Margaret Rizza has chosen 218 of the most beautiful hymns Margaret Rizza has chosen 218 of the most beautiful hymns which are contemplative in nature and which invite us to enter more deeply into prayer. They are perfect for moments of prayer and meditation during churchservices. Choir leaders will find many are particularly fitting for use during the service of Holy Communion. Margaret Rizza has included some of the hymns for the music others for their words many for thesimplicity and beauty of both. 'But nearly all were chosen because I have heard them sung - people spontaneously expressing their love and dependence on God through music ' she explains. 'I pray that in singing these hymns you maybe drawn more deeply into prayer and to ' Be still and know that I am God' (Psalm 46:10). Joyce Huggett who has contributed the Foreword to Be Still and Know summarises its essentialqualities: 'I feel certain that countless Christians who will use them in church services prayer and meditation groups and Christian communities will also be humming them in their hearts as they shop commute bath the baby prepare to pray or to worship – or simply bask in God's love’.

From our new Virginia Wesleyan College Series comes this stirring piece for SATB and organ congregation is invited to join in at the end under a soprano descant medium difficulty

Intermediate level Piano solo by Barbara Becker. Intermediate level Piano solo by Barbara Becker.

For solo oboe d'amore Published 2006. Commissioned by Jinny Shaw First performance: Jinny Shaw Oxford Contemporary Music Festival 18th November 2006 For solo oboe d'amore Published 2006. Commissioned by Jinny Shaw First performance: Jinny Shaw Oxford Contemporary Music Festival 18th November 2006

Arranged for Piano Duet-The Celebrated Chop Waltz ('Chopsticks') by Euphemia Allen arranged for Piano Duet by Ben Andrew .

Martin Banner's scholarly edition of Psalm 113 set by Giacomo Puccini (Great-great grandfather of the opera composer). Text is in Latin medium advanced level.English translation located in the notes

Teacher's Book. Fletcher S

Commissioned by the Primrose Piano Quartet with funding from the Scottish Arts Council Mr and Mrs J. A.Pye's Charitable Settlement the Royal Scottish Academy of Music and Drama and the Hope-Scott Trust. Firstperformance by the Primrose Piano Quartet on 13th July 2008 at the Pump Room Cheltenham as partof the Cheltenham International Festival of Music.

from GLEE-The whole cast of Glee takes center stage with this amazing vocal powerhouse arrangement of Queen's Somebody to Love. A fantastic and uplifting closer to any concert! The whole cast of Glee takes center stage with this amazing vocal powerhouse arrangement of Queen's Somebody to Love. A fantastic and uplifting closer to any concert!

For 2 Sopranos Mezzo-Soprano Tenor Baritone and String Orchestra. Published 2002. 'os viajantes da noite' Texts: 11th-12th century Luso-Arabic poetry re-written in Portuguese by Adalberto Alves. Commissioned by the Estoril International Music Festival. First performance: Orquestra de Camara de Cascais e Oeiras with Grupo Vocal Olisipo cond. Nikolai Lalov 12th July 2002. Score. For 2 Sopranos Mezzo-Soprano Tenor Baritone and String Orchestra. Published 2002. 'os viajantes da noite' Texts: 11th-12th century Luso-Arabic poetry re-written in Portuguese by AdalbertoAlves. Commissioned by the Estoril International Music Festival. First performance: Orquestra de Camara de Cascais e Oeiras with Grupo Vocal Olisipo cond. Nikolai Lalov 12th July 2002. Score.

Also known as The Nocturnal Dances Of Don Juanquixote . B3 format

En deux volumes- German-Jewish composer Moszkowski is not a familiar name for the majority of pianists. Popular in his day however the composer's salon music was much acclaimed and his book of 20 Petites études for Piano is not one to dismiss. Moszkowski showed talent from an early age and went on to study at the Dresden Conservatory in 1865. With significant experience and expertise his 20 Petites études for Piano is full of well-informed creative studies. From allegro and semiquaver passages to cantabile and lyrical motifs the contents of this Maurice Moszkowski book provide key exercises whichcannot be missed by aspiring pianists.

