Arias with 1 or 2 flutes obbligato (with the complete vocal part)-This volume presents for the first time all those arias from the oratorios Passions Masses and sacred and secular cantatas of Johann Sebastian Bach that contain obbligato parts for one or two flutes. The musical text has been adopted from the “ Urtext ” of the New Bach Edition. Music and words are inseparable in Bach’s works. Therefore as an aid to the interpretation of these flute solos our richly annotated collection offers not only flute part but also the complete vocal part for each movement. In this way the edition not only represents a novel form of orchestral studies it also opens up an important area of the flute repertoire. Arias with 1 or 2 Flutes obbligato (with the complete vocal part). Selected movements from secular cantatas from St Matthew Passion Mass in B minor and the Lutheran Mass in A major. This volume presents for the first time all those arias from the oratorios Passions Masses and sacred and secular cantatas of Johann Sebastian Bach that contain obbligato parts for one or two Flutes. The musical text has been adopted from the Urtext of the New Bach Edition. Music and words are inseparable in Bach 's works. Therefore as an aid to the interpretation of these Flute solos our richly annotated collection offers notonly Flute part but also the complete vocal part for each movement. In this way the edition not only represents a novel form of Orchestral studies it also opens up an important area of the Flute repertoire. Contents: Kantate 45. Es ist dir gesagt Mensch was gut ist. Nr. 5 Alt-Arie: Wer Gott bekennt Kantate 55. Ich armer Mensch ich Sundenknecht. Nr. 3 Tenor-Arie: Erbarme dich Kantate 79. Gott der Herr ist Sonn und Schild. Nr. 2 Alt-Arie: Gott ist unsre Sonn und Schild Kantate 180. Schmucke dich o liebe Seel. Nr. 2 Tenor-Arie: Ermuntre dich dein Heiland kommt Kantate 94. Was frag ich nach der Welt. Nr. 4 Alt-Arie: Betorte Welt betorte Welt Kantate 110. Unser Mund sei voll Lachens. Nr. 2 Tenor-Arie: Ihr Gedanken und ihr Sinnen (2 Floten) Kantate 78. Jesu der du meine Seel. Nr. 4 Tenor-Arie: Das Blut so meine Schuld durchstreicht Kantate 100. Was Gott tut das ist wohlgetan. Nr. 3 Sopran-Arie (Vers): Was Gott tut das ist wohlgetan Kantate 96. Herr Christ der einge Gottessohn. Nr. 3 Tenor-Arie: Ach ziehe die Seele mit Seilen der Liebe Kantate 102. Herr deine Augen sehen nach dem Glauben. Nr. 5 Tenor-Arie: Erschrecke doch du allzu sichre Seele Kantate 113. Herr Jesu Christ du hochstes Gut. Nr. 5 Tenor-Arie: Jesus nimmt die Sunder an Kantate 99. Was Gott tut das ist wohlgetan. Nr. 3 Tenor-Arie: Erschuttre dich nur nicht verzagte Seele Kantate 114. Ach lieben Christen seid getrost. Nr. 2 Tenor-Arie: Wo wird in diesem Jammertale Kantate

Set for unaccompanied upper voices this piece by Carol Barratt features an updated English language version of the sacred text. It was commissioned by Gordon Pullin and the Madrigal Choir of Notting Hill and was first performedat St. Paul's Cathedral in 1992.

Written for soprano and ensemble (Eb clarinet C clarinet viola cello double bass) with text by Mozart.

Klavierbegleitung-Originating from Flensburg Santiano have become well-known for their unique musical style which combines aspects of pop and folk adding a modern twist to the traditional sea shanty. This Piano Part is for the catchy Hoch Im Norden arranged for TTBB Men's Choir with Piano Accompaniment. Please note you can purchase the  Vocal Score here or  both in a pack here . Originating from Flensburg Santiano have become well-known for their unique musical style which combines aspects of pop and folk adding a modern twist to the traditional sea shanty. This Piano Part is for the catchy Hoch Im Norden arranged for TTBB Men's Choir with Piano Accompaniment.

