Hungarian folk song for unaccompanied SSAA voices Hungarian folk song for unaccompanied SSAA voices

Unison song from The Fairy Queen .

Words Chiefly by Edward Lear

Sadie Harrison was born in Adelaide Australia moving to England in 1970 where she undertook composition studies with Nicola Lefanu gaining her Phd at Kings College London. Sadie's music has been played internationally in venues such as the Sydney Opera House Carnegie Hall Royal Festival hall Barbican and Lithuanian National Philharmonic by some of the world's leading performers. Her music has been released to critical acclaim on Sargasso BML Metier NMC and Clarinet Classics and has been broadcast on BBC Radio 3 and in Eastern Europe Canada Japan Australia America Lithuania the Netherlands and elsewehere.

Score and parts for Descant recorder 1 and two treble recorder 1 and 2

Pyotr Ilyich Tchaikovsky's Valse Sentimentale for Viola and Piano transcribed by Alan Arnold. Pyotr Ilyich Tchaikovsky's Valse Sentimentale for Viola and Piano transcribed by Alan Arnold.

When Christa Landon presented her printed edition of Joseph Haydn's piano sonatas for the first time Haydn's sonata works were still overshadowed by the works of Mozart and Beethoven. But Haydn's sonatas left the niche of piano lessons long since and have become established in the concert repertoire; Landon's edition certainly played a major role in that. The Haydn anniversary in 2009 is a welcome occasion to thoroughly revise this 'legendary' edition because new sources have been discovered and questions concerning authenticity have been clarified over more than forty years; the editorial principles for 18th-century music in particular have markedly changed in the mean time.The new edition comprises all the works from the previous Wiener Urtext edition plus the Sonata Hob. XVI:16 arranged by Landon as well as a Sonata in F major which was discovered in Bolzano a few years ago and attributed to Joseph Haydn. The new edition too is divided into four volumes the content of which is compatible with that of each of the volumes of the preceding edition. In the notes on interpretation Robert D. Levin explains essential aspects of Haydn's performance practice. When Christa Landon presented the first printed version of her edition of Joseph Haydn 's Piano sonatas Haydn 's sonata oeuvre was still overshadowed by the works of Mozart and Beethoven. Since then Haydn 's sonatas have progressed from the teaching rooms to the concert halls and Landon's edition has played a crucial role in that process. The Haydn anniversary in 2009 is a welcome occasion to thoroughly revise this 'legendary' edition for over the course of more than forty years new sources have come to light and questions of authenticity have been resolved not least because the editorial principles for 18th-centurymusic have changed considerably. The new edition comprises all works of the previous Wiener Urtext edition plus the sonata Hob. XVI:16 edited by Landon along with the Sonata in F major which was rediscovered in Bozen a few years ago and attributed to Joseph Haydn . The new edition is published in four volumes the content of each volume being compatible with the volumes of the previous edition. Volumes 1 and 2 contain the early sonatas. In the Notes on Interpretation Robert D. Levin explains important aspects of Haydn 's performance practice.

Birthday Odes For Queen Mary Part II (Paperback)-Paperback Edition. Hardback edition available NOV151024-01. Edited under the supervision of the Purcell Society by Bruce Wood.

Aside from the five great piano concertos it is easy to forget that Beethoven had already turned to this genre in Bonn during his youth. The Concerto in Eb written in 1784 still shows stylistic signs of the influence of Johann Christian Bach’s works. A score of this concerto has not survived- all that remains is a copy of a piano part that was revised by Beethoven. It contains the solo part without any orchestral accompaniment- however when the piano is silent and orchestral tutti passages are interposed it incorporates a piano reduction of the orchestral part. Following the musical text of the Beethoven Complete Edition the piano concerto can now be performed in itssurviving form – by a pianist without an orchestra. Aside from the five great piano concertos it is easy to forget that Beethoven had already turned to this genre in Bonn during his youth. The Concerto in Eb written in 1784 still shows stylistic signs of theinfluence of Johann Christian Bach’s works. A score of this concerto has not survived; all that remains is a copy of a piano part that was revised by Beethoven. It contains the solo part without any orchestral accompaniment;however when the piano is silent and orchestral tutti passages are interposed it incorporates a piano reduction of the orchestral part. Following the musical text of the Beethoven Complete Edition the piano concerto can now beperformed in its surviving form – by a pianist without an orchestra.

Soothing and Uplifting Hymns and Songs in a Celtic Style-Experience the soothing and uplifting sounds of the pennywhistle Irish fiddle piano harp and more with Celtic Sunday Morning . Irish-based hymns and other beloved hymns and songs have been given a Celtic flavor makingthis a unique and special songbook. The enclosed listening CD will enrich your experience as you are transported into a relaxing and worshipful celebration of ancient traditions.

