for two Treble Recorders or other Melody Instruments

These two American folk-songs for upper voices form a perfect contrasting pair. The first has a simple and beautiful melody with a stark accompaniment the second is lively and joyful supported by a Banjo-like Harp or Piano accompaniment. Arranged by Michael Neaum for SSAA Chorus and Piano or Harp accompaniment.

Op. 90- It was not until 1814 five years after the Sonata op. 81 Les Adieux that Beethoven then at the height of his popularity during the Congress of Vienna returned to the piano sonata. The highly lyrical Sonata in E minor the last piano sonata from his middle period consists of two movements with solely German tempo marks and is dedicated to his piano-playing friend and patron Moritz Count von Lichnowsky. In terms of technical difficulty regarding Beethoven's later piano sonatas this sonata is one of the more accessible for advanced students. - Well-suited for advanced student lessons - Scholarly-critical Urtext edition at the forefront ofmusical scholarship - All known sources taken into account - Elegant musical engraving with optimal page turns - Valuable notes on period performance practice (Eng/Ger)

Sword Dance from Hymn of the Highlands-Strathcarron is a movement from Philip Sparke’s Hymn of the Highlands in which each movement reflects a different location in the beautiful Scottish highlands. Stratcarron named after a village at the head of Loch Carron near the Isle of Skye takes the form of a sword dance which alternates between fast and slow tempi.

Folk & Country Waltzes for Guitar contain 50 well known waltzes fully notated in the book and played on the CD with a full backing band. (play-a-long tracks including melody line played by another instrument). These pieces are all easy to learn. If you do not read music well (or at all) you can pick up the melody from the CD. The book can be used to build a repertoire of waltz music. At live engagements especially weddings the audience will always ask for a few waltzes. The material in this book covers a wide range of tempos and styles not just slow waltzes. The melodies of these pieces are easily recognizable although you may not remember the name of a specific tune. Many of thetunes are very well known such as: Daisy Home On The Range Anniversary Waltz After The Ball Ash Grove Greensleeves Laredo Scarborough Fair Star Of The County Down The Black Velvet Band The Greenwood Tree Southwind The Four Marys Barbara Allen Flowers Of The Thorn Beautiful Brown Eyes Give Me Your Hand and many more. Folk & Country Waltzes for Guitar contain 50 well known waltzes fully notated in the book and played on the CD with a full backing band. (play-a-long tracks including melody line played by another instrument). These pieces are all easy to learn. If you do not read music well (or at all) you can pick up the melody from the CD. The book can be used to build a repertoire of waltz music. At live engagements especially weddings the audience will always ask for a few waltzes. The material in this book covers a wide range of tempos and styles not just slow waltzes. The melodies of these pieces are easily recognizable althoughyou may not remember the name of a specific tune. Many of the tunes are very well known such as: Daisy Home On The Range Anniversary Waltz After The Ball Ash Grove Greensleeves Laredo Scarborough Fair Star Of The County Down The Black Velvet Band The Greenwood Tree Southwind The Four Marys Barbara Allen Flowers Of The Thorn Beautiful Brown Eyes Give Me Your Hand and many more.

J.S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suites nowpresents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. - Full scores study scores and performance material available for sale.

A fantastic volume by Basil Althaus that contains a wide range of exercises for all seven positions of the Violin. Also includes shifts and changes to and from the positions as well as notes on each section.

Cantata for Easter Monday- Bleib Bei Uns Denn Es Will Abend Werden BWV 6 Cantata for Easter Monday - Full score & performance material (BA10006) vocal score (BA10006-90) available for sale Barenreiter's editions of Bach 's Cantatas offer the authoritative text of the New Bach Edition meeting Bärenreiter Urtext standards. No group of works in Johann Sebastian Bach ’s output is as wide-ranging as the cantatas. This is hardly surprising considering that for over five years Bach was required to compose a work or at least re-work an existing one for every Sunday and festival of the church year as well as for numerous secular occasions such ascouncil inaugurations school and university celebrations and royal birthdays. Unfortunately not all cantatas have survived. However over 200 sacred and secular works exist and form a corpus of works suitable for all possible occasions. This rich musical heritage is still as relevant today as it was then.

Cor Et Piano- Robert Clérisse's Chant sans Paroles composed for Horn and Piano accompaniment.

Caisse Claire - Ou Tambour Ou Batterie- for snare drum

En Drøm was composed by Sunleif Rasmussen in 2015. Lyrics by Ursula Andkjær Olsen . Scored for Mezzo-Soprano 3 Voices Recorder Bouzouki Accordion and Violoncello. First performance: Sep 26 2015 at Nordic Music Days Copenhagen. En Drom was composed by Sunleif Rasmussen in 2015. Lyrics by Ursula Andkjaer Olsen . Scored for Mezzo-Soprano 3 Voices Recorder Bouzouki Accordion and Violoncello. First performance: Sep 26 2015 at Nordic Music Days Copenhagen.