Pleading is a song for solo voice with Piano accompaniment written in 1908. It was composed for and dedicated to the composer's great friend Lady Maud Warrender . It was published as the composer's opus 41 in three arrangements: No. 1 is for medium voice and is set in the Key of G major. Versions for low and high voices are also available. The text is from a poem by Arthur L. Salmon . Edward Elgar (1857-1934) is one of England’s best-known and most-loved composers. He was self-taught as composer coming from outside the musical and social establishment which allowed his music to be fresh and unencumbered.

Scottish Folk Song Setting-Among airs there are none more beautiful than those fromthe general vicinity of Scotland and Ireland. An originalmelody intertwines with the lovely Scottish air Ye Banksand Braes to form a touching and reflective espressivoperformance piece that you are sure to admire. The endearingnature of old Scottish melody has a charm all its own.A little touch of the “Pipes” is included to re-emphasize theorigin of this timeless air.A gem!

The best of the amazing Herbie Hancock! Arranger Mike Kamuf scores this hip funky Herbie Hancock tune for the young player. This chart is ideal for this level with only three chords a repetitive groove and catchy melody. This chart includes written solos for tenor sax and trumpet and lead trumpet range goes up to written top line F with optional G on top of the staff. A superb chart from the first note to the last. Instrumentation. 1st Eb Alto Saxophone 2nd Eb Alto Saxophone 1st Bb Tenor Saxophone 2nd Bb Tenor Saxophone Eb Baritone Saxophone (Optional) 1st Bb Trumpet 2nd BbTrumpet 3rd Bb Trumpet 4th Bb Trumpet (Optional) 1st Trombone 2nd Trombone 3rd Trombone (Optional) 4th Trombone (Optional) Guitar Chords Guitar (Optional) Piano Bass Drums Optional Alternate Parts. C Flute Tuba Horn in F (Doubles 1st Trombone) 1st Baritone T.C. (Doubles 1st Trombone) 2nd Baritone T.C. (Doubles 2nd Trombone)

Fiery sounds of the Spanish Fandango for young bands! Mysterious modal harmonies and stirring Percussion transport us to the mythical kingdom of gold. Intense and rhythmic your band will be happy to dig in and refine their performance skills as they uncover the hoard of musical enrichment that James Curnow has carefully included in the arrangement. Relentless energy ensures that this will captivate and invigorate your audience.Enjoy the fun…. Ole!

14 der beliebtesten Trauermärsche Choräle und Lieder für Trauermusik-2 Flutes Percussion. Merkelt P 2 Flutes Percussion. Merkelt P

The number one hit single by Evanescence taken from the soundtrack to the movie DareDevil . Arranged for piano and voice with full lyrics and guitar chord boxes.

Heilig-Messe- Bernard of Offida 1604–1694 was a Capuchin monk whose saintly life and devotion to the sick and poor caused him to be beatified by Pope Pius VI on 19 May 1795. St. Bernard’s name day falls on the 11th of September (a Saturday in 1797) and it is generally thought that Haydn combined doing honour to the Capuchin monk with the production of a new Mass for his patron the day thereafter. Apparently later performances in Eisenstadt added horns to double the trumpets in the tuttis and – just as in the previous Mass – the clarinet parts were enlarged; it is almost certain that the new clarinet parts are either by Haydn or (shall we say) “supervised” by him. As inthe Mass in Time of War conductors have the choice of two orchestrations: with or without doubling horns and with or without the supplementary clarinet parts. The Heiligmesse has always been one of Haydn’s most admired works. Its dignity its strength (we draw special attention to the extraordinary “Gratias” with its brilliant contrapuntal writing) the subdued orchestral grandeur to which the B-flat trumpets contribute a silvery but unmartial weight – all these have made it one of Haydn’s most serious and most deeply sensitive church works: its constant popularity in Viennese churches is quite deserved. Urtext from Joseph Haydn Werke Full score (together with Missa Cellensis [Mariazellermesse] Hob.XXII:8; Missa brevis Sti Joannis de Deo [Little Organ Mass] Hob.XXII:7; Missa in Tempore Belli [Mass in Time of War] Hob.XXII:9) available for sale Parts (BA4651) and vocal score (BA4651-90) available for sale

