Excerpts from Movement 4-Developing an intimate understanding of the world’s greatest musical accomplishments is an important part of a music education. Every musician should have the joy of playing the music of Mozart and the G-minor Symphony (Number 40) is one of Mozart’s signature works and one of the greatest musical achievements of all time. Stephen Bulla has carefully and effectively brought the themes of the G-minor Symphony finale to the concert band stage with this delightful transcription/arrangement. Your band won’t be playing a “band arrangement”- they’ll be playing MOZART! Don’t forget the opportunity for a music history lesson built into this piece. Masterful!

Instrumental Solos for Christmas- Easy great Carols contains carols from around the world including both sacred and whimsical selections. They are delightfully arranged in fresh settings by some of the foremost arrangers in the instrumental field (James Curnow Paul Curnow Stephen Bulla Douglas Court and Tim Johnson). Written with the intermediate instrumental soloist in mind this product is designed to be accessible yet interesting. The accompaniment CD (included in the solo book) provides a demonstration performance of each solo. Carols included: Hark! The Herald Angels Sing Silent Night We Three Kings God Rest Ye Merry Gentlemen Jolly Old St. Nicholas Pat-A-Pan Away In A Manger Up OnThe Housetop We Wish You A Merry Christmas and Coventry Carol .

Penderecki Krzysztof Stabat Mater Satb Vocal Score

Pastoral Pictures paints three contrasting ‘sound pictures’. The first movement is solemn and majestic the second dreamy and serene and he final movement joyous and cheerful. A fantastic concert work for all Grade 2-3 bands.

2 Pianos 4 Hands. Britten B

Add some spicy Latin excitement to your holiday concert this year! James Hosay's setting of four yuletide favorites is almost too hot to handle. Up on A Housetop Good King Wenceslas Jolly Old St Nicholas and Jingle Bells combine to make a rhythmically complex playful and unique new holiday number.

Transcribed for Viola by Alan Arnold.

Easy Pieces for 1 & 2 Guitars-Thirty five easy pieces for one and two guitars.

Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier's best-known composition after the Te Deum H 146. The special appeal of this Mass for the Midnight Service on Christmas Eve lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier's mastery of the concertante style. The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups - one group of two sopranos and two groups each comprising alto tenor and bass - which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier's masterpiece. - Urtext based on the latest scholarly research - Straightforward and easy-to-play keyboard reduction - Duration: approx. 25 minutes - Full score & parts (BA7592) and vocal score (BA7592-90) available for sale

Well known songs of the type used for improvisation by jazz musicians together with original pieces especially written for this folio.

We urge you to look at this important new composition by James Curnow. This symphonic variant style treatment of themes based on the shape-note tune Resignation is a magnificent compositional exploration. Once your group has achieved the ability to perform at this level of difficulty they deserve to play music with the challenge and masterful quality that Inventions from the Sacred Harp presents. Even a brief analysis of the score reveals composition and development techniques that are reserved for pieces on an impressive scale. A more thorough analysis lets you appreciate the complexity of the compositional processes found in the very fabric of this major work.The historical significance of The Sacred Harp provides the opportunity for some cross-curricular work as well.

Latino For Trumpet arranged by Robert Ramskill for Trumpet and Piano accompaniment. Some of the greatest melodies of twentieth century popular music are Latin American either in origin or in inspiration. The subtle and evocative rhythms of such forms as the Samba Bossa Nova Tango and Rumba are to be found in this collection of arrangements of Latin favourites all of which would make excellent concert material.

As President of Juilliard William Schuman requested a major piece from his close friend in celebration of the school's fiftieth anniversary. Copland thought the Juilliard anniversary an ideal occasion for the premiere of Piano Fantasy which he was composing in honour of William Kapell. Copland admitted that it was difficult to write particularly the fast sections. He explained My purpose was to suggest the quality of fantasy a spontaneous and unpremeditated sequence of events that would carry the listener along while at he same time exemplify clear if somewhat unconventional structural principles. Although the work was not ready by the date for which it wascommissioned Schuman arranged a special concert for the premiere by the pianist William Masselos. Copland commented Lucky for me that the president of Juilliard was a composer! Piano. Copland A

This is sure to be one of those orchestral transcriptions that finds a permanent place in the realm of concert band literature. Holst’s ability to develop and explore folk melodies with rich lyrical treatment is fully realised in this sterling example of the final phase of this remarkable composer’s career. The smooth and peaceful declivities of the Prelude the expressive Cantabile of the Air and the sprightly 6/8 Dance combine to give your audience and your band a truly enriching experience.

Violine 2- Concerto for Flute Violin Violoncello Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers his star faced with the overwhelming presence of Bach and Handel paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music Telemann once considered purely an instrumental composer has emerged into a highly cultivated culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time.Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733 the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition

For unaccompanied SSA choir. Edited by E. H. Fellowes. Revised by Thurston Dart For unaccompanied SSA choir. Edited by E. H. Fellowes. Revised by Thurston Dart

The edition is part of the Trinity syllabus 2007 (grade 6)

The edition is part of the Trinity syllabus 2007 (grade 8)

Vocal score based on the Halle Handel Edition. By George Frideric Handel. Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For Soprano solo Violin 1 Violin 2 Basso continuo. Piano Reduction/Vocal Score. HWV deest. Duration 16'. Published by Baerenreiter-Ausgaben (German import). (BA4248 90) ISBN M006520121.

These arrangements incorporate various dance styles - from traditional ballroom dance - Foxtrot Waltz Quickstep through to Latin-American Cha-Cha and the more contemporary ubiquitous 'Smooch'. 'Strictly Come Dancing' for Brass!