Valerie Crescenz wrote this meaningful new work in response to the 9/11 tragedy

Written in the Mexican bolero style this Latin classic from the 1940s has enjoyed continual popularity and airplay often recorded with English lyrics as “You Belong to My Heart.” Robert Longfields version is expertly crafted using lush harmoniesand varied scoring and offers an appealing change of pace.

Commissioned by the BBC. For SATB choir percussion and speaker/narrator.

One of the finest graduation anthems to come out in a long time this is another hit by Lantz and Parker written for mixed voices and an energetic accompaniment.

One of the most important collections of flute repertoire available today. It contains six of the most widely performed Sonatas composed by Johann Sebastian Bach (1685-1750). They have been skillfully edited by Jean Albert de la Tournerie and John Wummer. One of the most important collections of flute repertoire available today. It contains six of the most widely performed Sonatas composed by Johann Sebastian Bach (1685-1750). They have been skillfully edited by Jean Albert de la Tournerie and John Wummer.

One of the funkiest christmas classics arranged here for soprano alto tenor and bass.

Noel Rawsthorne has a rare and consummate ability to create Noel Rawstorne has a rare and consummate ability to create organ music which sounds spectacular but remains easy to play. This collection of Thirty-Six Miniatures For Organ ranges from the ebullient and thrilling tothe meditative and peaceful. All the features which organists expect to find in his compositions are present in abundance. This is a collection to be highly valued and greatly enjoyed by organists and audiences.

This lesser known spiritual speaks nobly and poignantly of the lifelong heartache and desperation experienced by enslaved Africans in America. In this setting that features a soprano solo the words of the third verse are those ofa nineteenth century woman whose entire life was spent in slavery. The meditative quality of the music creates a pensive atmosphere that is spellbinding. Duration: ca. 5:00.

For Oboe (Cor Anglais) Violin Viola Cello. Published 1977. First performance: London Oboe Quartet Wigmore Hall 14th June 1978. For Oboe (Cor Anglais) Violin Viola Cello. Published 1977. First performance: London Oboe Quartet Wigmore Hall 14th June 1978.

Percy Grainger composed this work for six hands at one piano in 1902 and subsequently he began a version for percussion ensemble that was never completed. Using sketches of this incomplete arrangement Preston Hazzard has created a unique setting for concert band. The transparent and delicate lilting nature of the original work comes through in this appealing arrangement for winds and percussion.

In Season Two the Glee cast devoted a full episode dedicated Fleetwood Mac's 1977 hit-powerhouse Rumours. Opening with the bright pop sounds of I Don't Want to Know it moves into the sultry Dreams and building into Don't Stop this 6-minute choral tribute spans the generations in its appeal! Available separately: SATB 3-Part Mixed 2-Part ShowTrax CD. Combo parts available digitally (tpt 1 tpt 2 tsx tbn syn el gtr ac gtr b dm). Duration: ca. 5:45.

Published 2003. Solo Violin and Orchestra. Published 2003. Solo Violin and Orchestra.

Five great songs are given the gospel treatment and the result is a guaranteed showstopper - fun funky slick and stylish. The arrangements are by vocal coach and choral director Mark De-Lisser and were performed by his choir ACM Gospel Choir on BBC's Last Choir Standing - they are all uplifting modern and a joy to sing. Five great songs are given the gospel treatment and the result is a guaranteed showstopper - fun funky slick and stylish. The arrangements are by vocal coach and choral director Mark De-Lisser and were performed by his choir ACM Gospel Choir on BBC's Last Choir Standing - they are all uplifting modern and a joy to sing. Arranged for SAT choir with downloadable backing tracks using the accompanying card they can also be performed with a Piano or band using the Piano accompaniments and chord symbols. This book has everything included to make it as easy and straightforward as possible to learn with helpful hints for each song and downloads of fulldemonstrations performance backing tracks and individual rehearsal tracks for each vocal part. 'Mark has unique experience of bringing this uplifting genre of choral music to young singers who have never experienced it so the arrangements are skillfully designed to enable involve and captivate. There is a brilliance and energy in this collection that makes it a unique contribution to the repertoire. For directors of all choirs - start-up to veteran - this is a MUST.' - Suzi Digby Voices Foundation. If this all sounds intriguing be sure to check out Mark De-Lisser himself in our video below explaining what makes singing from the Sing Out! Series so great:

For Soprano Flute Clarinet Vibraphone Piano Violin Viola Cello. Along upon is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces may be performed separately or in any combination. When the complete set is played the following order of performance is recommended: Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — Along upon The duration of Wessex Heights is about an hour.For Soprano Flute Clarinet Vibraphone Piano Violin Viola Cello. Along upon is one of a series of eight chamber works inspired by the writings of Thomas Hardy and known collectively as Wessex Heights. The pieces maybe performed separately or in any combination. When the complete set is played the following order of performance is recommended: Embers — Shailing and wambling — Volte-face — Groundswell — Catch — Idyll — For Tess — Alongupon The duration of Wessex Heights is about an hour.

Couple The Tuba - OrganThis is a spectacular collection of festive music for full organ. Each piece makes prominent use of the Tuba or other solo reeds. Eminently suitable for joyful occasions ceremonies and celebrations they do not need a largecathedral instrument to achieve their effect. There are no insuperable technical difficulties and a modest organ is sufficient. The Kevin Mayhew composers have excelled themselves again!

Sonatine by Eugène Bozza is a piece for Flute and Bassoon dedicated to Jacques Ibert. Strongly lyrical this piece is very interesting and quite challenging to play. It explores the full high and low of the instruments and requires some good breathing ability and strong agility. It is divided in three main parts are I. Allegro II. Andantino and III. Vif. While the first section is very cheerful and energetic the second part is slower and more reflective. The piece ends with a third part that is more direct and decisive. Eugène Bozza won different prizes at the Conservatoire de Paris such as theFirst Prizes for the Violin conducting and composition as well as the Grand Prix de Rome. He composed several operas chamber works and ballets among others.

What A Wonderful World is the classic song from Louis Armstrong which has had enduring popularity since its release in 1968. The song is beautifully arranged for SATB choir and Piano accompaniment.

This unaccompanied Marian motet for advanced choirs by Tim Sarsany is filled with lush harmonic color would work well in either concert or liturgical setting

Instrumental Accompaniment Set-Includes: brass and handbells

Considered as the practical guide for Flute Complete Flute Method was co-written by Paul Taffanel (1844-1908) and Philippe Gaubert (1879-1941). Published in 1923 this method is strongly progressive: helping the beginner from the very start it should develop and help them to master the necessary theory technique and tone of this instrument. The 227 pages all contain descriptions and comments written in French English German and Spanish which stand out by their precision and detail. Recognised worldwide thanks to Marcel Moyse Emmanuel Pahud and Pierre-Yves Arthaud among others Complete Flute Method demonstrates and confirms the quality and professionalism of these French flautists and their methods. Paul Taffanel (1844-1908) and Philippe Gaubert (1879-1941) are both professional flautists who collaborated on different projects together including this method and the '17 Grands Exercices Journaliers de Mécanisme'.