First published in 1931.

Written for Ursula and Adrian on the occasion of their wedding on 3rd June 2006.

Les classiques de la flûte n°20 (transcr. Taffernel Gaubert Clerval)- The twentieth piece of the Flute Classics collection this edition of Orpheus Champs-élysées Scene by Christoph Willibald Gluck was transcribed by Paul Taffanel and Philippe Gaubert . This piece taken from the Champs-élysées Scene (Acte II) in the Opera 'Orpheus And Eurydice' is divided into two main parts: Lento Dolcissimo and Piú Lento which are both repeated with the piece finishing on a Coda. This edition can be played by upper intermediate players or above and includes the scores for the Flute and for the Fluteand Piano. 'Orpheus And Eurydice' is the most famous work by Gluck and is based on the myth of Orpheus.

Part of the collection 'Nine pieces' for Bassoon and Piano regrouped and transcribed by Fernand Oubradous Pièce is a work initially composed by Gabriel Fauré . Quite difficult it would match the skills and abilities of advanced players. This sensitive piece for Bassoon in E flat is quite melodious: the main theme introduced by the Piano is repeated by the Bassoon who will lead the music from that moment. Written 'Adagio molto tranquillo' it is quite slow and nice to listen to. It would be perfect to execute in a recital. Gabriel Fauré was a French Composer Organist Pianist and teacher. He is one of the most important composers of his generation with pieces such as 'Pavane' or 'Requiem'.

Piano Narrator. Tschaikowsky P

Simple Song- Unison treble voices.

A score with orchestration for two Flutes two Oboes Clarinet Horn Trumpet Percussion and Strings. Rodrigo's Cuatro Madrigales Amatorios was written for the soprano Lola Rodriguez Aragon who gave the first performancein the version for Voice and Piano on 4th Feburary 1948 accompanied on Piano by Victoria Kamhi.

Written for SATB chorus and brass ensemble with a piano reduction. Text by Dylan Thomas.

For Soprano and Ensemble. Published in 1973. First performance: Matrix University of Nottingham 11th November 1974. Score. For Soprano and Ensemble. Published in 1973. First performance: Matrix University of Nottingham 11th November 1974. Score.

32 Traditional Pieces- Irish Folk Tunes presents a collection of beautiful pieces for solo piano drawn from the rich tradition of Irish folk music. Experienced author and arranger Barrie Carson-Turner provides notes on all of the pieces explaining their background and history. The volume is accompanied by a CD with a recording of all tunes. German and French translations of all texts are available as pdf downloads from the Schott Music website. Suitable for players of grades 3-8.Part of the best selling World Music series which also includes music from England Wales Scotland Eastern Europe America Argentina India China and Korea.

Score-Although in its own way an example of 'continuous' music Shaker Loops differs from most other works of its kind because it sees so much change within a relatively short amount of time. Also it avoids the formal and temporalpurity of much 'minimal' music by not adhering to a single unbending tempo throughout allowing for a freer movement from one level of energy to another. The 'loops' are melodic material assigned to the seven instruments each of a different length and which when heard together result in a constantly shifting play amongst the parts. The four sections although they meld together evenly are really quite distinct each being characterised by aparticular style of string playing. The outside movements are devoted to 'shaking' - fast tightly rhythmicised motion of the bow across the strings. The 'slews' of Part 2 are slow languid glissandi heard floating within analmost motionless pool of stationary sound whereas Part 3 is essentially melodic with cellos playing long lyrical lines (also loops) against a background of muted violins.

French composer and conductor Henri Tomasi (1901-1971) published évocations 1969. As with his other wind compositions évocations for Solo Saxophone was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the Paris Conservatoire and wenton to become a high profile composer and conductor. Tomasi did not forget his Corsican routes often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. évocations is in four movements; 1) Peruvian 2) Nigerian 3) Cambodian. and 4) Scotsman. This Tomasi piece is suitable for advanced saxophonists providing an exciting alternative addition to the instrument's repertoire.

