In 1834 Mendelssohn set the poem Auf Flügeln des Gesanges by Heinrich Heine and published it as the second of his Six Songs for Voice and Piano. It achieved a popularity that has lasted through the present and has been arranged for many instrument combinations. On Wings of Song is has the typical form of an early Mendelssohn lied in strophic form with a transformation in the final verse. The rippling accompaniment suggests the flowing Ganges to which the lovers fly ‘on wings of song’.In 1834 Mendelssohn set the poem Auf Flügeln des Gesanges by Heinrich Heine and published it as the second of his Six Songs for Voice and Piano. It achieved a popularity that has lasted through the present and has been arranged for many instrument combinations. On Wings of Song is has the typical form of an early Mendelssohn lied in strophic form with a transformation in the final verse. The rippling accompaniment suggests the flowing Ganges to which the lovers fly ‘on wings of song’.

Trumpet Trombone Tuba (parts). Schmitt M

in 2 Movements-String Quartet (Score & parts). Yun I

Tarik O'Regan's The Night's Untruth for SATB chorus Brass ensemble and Organ is a co-commission celebrating the 10th anniversary of JAM (The John Armitage Memorial Trust) and the 40th anniversary of VocalEssence. ' The Night's Untruth explores the use of sleep as metaphor by dint of excerpts from poems written in the 17th to 20th centuries. Death love fear ecstasy isolation dreaming and rest are all textual variations on the theme of sleep and can be found in the chosen texts. The work's title is taken from a line in a poem by Samuel Daniel (1562-1619) and speaks tothe composition's focus on sleep as a parallel possibly dystopian existence to the one experienced in our waking hours.' - Tarik O'Regan March 2010 Scored for brass quintet organ and SATB choir with (minor) divisi and occasional moderately demanding solos for tenor and soprano this evocative 16-minute work probes the mystery of sleep with texts from poems by Keats Samuel Daniel Shakespeare and Hart Crane: 'death love fear ecstasy isolation dreaming and rest' are the themes O'Regan explores through these texts in a work as episodic as a disturbed night with the title creating a 'focus in sleep as a parallel possibly dystopian existence'. - Organists' Review

For SATB Choir and Organ. For SATB Choir and Organ.

Nr. 4 G-Dur/Nr. 5 D-Dur/Nr. 6 B-Dur-The more you read the more you hear!The Eulenburg Audio+Score Series contains the orchestral world's treasures from the baroque classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score an informative preface detailing the biographical and creative background and a Naxos CD containing the work in full length.Eulenburg Audio+Score is the new way to hear read and understand music. The more you read the more you hear!The Eulenburg Audio+Score Series contains the orchestral world's treasures from the baroque classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score an informative preface detailing the biographical and creative background and a Naxos CD containing the work in full length. Eulenburg Audio+Score is the new way to hear read and understand music.

Cloud Trio was commissioned by the Bastad Kammermusikfestival (artistic Director Karin Dornbusch) Musik i Syd the festival Music Around and Arcana Festival für Neue Musik. It was first performed at the Bastad Kammarmusikfestivalon 2nd July 2010.

20 kleine Stücke-Petit air varié - Romance - Barcarolle - Mazurka - Introduction-Rondo PETIT AIR VARIé - ROMANCE - PRIèRE - BARCAROLLE - MAZURKA - INTRODUCTION-RONDO

Arranged by John Norris. Adagio un poco mosso (Piano Concerto No. 5) (Beethoven) Minuet (Quintet) (Boccherini) Flower Duet (Lakme) (Delibes) Zadok the Priest (Coronation Anthem No. 1) (Handel) Rondo (Trumpet Concerto) (Haydn) Porgi amor (The Marriage of Figaro) (Mozart) Waltz (Serenade for Strings) (Tchaikovsky) Spring (The Four Seasons) (Vivaldi)

We find ourselves initially at the court of King Nobel where all the animals have arrived for a court hearing. Reynard the Fox has plenty to answer for but he seems determined to avoid his punishment... Kevin Houben chose this fable as the theme for his programmatic work in which the musical setting of the fox forms the main theme. But King Nobel Braun the bear Murner the cat and Grimbart the badger also take a musical turn. About Reynard the Fox promises excitement and adventure right to the last note!

