Commissioned by the Michigan School Band and Orchestra Association this major work by James Curnow honors the memory and legacy of renowned conductor and educator Harry Begian. In consideration of Dr. Begian's Armenian heritage Nulli Secundus (second to none) is a suite of three variations based on the Armenian folk song Cilicia (My Homeland) . Movements include: I. March Caprice (concert march in fantasy variationform) II. In Memoriam (honoring victims of the 1915-18 Armenian Genocide) and III. Finale (rapid paced set of variations). Recorded by the Michigan State University Wind Symphony. Dur: 10:00

Ten festal pieces for Trumpet in B flat with Organ accompaniment ideal for adding a celebratory touch to any occasion. For the average parish organist who is fairly competent with pedals.

Piano. Original edition.

Francisco J Nunez' Transient Glory Series- Upon Julia's Clothes by John Corigliano for unaccompanied SA choir.

This clever festive melody combines two seasonal favourites - the popular Christmas song Jingle Bells and tunes from Tchaikovsky’s ballet The Nutcracker . Arranged for SATB with Piano accompaniment this fun piece will delight performers and audiences alike.

Another Foot at a Time contains arrangements of popular pieces requiring from three to six pedal notes and builds up the player's organ management skills. Only a moderate ability on the piano is assumed. Another Foot At A Time contains arrangements of popular pieces ranging from three to six pedal notes. This collection will build up any player's Organ management skills and only a moderate ability on the piano is assumed.

Unison. Collins C

Four part arrangment of 'Sh-Boom' arranged by Patsy Ford Simms. Includes Piano accompaniment with optional Bass Guitar and Drums.

Features five songs also known as St John Of The Cross (Canciones Entre El Alma Y El Esposo). Where can your hiding be But have been found again Of flowers and emeralds sheen Now as she longaspired Rejoice my love with me Canciones entre el alma y el esposo is a poem consisting of forty verses reproduced below. Havingpreviously set two sections of it as separate a cappella choruses and one fortwo countertenors andstrings I’ve long wanted to make a complete setting of the work and by arranging the countertenorpiece for a cappella chorus and setting the remaining verses as two more anthems for the same forces I’vecompleted the task. The five pieces can of course still be performed separately or brought togetheras a twenty-five minute setting of Roy Campbell’s translation from the original Spanish of this vivid andintense poem. Geoffrey Burgon May 2008.

„Ganz gewiss aber liegt da ein Heft vor das dem Klischee vom Schumann-Epigonen markante Züge eines eigenwilligen vom Herkömmlichen abgewandten Ausdruckswillen entgegensetzt.“(Schweizer Musikzeitung Nr. 2 Februar 2001)

French composer and conductor Henri Tomasi (1901-1971) published Concerto for Bassoon 1963. As with his other wind compositions Être Ou Ne Pas Être for Bass Trombone or Tuba and 3 Trombones was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the ParisConservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican roots often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Être Ou Ne Pas Être is a highly unusual and modern work for Trombone quartet. The composition exploits tonality rhythm and structure amongst other aspects. However this Tomasi piece suitable for advanced Tuba and Trombone players provides an exciting alternative addition to the instrument's ensemble repertoire.

Sunrise In Your Heart text by Kathleen Raine with an interpolation from Sioux Indian sources.

Published 2006. Commissioned by Ars Musica Australis for the Sydney Omega Ensemble First performance: 10 September 2006 Paddington Uniting Church Sydney Score. Published 2006. Commissioned by Ars Musica Australis for the Sydney Omega Ensemble First performance: 10 September 2006 Paddington Uniting Church Sydney Score.

Hymns I Know celebrates the great riches of our spiritual heritage. These cherished tunes and lyrics have been thoughtfully paired with Bible verses and beautiful full-color illustrations to help bring a deeper meaning and understanding to the words of the songs. Arranged for the developing elementary pianist the music corresponds well with any piano method and includes optional duets for added enjoyment. Hymns I Know helps to build a firm foundation in sacred tradition encouraging hymns and sacred music to become a part of children’s everyday language and is sure to be long treasured by students teachers and parents.Hymns I Know celebrates the great riches of our spiritual heritage. These cherished tunes and lyrics have been thoughtfully paired with Bible verses and beautiful full-color illustrations to help bring a deeper meaning andunderstanding to the words of the songs. Arranged for the developing elementary pianist the music corresponds well with any piano method and includes optional duets for added enjoyment. Hymns I Know helps tobuild a firm foundation in sacred tradition encouraging hymns and sacred music to become a part of children’s everyday language and is sure to be long treasured by students teachers and parents.

from The Hunger Games: Catching Fire-Recorded by Coldplay this beautiful and emotive ballad from The Hunger Games: Catching Fire notably marks the first time that the band has ever written and recorded an original song specifically for a motion picture. Recorded by Coldplay this beautiful and emotive ballad from The Hunger Games: Catching Fire notably marks the first time that the band has ever written and recorded an original song specifically for a motion picture.

For Violin with Piano Accompaniment

Taken from Songs Between The Soul And The Bridegroom . Canciones entre el alma y el esposo is a poem consisting of forty verses. Having previously set two sections of it as separate a cappella choruses and onefor two countertenors and strings I've long wanted to make a complete setting of the work and by arranging the countertenor piece for a cappella chorus and setting the remaining verses as two more anthems for the same forces I've completed the task. The five pieces can of course still be performed separately or brought together as a twenty-five minute setting of Roy Campbell's translation from the original Spanish of this vivid and intensepoem.' Geoffrey Burgon May 2008

I Sonetti Lussuriosi is a collection of pieces by world-renowned composer Michael Nyman . This work is a setting of 8 pieces of erotic poetry by Italian poet Pietro Aretino. This is the Vocal Score which can be used for either the Piano Quintet or Orchestra version. I Sonetti Lussuriosi was inspired by Renaissance engravings of couples engaged in sexual intercourse which caused outrage among authorities at the time. At the world premiere of Nyman 's work Marie Angel voiced both the male and female characters with the Orchestra di Santa Cecilia conducted by Michael Nyman himself. I Sonetti Lussuriosi is a collection of pieces by world-renowned composer Michael Nyman . This work is a setting of 8 pieces of erotic poetry by Italian poet Pietro Aretino. This is the VocalScore which can be used for either the Piano Quintet or Orchestra version. I Sonetti Lussuriosi was inspired by Renaissance engravings of couples engaged in sexual intercourse which caused outrage among authorities at the time. At the world premiere of Nyman 's work Marie Angel voiced both the male and female characters with the Orchestra di Santa Cecilia conducted by MichaelNyman himself.

Pawel Lukazewski is a Polish composer specialising in sacred and choral music. His works have been performed all around the globe and he has won awards for his work including first prize at the Frederic Chopin Academy of MusicCompetition for Arrampicata. Beatus Vir Sanctus Paulus was written in 2003.

of the 17th & 18th Centuries-3 new keys. Now available in 5 keys Newly researched and engraved collections including the original Schirmer 24 plus four additional songs. With International Phonetic Alphabet word for word translations and historical information on each song and composer. The book includes access to online audio of accompaniments and recorded diction lessons for streaming or download.Newly researched and engraved collections based on the editions by Alessandro Parisotti including the original Schirmer '24' plus four additional songs. The online audio features accompaniments and recorded diction lessons.