Finger Paintings is designed to provide piano students with a wide variety of music repertoire which will enhance reading and performance skills. Book 1 contains 11 short solos in numerous 5-finger patterns. Students are introduced to most of the basic elements of notation; the tuneful melodies are divided between the hands. For added motivation and enjoyment optional teacher accompaniments are included.

This edition is based on the critical edition of The Barber of Seville edited by Patricia B. Brauner and published in 2008 as part of the series Works of Gioachino Rossini. But who needs a new critical edition of The Barber of Seville ? The opera has been performed in theatres throughout the world since 1816 and has never been absent from the repertoire. There are two reasons for a critical new edition: firstly none of the early editions satisfy modern demands for a scholarly-critical edition. And secondly there is a wealth of previously unpublished material relating to this opera of great interest to both scholars and performers. Thusthe famous overture which Rossini had already used in his earlier opera Aureliano in Palmira differs noticeably from earlier editions in many places. The new edition enables performers to perform the overture either in its original scoring (as in Aureliano in Palmira) which includes two Flutes two Oboes and Timpani or in the scoring for the subsequent opera The Barber of Seville (with just one Flute one oboe and no Timpani). Urtext edition based on the series Works of Gioachino Rossini. All versions and transpositions are included in the appendix to the study score. Singing English translation in the vocal score. Takes into account all original sources including five manuscripts with Rossini ’s autograph ornamentation. Takes into consideration the full extent of Rossini ’s personal notational characteristics. Study score contains a detailed foreword (Eng/Ital) Full score (BA10506) critical report (BA10506-40) & study score (TP411) available for sale; performance material (BA10506-72) available for hire.

The infamous Six Cello Suites by J. S. Bach are perfectly adapted for the Trombone by French professional trombonist André Lafosse. Bach originally composed the Cello Suites some of the most frequently performed and recognised solo compositions ever written for the instrument during the period 1717-1723 when he served as Kapellmeister in Köthen. Lafosse 's adaptions for Trombone (1946) include phrase marks dynamic markings articulation breath marks and performance directions. Lafosse 's adaptions are flawless making the notorious Suites enjoyably accessible for the Trombone. The infamous Six Cello Suites by J. S. Bach are perfectly adapted for the Trombone by French professional trombonist André Lafosse. Bach originally composed the Cello Suites some of the most frequently performed and recognised solo compositions ever written for the instrument during the period 1717-1723 when he served as Kapellmeister in Kothen. Lafosse 's adaptions for Trombone (1946) include phrase marks dynamic markings articulation breath marks and performance directions. Lafosse 's adaptions are flawless making the notorious Suites enjoyablyaccessible for the Trombone.

Morning Song features the horn quartet mostly in a soloistic role - indeed there is an accompanied cadenza towards the end of the piece - but there are moments where the horns assume their conventional brass band role as harmonic support or playing the counter melody. This expressive composition shows all the versatility of the horn quartet and gives them the chance to be in the spotlight.

SATB. Benjamin A

George Frederick Handel 's (1685-1759) Sonata No. 6 is well-known to the Violin repertoire. Therefore when French saxophonist Marcel Mule (1901-2001) arranged the popular piece for the Saxophone in 1951 it was very well-received. The Sonata No. 6 is made up of four movements: Adagio Allegro Largo and Allegro non troppo. Handel 's Sonata No. 6 was first published in 1732. Mule 's editions ensure that the Saxophone part contains the articulation phrasing and breath marks necessary to the instrument. For all classical saxophonists this Mule arrangement of the popular SonataNo. 6 is essential.

This work is based on the famous stories of Baron Münchhausen. In these tall tales the baron undertook all sorts of fabulous adventures. He flew for example on a cannonball or rode on a horse torn in two; he turned a hungry wolf inside out and pulled himself out of a swamp by his own hair.The historical figure of Münchhausen did exist and some of the tales were actually recounted by him while others have since been attributed to him. Four of the tales served as the inspiration for this composition. The music isn’t simply a word-for-word transcription of the stories however but rather conveys a particular mood or specific scene often with a humorous twist.Here are thefour parts of the composition: The Horse : During a snowstorm the baron ties his horse to a post and falls into a deep sleep. As he awakes the snow is melted away and the horse is dangling from the top of a church spire. Cannonball : The baron jumps onto a cannonball in flight to spy on a city under siege. In mid-air he decides to return whence he came by stepping onto a cannonball flying in the other direction. He then gets shot into the city a second time and opens the gates from within. Flight to the Moon : Baron Münchhausen flies to the moon in a floating spacecraft where he meets all sorts of strange creatures. Journey through the Earth : The baron jumps down into the bowels of Mount Etna and sets off on an adventurous journey right through the centre of the Earth.

Trumpet-A collection of arrangements for trumpet and piano of themes from many of the most popular classics as featured in the hugely successful recording compilations.

Since the Treaty of Lisbon came into force at the end of 2009 a lot has happened within the European Union. There were (and are) sceptics as well as ardent supporters. In the meantime however something like a ‘European identity’ has arisen radiating optimism and vitality. Europe’s Glory gives voice to the positive message of solidarity and joined forces.