For Une Belle Histoire Roland Kernen took his inspiration from the seventies French singer and composer Michel Fugain and his troop of singers and dancers known as “Le Big Bazar”. The cheerful melodic line of his 1972 hit Une belle histoire lends itself perfectly for brass band. Add a little French charm to any concert with this throwback to the hippy period of the early seventies.

Jacques Offenbach's Gendarmes' Duet for Baritone and Bass voices with Piano accompaniment. This popular song is a setting of a poem by British writer Henry Brougham Farnie.

Burnam composed this collection of piano pieces to correlate directly with her Step by Step piano course method. Prefixed to each piece is an indication of the exact page of Step by Step at which a selection from Pieces to Play may be introduced. When the student reaches the indicated page they are ready to play with ease and with understanding. These pieces would also be very useful as supplementary material for other pianomethods.Burnam composed this collection of piano pieces to correlate directly with her Step by Step piano course method. Prefixed to each piece is an indication of the exact page of Step by Step at which a selection from Pieces to Play may be introduced. When the student reaches the indicated page they are ready to play with ease and with understanding. These pieces would also be very useful as supplementary material for other pianomethods.

The Musical-On the 6th of April 1999 exactly 25 years after ABBA had won the Eurovision Song Contest with the song Waterloo the musical Mamma Mia! opened in London. The funny and appealing love story based on 22 ABBA classics became an immediate success. Arranger Peter Kleine Schaars has selected five of the most famous titles from the musical added the hit Waterloo and used his musical imagination. The result is a catchy ABBA medley that will appeal to young and old.

Anthem for SATB Choir and Organ.

Work for Solo Piano composed in 1913.

for Bb or Eb Saxophone and Piano-A delightful short piece with contrasting sections suitable for the intermediate level saxophonist.

This collection of original pieces and arrangements for flute and piano represents outstanding value for money. The greatest care and attention has been given to the selection of music for the album and also to the musical arrangement of both the flute and piano parts to make certain that every piece stands up as a convincing solo concert item.

Here is a unique setting of two holiday favorites set in a smooth Latin style. Bells Over Bethlehem (Andalusian Carol) uses a mixture of unison and harmony sections as the melody is passed around the band. O Tannenbaum has a contemporary flavor and utilizes interesting chord progressions. Fresh!

Commissioned by the Finnish National Opera. Part 6 of the work 'Maa' for Harp with optional Electronics.

Alexander Scriabin (1872-1915) was a Russian composer and pianist. He was one of the most famous musicians within the Russian Empire during his lifetime but remained virtually unheard-of in the West and was quicklyforgotten after his death. His best known works are his 5 symphonies but he also wrote hundreds of Preludes and Etudes. Etude in C Sharp Minor was one of Scriabin’s earliest published works beingthe first of the Trois Morceaux (Three Morsels) that formed his second opus. It is a delicate work which modulates through several connected keys and at a similar level to the Etudes of Chopin. A perfect recital item forany pianist who wants to master a piece by an under-performed composer.

Perez Prado 's Mambo Nr. 5 for Mandolin Orchestra. Part for Mandolin no.1.

The word GONG is saturated with associations: the splendour of the Orient mysticism drama loud metallic clangour violent impact etc. The present piece draws upon all those connotations but it is primarily a symphonic drama about the life and behaviour of the sun our closest star and prime source of life on Earth. Describing the sun in music is not a new idea of course: during a visit to Greece Carl Nielsen was inspired by the orbit of the sun and its very un-Danish ferocity and thus wrote the Helios Overture. GONG is a Helios Overture too of sorts albeit more abstract. Recent astronomical research shows that the surface of the sun reverberates like a gong infour different simultaneous tempi (not directly depicted in the score though): the sun looks like a GONG - the O in the written work looks like the sun: there is even a solar research group called GONG (Global Oscillation Network Group). Formally the composition follows the life and fate of the sun from the initial explotional birth through the hyper-activity as energy source as we know it today to the final predicted flaring up and collapse into a so-called white dwarf. But - being a musical composition not an astrophysical thesis - GONG is brought to its compositional conclusion by a real concert-ending a chord taken from the middle of the piece and sustained over several bars from virtual nothingness to full force. The word GONG is saturated with associations: the splendour of the Orient mysticism drama loud metallic clangour violent impact etc. The present piece draws upon all those connotations but it is primarily a symphonic drama about the life and behaviour of the sun our closest star and prime source of life on Earth. Describing the sun in music is not a new idea of course; during a visit to Greece Carl Nielsen was inspired by the orbit of the sun and its very un-Danish ferocity and thus wrote the 'Helios Overture'. GONG is a 'Helios Overture' too of sorts albeit more abstract. Recent astronomical research shows that the surface of the sun reverberates like a gong infour different simultaneous tempi (not directly depicted in the score though); the sun looks like a GONG - the O in the written work looks like the sun; there is even a solar research group called GONG (Global Oscillation Network Group). Formally the composition follows the life and fate of the sun from the initial explotional birth through the hyper-activity as energy source as we know it today to the final predicted flaring up and collapse into a so-called 'white dwarf'. But - being a musical composition not an astrophysical thesis - GONG is brought to its compositional conclusion by a 'real concert-ending' a chord taken from the middle of the piece and sustained over several bars from virtual nothingness to full force.

Carol Nygard is no stranger to school and church musicians the world over. Try this holiday piece with your high school church or community chorus it has a nice multicultural flavor.

In the sixties Frank and Nancy Sinatra had a huge hit with thisdelightfully titled song. More recently it has been in the chartsagain with a version by Robbie Williams and Nicole Kidman.This arrangement for clarinet quartet will prove a most popularconcert item.

Hirten und Minnelieder Aus Dem Mittelalterlichen Nordfrankreich- Funf Melodien aus dem mittelalterlichen Nordfrankreich fur Klassische Gesang und Gitarre. Alle Lieder wurden zwischen 1100 und 1250 komponiert.

Zequinha Abreu 's Tico Tico for Mandolin Ensemble. Part for Guitar. Zequinha Abreu 's Tico Tico for Mandolin Ensemble. Part for Guitar.

Alto Sax-Performed by Hal McCusick saxophone The legendary Hal McKusick continues as your partner in this second volume of original student jazz duets from composers Farnsworth and Minor. You play either part! Includes a high-quality printed music book with both parts and a CD containing accompaniments to both the minus 1st and minus 2nd duet parts. Performed by Hal McCusick saxophone The legendary Hal McKusick continues as your partner in this second volume of original student jazz duets from composers Farnsworth and Minor. You play either part! Includes a high-quality printed music book with both parts and a CD containing accompaniments to both the minus 1st and minus 2nd duet parts.

Version for Medium Voice and Piano in the Key of E.

Bridge's major piano work reissued in 1980 with an introduction by John Bishop is a masterpiece of the 20th century.