Hugo Distler's Dreimaliges Kyrie Luthers Neunmaliges Kyrie Cunctipotens for SSA.

Choral Dances- The set of six Choral Dances from Gloriana was first performed by the BBC Midland Chorus in March 1954 and later arranged for Tenor solo SATB Chorus and Harp for a performance to mark the opening of the Queen Elizabeth Hall London in 1967. The dances were intended as a homage to Elizabethan music and dance with each dance representing a different character from the opera. The opera Gloriana (op. 53) was written by Benjamin Britten in 1953 to mark the coronation of Elizabeth II and first performed at Covent Garden in June of that year with the Queen herself present. An unsympathetic critical reception meant that the full workwas rarely performed again until after the composer's death although extracts like the Choral Dances quickly became popular.

Cantata for Easter Tuesday- Ein Herz dass seinen Jesum lebend weiss BWV 134 Cantata for Easter Tuesday (third version). Cantata BWV 134 belongs to those works in which we can follow particularly clearly Bach's custom of continually altering and improving his works from performance to performance. Although this cantata in the course of its history became a valuable even a particularly festal church cantata it does not disown its secular origin. The complete absence of blblical words and chorale is striking. Urtext of the New Bach Edition Fullscore & performance material (BA10134) vocal score (BA10134-90) available for sale

Choral Dances-At the opening of Act II of the opera Gloriana Queen Elizabeth I is on a state visit to the city of Norwich. After a formal address of welcome she is entertained by a Masque. To these unaccompanied Choral Dances dancers representing time and concord country girls and young rustics and fishermen all pay homage and tribute to the Queen. Choral Dances from Act II of Benjamin Britten's opera Gloriana op. 53. Queen Elizabeth I is on a state visit to the city of Norwich. After a formal address of welcome she is entertained by a Masque. To these unaccompanied Choral Dances dancers representing time and concord country girls and young rustics and fishermen all pay homage and tribute to the Queen. Six movements are featured for mixed choir with piano accompaniment for rehearsal only.

Seasonal work for Wind Band in full score and parts.

Duke Ellington (1889- 1974) was a very successful American pianist conductor composer and arranger. His orchestra existed for decades and was able to survive thanks to the enormous hits that he and his collaborators wrote. Many of those songs now belong to the standard repertoire of jazz musicians.Billy Strayhorn (1915-1967) was arranger and composer with the orchestra from 1939 and also wrote Take the A-Train which became the band’s favourite song from 1941. Many recordings were made of it. Juan Tizol (1900-1984 valve trombone) played with Duke Ellington almost his entire career and composed Latin songs for the orchestra. He is co-composer of Caravan and Perdido.Just likein the original Duke Ellington concerts the medley begins with Take the A-Train followed by a number of classics from the repertoire of the legendary orchestra. In some songs there are soloists notable a solo on kettledrums in C- Jam Blues. This solo can also be improvised.When rehearsing a lot of attention has to be paid to the drum and bass which together form the rhythm section and drive the orchestra on. The other sections have to be tight and create a coherent swing effect. The swing shouldn’t be too stiff and can vary per song. For example in In a Sentimental Mood the melody can be played almost straight (classically) while the rhythm section continues swinging.

CD includes 7 full tracks and 7 backing tracks Complete guitar tab transcriptions All guitar parts (rhythm and solos) included Full performance notes This book allows you to learn and play seven classic songs from Pink Floyd using top quality backing tracks. Each song is fully transcribed in both standard music notation and in guitar tab. The included CD enables you to learn how to play each piece by following the full track note-for-note version and then to perfect your skills with the play-along minus one tracks - like performing with a live band. The guitar parts have been highlighted on the musical scores to make it easierfor the player to follow along and perform the pieces with the paly-along tracks of the CD. The highlighting also immediately shows you all the critical parts for each song - exactly as you would play them live. The book however contains complete transcriptions of all the guitar parts contained on the recording so you can learn every nuance. Have fun!

Arrangement and Orchestration by Andrea Cappellari. Full score and 24 parts: 1) C Instr. (Flute) / 1) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 2) C Instr. (Flute Violin) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Flute Violin) / 3) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 4) C Instr. (Violina) / 4) Bb Instr. (Clarinet) / 5) C Instr. (Violin) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin) / 6) Eb Instr. (Alto Sax.) / 7) C Instr. (Violin) / 7) Bb Instr. (Clarinet Soprano Sax. Trumpet) / 7) Eb Instr. (Alto Sax.) / 8) C Instr. (Violin)Bb Instr. (Clarinet) / 8) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 / Bass Cello Bassoon / Maracas Snare drum / Claves Bass drum / Four Hands Piano ad libitum. Performance possibile also without Piano.