Migas Is A Selection Of Pieces Composed Over 33 Years By British Composer Simon Holt . Migas Translates In English To Crumbs . This Collection Of 11 Brief Piano Pieces Was Written Over A Period Of 33 Years Most Of Them For The Pianists Rolf Hind And Andrew Zolinsky . Migas is a selection of pieces composed over 33 years by British Composer Simon Holt . Migas translates in English to Crumbs . This collection of11 brief Piano pieces was written over a period of 33 years most of them for the pianists Rolf Hind and Andrew Zolinsky .

Many are the wonderful melodies that have come to us from the Welsh valleys. We have asked our com posers to write these satisfying preludes on 25 of the greatest. Our customers know they will get music that is accessible .and sung by Christians.There are many wonderful and moving melodies derived from the Welsh valleys evocative and beautiful tunes fuelled by the long tradition of Welsh singers and musicians. The composers at Kevin Mayhew have written wonderful Preludeson 25 of the greatest and most famous tunes to create original accessible attractive and spiritual compositions. These can either be played in conjunction with the original Hymn tune or alone as delightful instrumental solos.

For Brass Quintet. (2 Trumpets French Horn Trombone and Tuba). Published in 1999. Commissioned by the Quinteto de Metais do Seixal. First performance: The Wallace Collection Ocean Room London 26th November 2001. For Brass Quintet. (2 Trumpets French Horn Trombone and Tuba). Published in 1999. Commissioned by the Quinteto de Metais do Seixal. First performance: The Wallace Collection Ocean Room London 26th November 2001.

Volume 2- Bohuslav Martin (1890-1959) was a prolific Czech composer writing many large scale works. The composer moved to Paris in 1923 where he began experimenting in a variety of composition styles. études Faciles à Deux Violons was published in 1932 and is made up of nine duets. Martin himself was a violinist and the beginning of his experiments in composing for solo instruments and small ensembles saw him write for his own instrument. The second volume of études Faciles à Deux Violons provides intermediate violinists with alternativeand enjoyable studies addressing a variety of musical features. As a varied compilation Martin 's études Faciles à Deux Violons is essential to aspiring violinists.

An arrangement of one of the songs from The Little Prince a fabulous moving and melodic opera by Rachel Portman with luxurious counter melodies and placid harmonies. This opera is based on French philosopherand aviator Antoine de Saint-Exupery's novella Le Petit Prince an international classic penned in 1943. It was composed by Rachel Portman the first woman to win an Oscar for a film score (Emma-1996) with text by NicholasWright. While Saint-Exupery's moving parable of self-discovery is the foundation of the opera's appeal it is Portman's music that gives the work its dramatic impact. The characters are brought to life and portrayed with adelicate combination of humour and poignancy. This SSA and Piano arrangement of The Stars by Richard Allain.

Composed in 1947 this Piano Sonatina No.2 is one of Leighton's earliest works.

Margaret Rizza has chosen 218 of the most beautiful hymns whMargaret Rizza has chosen 218 of the most beautiful hymns which are contemplative in nature and which invite us to enter more deeply into prayer. They are perfect for moments of prayer and meditation during churchservices. Choir leaders will find many are particularly fitting for use during the service of Holy Communion. Margaret Rizza has included some of the hymns for the music others for their words many for the simplicity andbeauty of both. 'But nearly all were chosen because I have heard them sung - people spontaneously expressing their love and dependence on God through music ' she explains. 'I pray that in singing these hymns you may bedrawn more deeply into prayer and to 'Be still and know that I am God' (Psalm 46:10). Joyce Huggett who has contributed the Foreword to Be Still and Know summarises its essential qualities: 'I feel certain thatcountless Christians who will use them in church services prayer and meditation groups and Christian communities will also be humming them in their hearts as they shop commute bath the baby prepare to pray or to worship - orsimply bask in God's love.'

Choeur A Capella - Repert Fetes Peuple- SATB chorus