Work for Alto Saxophone and Orchestra first performed by John-Edward Kelly under the baton of Gunther Schuller in Amsterdam 1989.

Composer pianist writer and educator Joaquin Turina was born in Seville in 1882 and was active mainly in Spain until his death in 1949. His work is influenced by traditional Andalusian idioms. The Serenata is no exception. In it Turina employs all his French classical training filtered through Spanish sonorities to make a sophisticated an appealing work of chamber music. Originally Turina had included a part for bass which was lost. Composer pianist writer and educator Joaquin Turina was born in Seville in 1882 and was active mainly in Spain until his death in 1949. His work is influenced by traditional Andalusian idioms. The Serenata is no exception. In it Turina employs all his French classical training filtered through Spanish sonorities to make a sophisticated an appealing work of chamber music. Originally Turina had included a part for bass which was lost.

Tomorrow Shall Be My Dancing Day is an English carol usually attributed as 'traditional' its first written appearance is in William B. Sandys' Christmas Carols Ancient and Modern of 1833. It is most well known in John Gardner's adaptation but numerous other composers have made original settings of it or arranged the traditional tune including Gustav Holst Igor Stravinsky. The verses of the hymn progress through the story of Jesus told in his own voice. Tomorrow Shall Be My Dancing Day is an English carol usually attributed as 'traditional'; its first written appearance is in William B. Sandys' Christmas Carols Ancient and Modern of 1833. It is most well known in John Gardner's adaptation but numerous other composers have made original settings of it or arranged the traditional tune including Gustav Holst Igor Stravinsky. The verses of the hymn progress through the story of Jesus told in his own voice.

Written for Mezzo-Soprano Clarinet Viola and Piano.

The songs in this book come from an extensive collection of musicals musical plays and 'entertainments' mostly written with lyricist Marian Lines. The aim is to provide solo songs that are comfortably within the range of young voices (and possibly the not-so-young!) that can offer the singer colourful characters to develop boldly and imaginatively.

Arranged for Viola & Piano by Alan Arnold ascap.

The Part-songs of John Ireland that lay scattered throughout and across various sources and publishers have been fondly and faithfully brought together into this superb edition. This volume features five settings of poems and classic English lyric verse in wonderful arrangements for SATB choir with a Piano accompaniment for practice purposes only.

For Flute Clarinet Bass Clarinet Horn Piano Violin Cello Live Delay and Spacialising Effects. For Flute Clarinet Bass Clarinet Horn Piano Violin Cello Live Delay and Spacialising Effects.

Works for Piano Four-hands-With the exception of the version of the “Grand Fugue” for piano four hands (HN 954) this volume contains all of Beethoven’s works for this scoring to which he only rarely turned. It comprises the Sonata in D major op. 6 the “Three Marches” op. 45 the “Eight Variations on a theme of Count von Waldstein” WoO 67 and the “Six Variations on the Song Ich denke dein” WoO 74 – all of these works are very well-suited to piano teaching. The musical text was revised to follow the recently published Critical Report of the Beethoven Complete Edition and is now accompanied by new explanatory texts. The piano duo specialist Andreas Groethuysen has also provided fingerings for this work.Works by this publisher are not included in the main catalogue.

Piano Sonata in b minor-Following the revision of our facsimile of the Piano Sonata in b minor (HN 3227) in 2015 we are now proud to present the corresponding new Henle Urtext edition. With the help of the splendid facsimile reproduction we were able to analyse several passages in the autograph more reliably; in addition the editor Ernst Herttrich not only consulted the first edition but also a copy of a student of Liszt’s in which the composer had made entries in his own hand. Clara Schumann reacted with a lack of understanding when Liszt sent the sonata: “It is only blind noise – not a single healthy thought everything confused.” Today we view this differently. Our new edition of this key piano workis further enhanced by the sophisticated fingerings supplied by the piano titan Marc-André Hamelin. Following the revision of Henle's facsimile of the Piano Sonata In B Minor (HN 3227) in 2015 they are now proud to present the corresponding new Henle Urtext edition. With the helpof the splendid facsimile reproduction Henle were able to analyse several passages in the autograph more reliably; in addition the editor Ernst Herttrich not only consulted the first edition but also a copy of a studentof Liszt's in which the composer had made entries in his own hand. Clara Schumann reacted with a lack of understanding when Liszt sent the sonata: It is only blind noise -not a single healthy thought everything confused. Today we view this differently. Henle's new edition of this key Piano work is further enhanced by the sophisticated fingerings supplied by the Piano titan Marc-André Hamelin .

