Version for 2 Pianos with second Piano playing orchestral reduction. Premiered at Royal Albert Hall in 1948.

Arranged for Upper Voices by CH Trevor.

A superb collection of sixteen hit songs arranged for all electronic keyboards by Kenneth Baker. Includes suggested registrations fingering and lyrics plus chord symbols and charts.

The popular 'Tea for Two Series' continues with more inspiring Piano duets from Mike Cornick - this time on the subject of love. Contrasting styles are explored from Duke Ellington's stylish and swinging Don't Get Around Much Anymore to a unique intertwined arrangement of the Caribbean songs Yellow Bird and Water Come a Me Eye (Come Back Liza). The old favourite Dark Eyes and the more contemplative I Gave My Love a Cherry and The Water is Wide complete the collection. The CD includes the complete performance of each duet as well as play-along rehearsal tracks for primo and secondo players. For intermediate level players and beyond.

for solo piano-Huang Ruo has been lauded by the New Yorker as one of the worlds leading young composers and by the New York Times for having “a distinctive style.” His vibrant and inventive musical voice draws equal inspiration from Chinese ancient and folkmusic Western avant-garde experimental noise natural and processed sound rock and jazz to create a seamless organic integration using a compositional technique he calls “Dimensionalism.” Huang Ruo’s diverse compositional works span fromorchestra chamber music opera theater and dance to cross-genre sound installation multi-media experimental improvisation folk rock and film.

Time Machine is a journey through time that begins in the Stone Age. Evolution and the coming of man take place. The journey takes us into the present in which disorientation and chaos abound. We travel further into the future. An unfamiliar quiet and surreal landscape lies before us and we wander through it bewildered as we become aware of the destruction of the environment. Suddenly and for no reason memories from our childhood are awoken. Cultures have become completely mixed into one and the evolution of man has run its course. We realise that there is no “afterwards” as before us lies the Stone Age once again... The wheel of time spins blindly on and all isrepeated.

ATB unaccompanied Latin text. Edited by Philip Brett

POD-The Raising Of Lazarus is a work by John Joubert for Mezzo-Soprano and Tenor Solo SATB Chorus and Orchestra. This is the Vocal Score. The Raising Of Lazarus is a work by John Joubert for Mezzo-Soprano and Tenor Solo SATB Chorus and Orchestra. This is the Vocal Score .

Clarinet teaching material-A collection of Orchestral Extracts for Clarinet selected and edited by Keith Puddy. A collection of Orchestral Extracts for Clarinet selected and edited by Keith Puddy.

For two treble and two bass instruments with basso continuo. For two treble and two bass instruments with basso continuo.

Trio Album 3-Trio Album 3 - 12 Popular classical pieces arranged for Piano Trio. Edited by Nicolaj Hansen . Trio Album 3 - 12 Popular classical pieces arranged for Piano Trio. Edited by Nicolaj Hansen .

Alba is one of Bennett’s serialism-tinged works that also touches on medieval rhythmic modes. He based the work on the Tema Seriale from Cantata Academica by Benjamin Britten to whom Alba is dedicated. It is a demanding and rewarding piece for performer and listener.Composer performer and arranger Richard Rodney Bennett was internationally respected for his serious music and many award-winning film scores (Murder on the Orient Express Nicholas and Alexandra) as well as his works for children and his religious pieces. In addition this markedly versatile musician frequently performed as a jazz pianist. On his move to the United States the two sponsors for his green card(work permit) were Leonard Bernstein and Stephen Sondheim.

Guest Spot-Step into the spotlight and play along with the superb backing tracks on the specially recorded CD. Ten great blues numbers arranged for Tenor Saxophone by Paul Honey. CD includes full performance versions and backing trackversions.

For SSTB Choir and Piano. For SSTB Choir and Piano.

in zwei Satzen-Orchestra (Study Score). Yun I

The text of Susanni is a translation of Martin Luther’s hymn of 1535 Vom Himmel hoch . The music is based loosely upon the well-known chorale melody which at times is quoted in full in both voices and organ. Except where indicated singers should adopt a legato style especially in the repeated quaver patterns. In the bars which appear to be in compound time conductors should beat in crotchets. An inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yetaccessible repertoire in an exciting variety of styles. Bill Ives has spent his life in choral music – as a singer conductor teacher and composer (writing as Grayston Ives). He was a chorister at Ely Cathedral and later studied music at Cambridge taking composition lessons with Richard Rodney Bennett. After Cambridge he sang in Guildford Cathedral Choir before joining the King’s Singers with whom he recorded and performed worldwide. For eighteen years he directed the Choir of Magdalen College Oxford. During his tenure the choir earned a Grammy nomination for a disc of music by Orlando Gibbons and gave the première of Paul McCartney’s Ecce Cor Meum written especially for them. In 2008 his work as a composer and conductor of church music was recognised with the award of a Lambeth DMus and a Fellowship of the Royal School of Church Music.

Co-commissioned by the Edington Festival of Music within the Liturgy and by Edward and Sarah Armitage to commemorate their 20th wedding anniversary. This Missa Brevis (‘short mass’) was written at the request of Mr and Mrs Edward Armitage and the Edington Festival of Music within the Liturgy. The four movements are based on a single six-note phrase taken from the plainsong Te Deum laudamus (tonus simplex) bearing the text ‘Speravimus in te’. This motif repeats many times in the chant but these words are used for its final appearance ending the phrase ‘O Lord let thy mercy be upon us as we have hoped in thee'. This miniature cell is used to create musical material in a variety of ways: inversion retrograde inversion augmentation all these in combination etc. It is also employed as a device to form the principal harmonic flavour. The Mass is designed for both liturgical and concert use. The Kyrie alludes to the Speravimus motif with the Gloria more strictly developing its possibilities. The Sanctus and Agnus reuse and develop material from the Gloria and it is hoped therefore that the piece will be easily learned practical and useful for regular performance. Matthew Martin's Missa Speravimus for SATB and Organ. Co-commissioned by the Edington Festival of Music within the Liturgy and by Edward and Sarah Armitage to commemorate their 20th wedding anniversary. Duration: c. 10 minutes

James Rae's eminently successful tutor Introducing the Clarinet was the first of its kind providing the complete beginner with material in popular styles yet allowing for a sound musical development along traditional lines. Now complementing the tutor James Rae has produced these three volumes to introduce the beginner clarinettist to ensemble playing. The parts are of the same technical level and are written with hints and tips along the way to familiarize the beginner with a new set of considerations and become a good team player. Each of the volumes contains: • easy pieces introducing the various aspects of music making with others • all parts are in thelow register • especially suited to group teaching • ideal material for concerts and examinations James Rae's eminently successful tutor Introducing the Clarinet was the first of its kind providing the complete beginner with material in popular styles yet allowing for a sound musical development along traditional lines. Now complementing the tutor James Rae has produced these three volumes to introduce the beginner clarinettist to ensemble playing. The parts are of the same technical level and are written with hints and tips along the way to familiarize the beginner with a new set of considerations and become a good team player. Each of the volumes contains: • easy pieces introducing the various aspects of music making with others • all parts are in thelow register • especially suited to group teaching • ideal material for concerts and examinations

An Old Basque Carol harmonised by Desmond Ratcliffe for SATB Choir A Cappella.

For Soprano Alto and Piano. For Soprano Alto and Piano.