An expressive and dynamic Fantasy for Piano by Raffaele D’Alessandro. This impressive piece is perfect for concerts and performances

This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work. Johannes Brahms - How Lovely Are Thy Dwellings Fair by musicroom

Classroom Pops! Classroom Pops! is a highly effective flexible new collection of classroom songs for children each complete with a lesson plan and backing track CD. Designed toinvolve the whole classroom and suitable for both class teachers and music specialists alike this new series is an exciting user-friendly approach to getting children singing! Lesson Plan Each Classroom Pops! song has been specially arranged for children's voices by Jane Sebba and Joanna Mangona and includes a lesson plan that can be followed over several sessions. Also included are rhythm games vocalwarm-ups and step-by-step guidance on how to teach the song. Ideas for continuation work are also included allowing the teacher to craft a rounded lesson plan. Accompaniment andSupport Classroom Pops! allows the teacher to formulate interesting and engaging classroom singing lessons without the necessity to read music. The accompanying CD includes backing and performancetracks as well as ideas for class percussion. However a complete PVG score is printed for Piano players and music readers. Downloadable instrumental parts in C B flat and E flat are also available should teachers wish to includeinstrumental work in their sessions.

This short setting of Rorate Coeli a text associated with the Matins service at Advent was written in 1983 and first performed by the Choir of Trinity College Cambridge as part of the Advent Carol Service held every year in Trinity College Chapel. Arranged for mixed voice choir SATB. Duration 2 minutes.

The third of a trilogy of choral works A Year's Carols for SATB Choir and Organ commissioned by David Whitehead and the choir of St John's Cathedral Portsmouth. This is a vibrant setting of an English translation of traditional Flemish text.

For Violin Viola and Piano (Reduced from the orchestra version). Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on tothe next piece. This was particularly the case around the time of his Opus 1 Sinfonietta composed in the summer of 1932 his second year as a student at the Royal College Of Music. The Sinfonietta waswritten (in less than three weeks) very soon after Britten had completed the first draft of the Double Concerto; but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started workon his Op.2 Phantasy for Oboe and String Trio a few weeks later. Although the Concerto follows the same three-movement pattern as the Sinfonietta it is more ambitious in scale; and since the sketchis unusually for Britten complete in practically every detail it is puzzling that he never made a full score of the work after finishing the composition and seems to have made no attempt to get it performed. It is not clear ifhe had particular performers in mind (he was of course a Viola player although he is not likely to have intended the part for himself). He showed the work to his composition teacher at the college John Ireland who as Brittenrecorded in his diary was 'pretty pleased' with it; but it is distinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932 ('I have never heard such an appalling row!' readsanother diary entry) discouraged him from going on to complete the Double Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936. In theabsence of Britten's full score it was necessary for me to prepare the work from the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between

A short anthem for SAB Choir and Organ setting the text of H. Bonar.

Carol for SSATB Choir.

POD-Only selected works by this publisher are included in the catalogue. Sun Of My Soul is a work by James Davy for Unison Voices and Organ Accompaniment that sets text by John Keble.

Purple Book-When you're feeling the pressure why not take time out to play and sing some relaxing songs? Keep Calm And Play On (Purple Book) brings together 24 great hits. So why not sit down and play and sing some ofyour personal favourites? They'll calm you down and give you fresh energy to face whatever the day brings!

21 Easy Hits for Ukulele specially arranged in easy keys and with easy chord shapes. Songs from the 50s 60s & 70s and a few modern classics. 21 Easy Hits For Ukulele is a great additionto any budding Ukulele player's repertoire.

For SATB Choir with Organ or Piano accompaniment. For SATB Choir with Organ or Piano accompaniment.

Everybody's Favourite Series No. 67. Eighty-three songs suitable for quartet or chorus male or mixed voices. Guitar chords are added where appropriate. Includes 'All Through The Night' 'Little Brown Jug' and 'Ave Maria'.

String Quartet (Study Score). Frohne V

This verse anthem with organ was probably Handel's first contribution to English church music and possibly his first setting of an extended English language text. As pants the Hart is undated and there is no historical record of the anthem's first performance though evidence from the appearance of the autograph itself suggests it proceeded the Te Deum and an estimated composition date is from November-December 1712. Arranged for soprano alto tenor and bass soloists SATB chorus and organ. Words from Psalm 42 edited by Donald Burrows.

An Operetta for 2 Treble voices and Piano. The scene is set in fifteenth century Bruges when the city was at the height of its prosperity. Franz son of the old bellmaker is in love with Nita the Baron’s daughter but her ambitious father wants her to marry a Count instead. To bribe her the Baron offers to give her anything she wants. She chooses a peal of bells for her father’s belfry insisting that they must ring louder and sweeter than any in Bruges. Scuppering the Baron’s plans to have the bells made in France Franz provides him with some which his father had made years before and the Baron is forced to let him marry Nita.

Herbert Howells' Te Deum And Jubilate (Collegium Regale) was composed for King's College Cambridge and is written for SATB Choir with Organ accompaniment. Herbert Howells' Te Deum And Jubilate (Collegium Regale) was composed for King's College Cambridge and is written for SATB Choir with Organ accompaniment.

Gethsemane is a work for Unaccompanied SATB chorus by Adam Harvey . The song is a setting of a poem by William Bingham Tappan and the entire piece lasts around 2 minutes. Listen to a performance of Gethsemane by the Professional Choir of The Brick Presbyterian Church in New York City on 2nd April 2015 conducted by Keith S. Tóth: Gethsemane is a work for Unaccompanied SATB chorus by Adam Harvey . The song is a setting of a poem by William Bingham Tappan and the entire piece lasts around 2 minutes. Listen to a performance of Gethsemane by the Professional Choir of The Brick Presbyterian Church in New York City on 2nd April 2015 conducted by Keith S. Tóth: A review in the June 2016 edition of Organist's Review states that 'if your choir may like a change...foryour Passiontide offering next time this would make a good alternative and in a differing style.'

Leicht spielbar bearbeitet-The Bolero is without doubt the most famous of all works by Maurice Ravel (1875-1937). Countless concert performances and recordings as well as its use in films and on television have made this beguiling piece immortal. With this edition Schott now present an arrangement for alto saxophone and piano.

Dedicated to the composers friends and pupils at Kings' Cliffe School Southbourne-On-Sea. Tweon-ea is the Saxon name for what is now Christchurch Hampshire.