“From the Bohemian” Forest a set of six character pieces for piano duet was written at the turn of the year 1883-84 at the instigation of Dvorák’s publisher Fritz Simrock and appeared in print in the spring of 1884. After the “Slavonic Dances” and “Legends” this was already his third cycle of piano duets to be inspired by much-loved locations. This edition presents the musical text from the “Complete Edition of the Works of Antonín Dvorák” Series V/6. It includes a new Foreword by Ivana Rentsch and Hans-Joachim Hinrichsen assessing the latest findings in Dvorák scholarship. • Popular piano miniatures which can be played individually and are ideal as encore pieces • NewForeword by Ivana Rentsch and Hans-Joachim Hinrichsen (Ger/Cz/Eng) • Well-presented division of Primo and Secondo parts printed on facing pages From The Bohemian Forest a set of six character pieces for Piano duet was written at the turn of the year 1883-84 at the instigation of Dvo ák ’s publisher Fritz Simrock and appeared in print in the spring of 1884. After the Slavonic Dances and Legends this was already his third cycle of piano duets to be inspired by much-loved locations. This edition presents the musical text from the Complete Edition of the Works of Antonín Dvo ák Series V/6. It includes a new Foreword by Ivana Rentsch and Hans-Joachim Hinrichsen assessing the latest findings in Dvo ák scholarship. - Popular Piano miniatures which can be played individuallyand are ideal as encore pieces. - New Foreword by Ivana Rentsch and Hans-Joachim Hinrichsen (Ger/Cz/Eng). - Well-presented division of Primo and Secondo parts printed on facing pages. Contents: 1. In the Spinning-Room (Na p ástkách) 2. By the Black Lake (U erného jezera) 3. Walpurgis Night (Noc filipojakubská) 4. In Wait (Na ekání) 5. Silent Woods (Klid) 6. From Troublous Times (Z bou livých dob)

Louis Vierne (1870-1937) was a student of César Franck and got nominated in 1900 as titular organist at Notre-Dame (Paris). Numerous concert-tours through Europe and the US made him famous all over the world.

Full score performance material and Vocal score available for sale. Suitable for smaller-scale performances. Straightforward Piano reduction in the Vocal score. Antonio Caldara (1670–1736) is primarily known for his numerous oratorios and operas which brought him great popularity during his lifetime. Besides these large-scale compositions Caldara also wrote smaller Vocal works of which his “ Stabat Mater ” is the best known. This publication is based on Eusebius Mandyczewski’s edition of the “ Stabat Mater ” which has until now been the definitive edition. The notation and key signatures havebeen adapted to today’s standards. The effective instrumentation with two Trombones and Strings supports the solemn character of the work and enables smaller-scale performances.

Wolfgang Wössner has created yet another energetic and exciting medley for concert band following in the footsteps of his previous successful medley Bryan Adams - The Best of Me. This time Wössner has moulded four hits by the American rock band Bon Jovi into one sensational work. Combining Runaway It’s My Life Livin’ On a Prayer and You Give Love a Bad Name creates an incredibly fun medley that will rock your next concert!

This setting's reassuring words bidding a peaceful night of rest are especially welcome in an increasingly hectic modern age. SSAATTBB. Rogers W

(Full score). Spinner L

Piano and wind ensemble

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for Violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility ofexperimenting with all the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773. New straightforward Piano reduction (BA4863-90) with: - Violin solo part with the Urtext of the New Mozart Edition - Additional violin solo part with fingerings bowings and performance comments - Additional booklet with cadenzas and transitions by L. Auer J. Joachim S. Franko E. Ysaye M. Wulfhorst This collection offers players a spectrum of styles available in no other publication.