beethoven. The first recording of the piece was released by Jean-Pierre Rampal who recorded the complete chamber works with flute by Beethoven for the Club Français du Disque label in 1964 together with Alain Marion and Christian Lardé. In lack of further information able to confirm Beethoven's authorship of this work all that is left to the listener and performer is to enjoy the particularly brilliant vivacity of the composition which may corroborate the hypothesis of a Beethovenian attribution.

as performed by Phil Collins-This song performed by Phil Collins and Philip Bailey was a smash hit in most of Europe and North America. The peculiar video - a video making a video of making a video – stood out from the crowd and helped elevate the song to a No. 1 and all-time hit. Collins’ legendary songwriting talent and longstanding career in the music industry has made him a name known by all generations. An ideal song for any concert!

as performed by Billy Joel-This 1984 doo-wop song by Billy Joel stood out from the crowd and got famous thanks to its inventive and original approach using an a cappella vocal accompaniment – a very unusual choice in pop music at the time. This is a real ear worm which sticks in your head and guarantees a cheerful mood in any concert!

featured in The Lion King-The lion may be sleeping but this song isn’t out for the count! Originally written in Zulu the song was translated into English and is now known around the world by both young and old. Featured in the famous motion picture ’The Lion King’ the tune has received worldwide recognition! This flex band arrangement allows any size of band to play this lovely song.

Edge Of The World

Sonate In F-dur

Lost Bronze

Clarinet Quintet op. 160

The Dream of Stepan Razin

Friedrich Schillers Ode an die Freude (Ode to Joy) went on to become world-famous through the setting by Ludwig van Beethoven in 1824 in the final movement of his 9th Symphony. Today Beethoven’s Ode to Joy is one of the most popular works of classical music worldwide – celebratory and powerful music which is an expression of joy community protest and thanks. This catchy arrangement of Schiller’s and Beethoven’s Ode for chorus and piano or optionally for chorus band and wind instruments by Peter Schindler stands for all these emotions. Brass riffs jazzy harmonies a choral setting in one to three parts and an adaptation of the text are all highlights of specialmusical moments which the whole audience can join in at the end! An English singing text is included.

Friedrich Schillers Ode an die Freude (Ode to Joy) went on to become world-famous through the setting by Ludwig van Beethoven in 1824 in the final movement of his 9th Symphony. Today Beethoven’s Ode to Joy is one of the most popular works of classical music worldwide – celebratory and powerful music which is an expression of joy community protest and thanks. This catchy arrangement of Schiller’s and Beethoven’s Ode for chorus and piano or optionally for chorus band and wind instruments by Peter Schindler stands for all these emotions. Brass riffs jazzy harmonies a choral setting in one to three parts and an adaptation of the text are all highlights of specialmusical moments which the whole audience can join in at the end! An English singing text is included.

Friedrich Schillers Ode an die Freude (Ode to Joy) went on to become world-famous through the setting by Ludwig van Beethoven in 1824 in the final movement of his 9th Symphony. Today Beethoven’s Ode to Joy is one of the most popular works of classical music worldwide – celebratory and powerful music which is an expression of joy community protest and thanks. This catchy arrangement of Schiller’s and Beethoven’s Ode for chorus and piano or optionally for chorus band and wind instruments by Peter Schindler stands for all these emotions. Brass riffs jazzy harmonies a choral setting in one to three parts and an adaptation of the text are all highlights of specialmusical moments which the whole audience can join in at the end! An English singing text is included.

“A beautiful a sad song. One which sounds as if ‘between the worlds’ – here dream and reality life and death touch each other. And it has a special melody with the two expressive leaps firstly to the fifth and then greater to the octave! It is as if a mist lies over the song and it seems to be cold it sounds like November. At least these are my associations and in the arrangement they are discernible: twice it sighs (or is that a cold breath of wind?) before it begins to flow. Sometimes a dissonance even disturbs the flow of the song and its story sometimes it rises up. Between the verses it sighs and breathes again. And finally after it has posed the final question it ends distantly ‘between the worlds’ … A sad a beautiful song.” (Ludwig Böhme)

Opera Highlights Clarinet and Piano

Potpourri Abendlieder

Warb E 22-At less than 20 years of age the youngest son of the Leipzig cantor of St. Thomas Johann Sebastian Bach withdrew from the Lutheran musical tradition of his family: Johann Christian Bach went to Italy converted to Catholicism there and composed mainly Latin church music between 1757 and 1760. His great successes with operas for Turin Milan and Naples from 1761 onwards led him all the way to London. Bach’s church music comprises a number of vespers compositions some of them large-scale including this Magnificat a 4 (1760) for soloists choir and orchestra. The very diversified work gets its additional attraction from distinctively led oboes and horns.

Aus op. 82 WoO IV/17

Missa mundi

Een introductie van het fanfareorkest

Klavierkonzert in D