The Joy Of Holst is a fantastic collection of 11 original and newly-arranged pieces by the great English composer Gustav Holst . This album for solo Piano includes Nocturne In The BleakMidwinter selections from his masterpiece The Planets and excerpts from The Perfect Fool and Somerset Rhapsody . 'The Joy Of...' series is a constantly growing collection of musical editionsthat is now recognised and loved throughout the world. Originally defined by the editorial hand of renowned teacher arranger and musicologist Denes Agay the series continues to reflect his influence and covers a widevariety of musical genres including the classics folk jazz blues ragtime and children’s music. New titles are constantly being added to an already extensive range ensuring that 'The Joy Of...' series continues to be avital growing treasury of the world’s best music. Students and teachers all over the world have welcomed 'The Joy Of...' books for their imaginative choice of material consistent settings and accessible large-formatstyle.

Malcolm Arnold’s Concerto No 1 For Flute And Strings (1954) is a work of high energy and quickly shifting tonalities pointed with dissonances and overlaid with flowing lines of the Flute alternating with skittering flurries in both Flute and Strings. The demands are the Flute soloist are virtuosic.Malcolm Arnold was a British composer who earned an international reputation both as a composer of serious works including nine symphonies and as a composer of light music. He composed more than one hundred film scores among them the Oscar-winning music for The Bridge on the River Kwai the award-winning music for The Inn of the Sixth Happiness Whistle Down the Wind andHobson’s Choice.

Strawberry Fields Forever was John Lennon s homage to the garden of a Salvation Army children s home in Liverpool. It gave The Beatles a psychedelic hit in 1967. Here this evocative song is arranged for SATB with piano accompaniment by Jeremy Birchall. Strawberry Fields Forever was John Lennon’s homage to the garden of a Salvation Army children’s home in Liverpool. It gave The Beatles a psychedelic hit in 1967. The name was eventually adopted for a small memorial garden on the West Side of New York’s Central Park opposite Lennon’s final address The Dakota apartment building. Here this evocative song is arranged for SATB with piano accompaniment by Jeremy Birchall.

Concerto for Percussion and Orchestra. Vibraphone (without motor) Marimba 3 Crotales and 4 Cencerros.

This setting Julian Marshall's second of this Blake text was premiered in 2018 by the vocal group The Rupa Ensemble. This setting Julian Marshall's second of this Blake text was premiered in 2018 by the vocal group The Rupa Ensemble.

Written for string orchestra.

No. 1 Spring Dance Score and Parts

Anthem for SATB Choir for Palm Sunday.

Commissioned by the Scottish Ensemble first performed on 15th December 2008 at Queen's Cross Church Aberdeen. Programme note 'This short work is about conflict - expressed here by the clash of opposing musical forces. One force' an arioso' is based around the harmonic field of E and is melodic tonal straightforward and at times emotional. It is mainly led by the first violin. The other force' led by the double bass is strongly discordant [at first a single note F latergradually growing to a giant cluster]. It is essentially chordal [non-melodic] static suffocating inexorable and impersonal. Its only contrast is getting louder or getting softer getting denser or less dense. The interruption of the opening arioso' by a single note F on the double bass is at first not very threatening and the reaction to it is one of surprise. Later as the threat increases so the reaction becomes stronger; at first one of irritation then anger. A passionate outburst on the violins follows which falls on deaf ears. Then a solo violin solo viola and solo cello all appeal in turn: still no response. Finally only fragments of the original arioso' are heard before dying away. Whereas near the

für Fagott und Klavier-For bassoon and piano