What Sweeter Music Can We Bring? Was Composed By Basil Harwood With Words From 17Th Century Poet Robert Herrick'S 'Noble Numbers'. The Work Is Arranged For Satb Choir. The English Organist And Composer Basil Harwood Was A Prolific Writer Of Cantatas Church Music And Works For The Organ. What Sweeter Music Can We Bring? was composed by Basil Harwood with words from 17th century poet Robert Herrick's 'Noble Numbers'. The work is arranged for SATB choir. The English organist and composer Basil Harwood was a prolific writer of cantatas church music and works for the Organ.

A collection of arias compiled for Soprano and Piano. CD of authentic orchestral accompaniments available separately. A collection of arias compiled for Soprano and Piano. CD of authentic orchestral accompaniments available separately.

Piano Vocal Score and CD with instrumental and vocal versions-Cantolopera is an exceptional new series of book/CD packs from Ricordi that offers a fresh approach to great opera repertoire. The books include versions for voice and piano of the worlds most famous arias. The CDs feature two versions of each aria:one with a 130-piece orchestra providing accompaniments to allow the professional student or opera fan to practice and another sung by an established artist for reference. Each volume contains the lyrics of the arias plus a short plot summary andbackground information on the orchestra and the performers.This unique and exciting series gives you the chance to learn some of the greatest arias of Giacomo Puccini with full orchestral backing tracks. A selection of operatic showstoppers have been presented in full notation with concert accompaniments for Piano. Furthermore a professionally recorded CD is included that features the full-scale orchestral arrangement of each aria so you can experience the power and magic of a grand-scale performance. There's even a version of each featuring an established singer so you can hear the piece in full. An excellent rehearsal tool or the ideal way to introduce your voice to the wonders and rigors of the Opera.

O For A Lay! is a work by Charles Wood for Unaccompanied SATB Choir. A setting of a poem by George Ratcliffe Woodward a full performance lasts around 1 and a half minutes. O For A Lay! is a work by Charles Wood for Unaccompanied SATB Choir. A setting of a poem by George Ratcliffe Woodward a full performance lasts around 1 and a half minutes.

Cordoba from Opus number 232 arranged for Piano solo.

This edition is newly published in a fresh engraving. It also includes a paragraph explaining the historical background and context of the work.

Nimrod Summertime Theme from Spartacus and The Swan.

Coleridge-Taylor 'Now Late On The Sabbath Day' arranged for mixed voice choir SATB with organ accompaniment.

Study Score for Kenneth Leighton's Concerto For Organ Op.58. A separate organ part is also available on sale.

A collection of lively and entertaining well-known pieces including Joplin's 'The Entertainer' and 'The Floral Dance'. Tenor saxophone and piano. A collection of lively and entertaining well-known pieces including Joplin's 'The Entertainer' and 'The Floral Dance'. Tenor saxophone and piano.

Paul Mealor's Beneath Thy Compassion for SATB. Duration: 3 minutes Paul Mealor's Beneath Thy Compassion for SATB. Duration: 3 minutes

Samson An Oratorio For Soloists Mixed Chorus And Orchestra By George Frideric Handel Libretto By Newburgh Hamilton After Milton’S Samson Agonistes . Edited By Donald Burrows. This Item Is The Full Set Of Parts. Bassoon Cello/Bass Flute 1 Flute 2 Horn 1 Horn 2 Oboe 1 Oboe 2 Organ Harpsichord Timpani Trombone 1 Trombone 2 Trumpet 1 Trumpet 2 Viola Violin 1 Violin 2 Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton’s Samson Agonistes . Edited by Donald Burrows. This item is the full set of parts. Bassoon Cello/Bass Flute 1 Flute 2 Horn 1 Horn 2 Oboe 1 Oboe 2 Organ Harpsichord Timpani Trombone 1 Trombone 2 Trumpet 1 Trumpet 2 Viola Violin 1 Violin 2

Simplified arrangements of all twelve tracks from Katie Melua's debut album including Blame It On The Moon My Aphrodisiac Is You and The Closest Thing To Crazy .

This fine collection contains the most famous masterpieces by George Gershwin containing both sheet music and full audio on CD.

James Rae and Mike Cornick's 'Cinderella Jones' a children's musical with for 12 soloists choir and piano accompaniment. Includes a CD with orchestral baking track.

In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part. The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song . And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part. The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement

J.C. Bach 's wonderful Es Ist Nun Aus Mit Meinem Leben is arranged here for Unaccompanied SATB chorus and expertly edited by Jonathan Wikeley . The lyrics were written by Magnus Daniel Omeis and are in Latin. J.C. Bach 's wonderful Es Ist Nun Aus Mit Meinem Leben is arranged here for Unaccompanied SATB chorus and expertly edited by Jonathan Wikeley . The lyrics were written by Magnus Daniel Omeis and are in Latin. A review in the June 2016 edition of Organist's Review states that this is 'a chorale-like piece with an attractive melody well-crafted harmonies and only moderate technical challenges.'

The ultimate rock and pop collection specially arranged for flute. 100 Number One hits in melody line arrangements with chord symbols.

The traditional Hampshire folksong arranged for male voices by Gustav Holst. A Piano part is provided for rehearsal purposes only.

With words by Thomas Broughton. Performing edition by Peter Jones.