Piano. Copland A.

Sixteen studies for trumpet with performance CD. “... the book would make the perfect addition to any trumpeter's collection ... Each study comes with a brief explanation to help the student understand the technical difficulties within and how to overcome them. The individual studies progress in challenge from the intermediate range of Grade 5 to Grade 8 and beyond. The level of challenge progresses through the book and includes a mix of styles which is a major strength of the book because it will help the student to develop a sound technique as well as a grasp of different idioms ... The accompanying CD is a valuable addition featuring fantastic playing fromMark David Artistic Director and Head of Brass at the Royal Academy of Music and the examples are a great resource for the student to listen and learn from ...” - Reviewed ‘Brass Band World’

Mussorgsky's Hopak for Viola and Piano arranged by Alan Arnold.

Unison. Britten B

from Vol. I-Beethoven's Sonata in G is published as part of ABRSM's 'Signature' series - a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars. Includes informative introductions and performance notes. This sonata is taken from the complete three-volume edition of Beethoven's 35 piano sonatas published by ABRSM (2007). The edition aims firstly to present the musical text of each sonata precisely as Beethoven intended it (as far as this is possible). Edited for the ABRSM by Barry Cooper with fingerings by David Ward.

This collection features 19 of the greatest hits from the Belgian singer-songwriter Jacques Brel arranged for Piano Voice and Guitar. Jacques Brel: Les Plus Grands Succès includes the songs Amsterdam Le Moribond Ne Me Quitte Pas La Tendresse and more.

Arranged for easy-medium E flat Horn and Piano by Alan Gout.

Hawkes Pocket Scores HPS 845-Study Score - Hawkes Pocket Score 845. Durko Z

This work combines elements of the waning classical era and of early romanticism. Mass in C is generally more classically oriented; frequently making use of free counterpoint canonic imitation and a stretto figure SS. Neukomm S

15 contemporary pieces for solo piano-Spectrum 5 is a unique collection of contemporary works for solo piano. The 15 pieces included have been specially commissioned from some of today's leading composers and reflect current compositional trends. They range in difficulty from Grade 6 to Diploma and are suitable for student amateur and professional pianists of all ages 15 contemporary pieces for solo piano Spectrum 5 is a unique collection of contemporary works for solo piano. The 15 pieces included have been specially commissioned from some of today's leading composers and reflect current compositional trends. They range in difficulty from Grade 6 to Diploma and are suitable for student amateur and professional pianists of all ages.

John Joubert's Six Poems Of Emily Bronte for High Voice and Piano.

Linz Symphony- Mozart composed the Symphony In C Major K.425 known as the “Linz Symphony” within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein (1711–1798) in Linz where together with Constanze he stayed for three weeks on the way back from a trip to Salzburg. “On Tuesday the fourth of November” wrote Mozart to his father on 31 October (the day after his arrival in Linz) “I will be giving a concert in the theatre – and since I have no symphony with me I am writing one as fast as I can for it must be ready by then”. Accordingly this work was performed for the first time in the theater inLinz on 4 November 1783. Urtext of the New Mozart Edition Full score and parts (BA4704) and study score format 22.5 x 16.5cm (TP16) available for sale

For Piano Solo- Mikhail Glinka (1804-1857) is considered to be the father of modern Russian music and was the first Russian to have his work performed in the West. His influence is clearly seen in the work of Mily Balakirev (1837-1910) who played a leading role in the Russian Nationalistic movement of the late 1800’s and notably inspired Borodin Mussorgsky Rimsky-Korsakov and to a lesser extent Tchaikovsky. A brilliantly lyrical work The Lark was first written by Glinka in 1840 as one of the 12 songs that comprised