The Comforter shall come states the promise of scripture and this new Pentecost offering reminds us of this eternal security. Composer Judith Snowden makes her Harold Flammer debut with a sensitive prayer that isbeckoning yet full of hope. The flowing piano writing weaves a spell of gentleness as the easily learned choral parts discerningly cradle the words. Perfect as a call to worship or as a prayer response. Worshipful!A sensitive prayer that is beckoning yet full of hope with flowing piano writing that weaves a spell of gentleness - for SATB chorus. Perfect as a call to worship or as a prayer response.

An easy anthem with words and music by the composer. There are four different versions of the vocal parts - unison (or two-part) with keyboard upper voices with keyboard SA and Men with piano or SATB unaccompanied or with keyboard. Dedicated to Clare College Cambridge A Clare Benediction is a tranquil and delicate anthem for Upper Voices (SSA) with Piano Accompaniment composed by John Rutter.

British Melodies arranged for Piano. NOV950488 includes nos. 1 and 2: All Through the Night and The Wild Hills of Clare .

Music For Kids: Jingle Bells features 18 favourite Christmas tunes with melody line and chord symbols ideal for Guitar Ukulele and Recorder. The pack is ideal to encourage your child to sing with fun backing tracks on CD featuring sing-along versions of all the songs. Audio CD of all of the songs Library of Guitar and Ukulele chords Fun-filled activity pages with Christmas scenes and stickers

A sensational original work by Robin Milford for B Flat Clarinet and Piano.

Work for Double Choir Trumpets Violins and Continuo.

Blue Moon written by Richard Rodgers and Lorenz Hart in 1934 has had many treatments over the decades. Mel Tormé made a smooth hit version in the 1940s Elvis Presley put it on his first album in 1956 and The Marcels had a doo-wop hit with it in 1961 but ‘An American Werewolf in London’ was the first movie to associate this most romantic of songs with lycanthropy. This brand new arrangement by Simon Foxley & Christopher Hussey for SAB choir makes the evocative standard a welcome addition to the Novello Choral Pops series.

Miss Saigon - Piano And Vocal Selections contains twelve songs from Alain Boublil and Claude-Michel Schönberg 's hit musical arranged for Piano and Voice. This selection includes the songs The Heat Is On In Saigon Why God Why? Too Much For One Heart Sun And Moon Maybe and more. ' ...Schönberg's score is warm rich and beautifully orchestrated with Boublil's lyrics sensitive to all the characters' suffering...A real big beast of a blockbuster .' - Andrzej Lukowshi Time Out Miss Saigon - Piano And Vocal Selections contains twelve songs from Alain Boublil and Claude-Michel Schönberg 's hit musical arranged for Piano and Voice. This selection includes the songs The Heat Is On In Saigon Why God Why? Too Much For One Heart Sun And Moon Maybe and more. ' ...Schönberg's score is warm rich and beautifully orchestrated with Boublil's lyrics sensitive to all the characters' suffering...A real big beast of a blockbuster .' - Andrzej Lukowshi Time Out

Robert Saxton 's Passacaglia On The Name John McCabe for Organ. Commissioned by George Vass for a concert in celebration of the life and work of John McCabe CBE. First performed in Faversham Church Kent on 28th June 2015 by Edward Kemp-Luck. Duration: 6 mins ca. A review in the June 2016 edition of Organist's Review calls this piece a beautifully produced work that features the pleasing disorientation of false relations and is as inventive as it is impressive. A similarly glowing review in the August-October edtion of The Organ magazine calls this piece a very impressive short work indeed; brilliantly imagines and written for the instrument...one can only urge thismusic on all recital organists - it is a splendid piece and would surely make a counterpart to an original McCabe organ work in the same programme - the Johannes-Partita especially. Robert Saxton 's Passacaglia On The Name John McCabe for Organ. Commissioned by George Vass for a concert in celebration of the life and work of John McCabe CBE. First performed in Faversham Church Kent on 28th June 2015 by Edward Kemp-Luck. Duration: 6 mins ca. A review in the June 2016 edition of Organist's Review calls this piece a 'beautifully produced work' that features 'the pleasing disorientation of false relations' and is 'as inventive as it is impressive.' A similarly glowing review in the August-October edtion of The Organ magazine calls thispiece 'a very impressive short work indeed; brilliantly imagines and written for the instrument...one can only urge this music on all recital organists - it is a splendid piece and would surely make a counterpart to an original McCabe organ work in the same programme - the Johannes-Partita especially.'

Score. Commissioned by the Cheltenham International Music Festival. The First performance was given on 7 July 1996. Four Primo Levi Settings are scored for mezzo-soprano clarinet viola and piano an intimate ensemble of melancholic darkness and autumnal light appropriate for Primo Levi's text.