An arrangement of one of the songs from The Little Prince a fabulous moving and melodic opera by Rachel Portman with luxurious counter melodies and placid harmonies. This opera is based on French philosopher andaviator Antoine de Saint-Exupery's novella Le Petit Prince an international classic penned in 1943. It was composed by Rachel Portman the first woman to win an Oscar for a film score (Emma-1996) with text by NicholasWright. While Saint-Exupery's moving parable of self-discovery is the foundation of the opera's appeal it is Portman's music that gives the work its dramatic impact. The characters are brought to life and portrayed with adelicate combination of humour and poignancy. This SSA and Piano arrangement of The Birds by Richard Allain.

Let The Earth Resound is a driving jubilant song by Sally K. Albrecht. It is scored for SATB voices and Keyboard with optional B Flat Trumpet accopmpaniment.

Chorus score of Stravinsky's remarkable and original work that combines ballet with vocalists.

Slovakian Carol-SS/A . Sutcliffe Jh

Ten easy three-part a cappella arrangements of inspirational songs for either SSA or SAT choirs with a piano part for convenient rehearsal. All of these rousing pieces are presented in new arrangements by Barrie Carson Turner. Bringing together ten timeless songs of faith celebration and inspiration Just Voices: Classic Pop is an ideal introduction to mastering the a cappella style. Perfect for your next concert or as a fun treat for your choir.

This new addition to the Baroque Around the World' series invites you to explore exciting new repertoire by Scotland's Baroque composers: Oswald Reid McGibbon and Mackintosh!This collection includes the first modern edition of Mackintosh's G minor Sonata. These pieces are ideal for auditions and exams as well as concerts and can be performed as whole sonatas or single movements. The accompaniments are simple and effective; the instrumentation is flexible - suitable for violin or flute and cello or bassoon plus keyboard. The sonatas are newly researched by the Scottish musicologist David Johnson. The CD includes complete performances as well asplay-along tracks.

Work first published in 1968.

On Track-13 specially commissioned pieces which aim to breathe new life into a largely neglected component of the GCSE/Key Stage 4 Music syllabus Ensemble Performance. On Track comes complete with a CD-Rom containing all the parts for all the pieces and transpositions for any instrument and these parts come with a licence for printing as many copies as needed directly from the CD-Rom. A separate 'audio' CD also contains recordings of every piece. The book contains scores for each piece and extended notes by the composers to aid in the preparation of the music: there are 5 pieces for fixed ensembles and 8 pieces for flexible ensembles. The editor of the compilation Sadie Harrison comments: Playing in an ensemble with one's peers is perhaps the most rewarding and satisfying thing to do as a young performer and it is crucial to nurture this element of GCSE courses to reflect this. On Track is a fantastic collection of many different styles approaches and sounds. There is something in here for everybody at whatever level and on whatever instrument. This is what GCSE Music teachers are crying out for and finally here is something that really hits the mark. Harrison's comments are echoed by recent examiners' reports from EdExcel one of the largest examiners of GCSE music. They describe how the music they heard in examinations demonstrated 'an extreme range of standards and revealed evidence of the very wide range of instruments in use'. The AQA (Assessment and Qualification Alliance) Examiners' report in 2004 warns schools against allowing their students to present solo music with a piano accompaniment played by a teacher or with a CD accompaniment for the ensemble performance component. It continues saying that it is of utmost importance that the chosen ensemble allows the candidate to show rapport with the other player(s). This is a significant requirement with which many [examination] centres did NOT comply. Fixed Ensembles Sadie Harrison — On the run!for clarinet in Bb violin 'cello piano Ed Hughes — Matthew's Mazurkafor piano duet Jeremy Dale Roberts — 'Takes three...' for trumpet 'cello piano Matthew Roddie — Gone Clubbin' for violin 'cello Thomas Simaku — From Across the Sea for 2 flutes clarinet in Bb Flexible Ensembles David Blake — Piece for Luis and Justin for four instruments Anthony Gilbert — U-GO for Arirang for four instruments Jo Kondo — A Birthday Toast for any number of instruments David Lumsdaine — A tree dances for Orpheus for three instruments Paul Mealor — Swing Slow for two instruments Robert Saxton — There and Back for three instruments John Stringer — Duo for two instruments Luís Tinoco — Diversion for four instruments 13 specially commissioned pieces which aim to breathe new life into a largely neglected component of the GCSE/Key Stage 4 Music syllabus Ensemble Performance. On Track comes complete with a CD-Rom containing all theparts for all the pieces and transpositions for any in