Ah! Plaignez tant...(No.2 from '7 Noëls provencaux de Saboly') unison chorus

QMB 332-Symphonic Band (score & parts). Grundman C

Alto. Brahms J

Stabat Mater Hob.XX bis Oratorio (funeral music) versions from 1767 and 1803 The new scholarly critical edition of Joseph Haydn's Stabat Mater (1767) is published in Henle's complete edition of Haydn's works. This edition is the first to come as close as possible to the lost original and has been compiled using all currently available sources. The score has been fully amended in its original orchestration for two oboes or English horn strings and organ. At a later performance of this work probably in 1803 Haydn attempted to accommodate the intervening changes in musical taste. According to the composer's request and under his supervision SigismundNeukomm enlarged the wind orchestration by adding a flute two clarinets two bassoons two French horns trumpets and timpani. Urtext from the Haydn Complete Edition Haydn’s Stabat Mater in both its original scoring as well as Neukomm's scoring. Full score performance material (BA4642) vocal score (BA4642-90) available for sale

Cecilia McDowall's A Draught Of Fishes for Piano Quintet. This piece has been specially written for St Paul’s Boys School. St Paul’s was founded by John Colet in 1509 with 153 children a number traditionally associated with the gospel miracle of the draught of fishes in which Jesus suggests to his disciples they would have more success if they cast their nets on the other side of the boat. A Draught Of Fishes opens with sombre strings and liquid piano accompaniment. The mood of the piece then alters to one of optimism and the players ‘catch’ their fish Schubert’s Trout! To this day there are 153 foundation scholars at St Paul’s at any one time and theyare entitled to wear a silver fish in their button holes. - Cecilia McDowall Commission made possible by St Paul's School.

Joseph-Hector Fiocco (1703-1741) is regarded as one of the most important Belgian composers of the late Baroque era. The Allegro in G major was originally a movement from the Harpsichord Suites (Pièces de clavecin Op. 1 1730). The arrangement for violin and piano by A.Bent and N.ONeill in 1910 made the piece very popular particularly among violinists. The piece makes demands on the players left hand with its fast passages and virtuoso ornamentations and requires knowledge of all fingering patterns in first position. Occasionally it is advisable to use third position to avoid major string changes. The passage workconsists mostly of scale excerpts triads arpeggiation in thirds and sequences. The greatest challenge to master is the large number of string changes in a fast détaché which requires a flexible bow hand.

The Unrevealed Story of Skelte van Aysma- Galea et Bellum was commissioned by the Excelsior Schraard music society (Friesland the Netherlands). The work tells the story of a rare helmet that was discovered in a church in the Frisian village of Schettens in 2015. Research revealed that it had been the property of Skelte van Aysma a Frisian officer who fought in the armies of the Princes of Orange Maurice and Frederick Henry during the Eighty Years’ War. This little piece of history was the starting point for this composition. As a leitmotif the hymn ‘Ach wie flüchtig ach wie nichtig ist der Menschen Leben’ (‘Ah how fleeting ah how insignificant’) has been used. This 17th century melody by Michel Franck inan arrangement by Johann Sebastian Bach initially appears only in fragments but grows to full stature toward the end of the work. An ideal contest piece with lots of challenges for your band.

High Voice Piano. Brahms J High Voice Piano. Brahms J

Unusually for him Davies starts his Bassoon Concerto not with slow music but with speed and brilliance: the opening is a Presto initiated by the strings and only at the entry of the soloist does the tempo relax to thatof a real introduction. Out of this grow a big dancing Allegro. The slow movement begins and ends with a simple song around fantastical ornamentation from the soloist. The finale is again a recitative and dance with a slow coda.The whole work is an immense show of stamina poetry and athleticism for the bassoon set against an orchestra coloured by low wind (alto flute clarinet in A bass clarinet contrabassoon horns).