A feature for flugel and tenor horns based on the Passion Chorale-This timeless melody by Hans Leo Hassler (1564-1612) is now chiefly remembered because of its inclusion in J S Bach’s St. Matthew Passion (hence its title) where it is treated to a variety of rich harmonisations. It is mostly sung to Paulus Gerhardt’s words O Sacred head! sore wounded .This setting features the flugel and horns who first play a lyrical descant to the famous hymn tune and then the melody itself against a Bach-like obbligato in the accompaniment.

Ascot Gavotte from Lerner and Loewe's musical My Fair Lady arranged for SATB choir.

Piano scores for 2 mixed choirs solo voice and piano. Soli: SSB - Choir: SATB (SATB).

Violin Viola Cello. Gal H

Not That It Will Make Any Difference...-Can Modify Completely/In This Case/Not That It Will Make Any Difference... for Electric Guitar solo and Orchestra by Juliana Hodkinson (2015). To be premiered by the Danish National Chamber Orchestra on November 27 2015. Can Modify Completely/In This Case/Not That It Will Make Any Difference... for Electric Guitar solo and Orchestra by Juliana Hodkinson (2015). Premiered by the Danish National Chamber Orchestra on November 27 2015.

Medieval Songs and Dances for Solo Descant Recorder arranged by Graham Coles. Cotents: 1. Sumer is Icumen in 2. Ductia 3. Villancico 4. Estampie 5. Winter wie ist nu dein kraft 6. La Septime Estampie Reale 7. Saltarello 8. Be M'an Perdut 9. La Quarte Estampie Reale 10. Lamento di Tristano 11. Vos N'aler 12. Amor Protest Conqueri 13. Trotto 14. Bryd one brere 15. La Rotta

No. 6 Haste on my joys!-SSATB. Finzi G.

Classiques No.89- Les Classiques du Saxophone No.89.

Just as the magnificent blooms of the magnolia appear in springtime so this simple choral melody opens slowly and gracefully eventually blossoming to a glorious climax. The delightful opening theme is taken up again and eventually everything comesto rest like a bud that closes at the day's end.

for all saxophones

as performed by Luis Fonsi ft. Daddy Yankee- Despacito was without doubt the most popular summer hit not only smashing all charts but also breaking records on YouTube! In some parts of the world there was controversy about the lyrics which made this song even more iconic than it already was. This nice playable arrangement will conserve the summer mindset of you audience! Despacito was without doubt the most popular summer hit not only smashing all charts but also breaking records on YouTube! In some parts of the world there was controversy about the lyrics which made this song even more iconic than it already was. This nice playable arrangement will conserve the summer mindset of you audience!

Scales and Arpeggios - Tonleitern und Arpeggien - Escalas y Arpegios-Gammes et Arpèges – Cahier 1 by Marcel Mule (1901-2001) is the first of three books of exercises on scales and arpeggios for Saxophone. Made for intermediate students this method offers guidance to improve the player’s technique while keeping a strong musicality. An introduction on how to use the book and the exercises is given at the beginning with explanatory illustrations. Marcel Mule (1901-2001) is one of the greatest French saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on embouchure the emission the mastery of vibrato and therefore ofbreathing. He wrote different methods that focus on technique articulation and tone production such as 'Dix-huit Exercices ou Études' 'Exercices Journaliers d’après Terschack' or '30 Grands Exercices ou Études d’après Soussmann' (in two books) among others. Gammes et Arpèges - Cahier 1 by Marcel Mule (1901-2001) is the first of three books of exercises on scales and arpeggios for Saxophone. Made for intermediate students this method offers guidance to improve the player's technique while keeping a strong musicality. An introduction on how to use the book and the exercises is given at the beginning with explanatory illustrations. Marcel Mule (1901-2001) is one of the greatest French saxophonists renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it wasdependent on embouchure the emission the mastery of vibrato and therefore of breathing. He wrote different methods that focus on technique articulation and tone production such as 'Dix-huit Exercices ou études' 'Exercices Journaliers d'après Terschack' or '30 Grands Exercices ou études d'après Soussmann' (in two books) among others.