Peter Dickinson 's Celebration Trio (2009) for Clarinet Violin and Piano. The trio comprises of three pieces - Fugue Lullaby and Dance . ' These three pieces derive froma story by the British poet John Heath-Stubbs (1918-2006) called The Unicorns. Two unicorns are discovered ina remote part of Africa. The two countries Eastland and Westland want to obtain specimens for research sothey send out competing expeditions. The Westland technique is to lure the unicorn with a young girl singing - the Lullaby. The Eastland team uses a dancer so that theunicorn impales itself on a tree – the Dance. Both teams are successful in capturing a unicorn but the mythical animals fall in love andescape happily together in the end.In the story the Fugue celebrates the eventual capture of the unicorns but it is placed first here as a celebration of the remarkable career of the Verdehr Trio. Since theybegan in 1972 they have commissioned over 230 works have performed all over the world and made recordings. Asa result they have virtually created the repertoire forthe medium of violin clarinet and piano. I much enjoyed writing my American Trio(Hymns Rags and Blues) for the Trio in 1985; they played it all over the world andhave recorded it; and this Celebration Triois a tribute to their musicianship andphenomenal enterprise ' - Peter Dickinson . Peter Dickinson 's Celebration Trio (2009) for Clarinet Violin and Piano. The trio comprises of three pieces - Fugue Lullaby and Dance . ' These three pieces derive froma story by the British poet John Heath-Stubbs (1918-2006) called The Unicorns. Two unicorns are discovered ina remote part of Africa. The two countries Eastland and Westland want to obtain specimens for research sothey send out competing expeditions. The Westland technique is to lure the unicorn with a young girl singing - the Lullaby. The Eastland team uses a dancer so that theunicorn impales itself on a tree – the Dance. Both teams are successfulin capturing a unicorn but the mythical animals fall in love and escape happily together in the end.In the story the Fugue celebrates the eventual capture of the unicorns but it is placed first here as a celebration of the remarkable career of the Verdehr Trio. Since theybegan in 1972 they have commissioned over 230 works have performed all over the world and made recordings. Asa result they have virtually created the repertoire forthe medium of violin clarinet and piano. I much enjoyed writing my American Trio(Hymns Rags and Blues) for the Trio in 1985; they played it all over the world andhave recorded it; and this Celebration Triois a tribute to their musicianship andphenomenal enterprise ' - Peter Dickinson .

Memento is a work by Gerard Schurmann for solo Piano. Lasting around 4 minutes the piece was commissioned by The Rawsthorne Trust in memory of John McCabe.

The core of this valuable resource is a set of 12 sequenced songs for grades 2-6 to help students learn solfege syllables in an enjoyable way. Includes folk songs rounds canons and masterworks in addition to a very helpfulTeacher's Guide with lesson plans supplemental music suggestions and performance options. Available: Teacher's Manual Unis/2pt. Singer's Edition Performance/Accompaniment CD and Reproducible Pak (warm-ups workouts andactivities). For gr. 2-6.The core of this valuable resource is a set of 12 sequenced songs for grades 2-6 to help students learn solfege syllables in an enjoyable way. Includes folk songs rounds canons and masterworks in addition to a very helpfulTeacher's Guide with lesson plans supplemental music suggestions and performance options. Available: Teacher's Manual Unis/2pt. Singer's Edition Performance/Accompaniment CD and Reproducible Pak (warm-ups workouts andactivities). For gr. 2-6.

for SATB & piano or orchestra In this highly original arrangement of the popular Christmas carol dark and mysterious verses contrast with warm joyful choruses. This setting can also be found in Rutter's Christmas collection Joy to the World. Scores and parts for the orchestral accompaniment are available on sale. Three Kings Of Orient arranged by John Rutter for SATB choir and Piano/Orchestra. Here John Rutter uses oriental musical influences to create a highly original arrangement of the popular Christmas carol. The verses are dark and mysterious in character with warmth and joy radiating from the choruses. This setting can also be found in Rutter 's Christmas collection Joy to the World.

Thomas Moore's timeless words set for SATB Chorus by Irish folksong composer Lough Sheeling .

An anthology of 20th century songs published in collaboration with The Association of English Singers and Speakers.

Tvísöngur is a composition for large ensemble written by Nico Muhly commissioned by the Los Angeles Philharmonic Orchestra. Tvísöngur is a specific type of Icelandic two-part singing that can be found in texts as well as oral traditions Muhly writes. Some of the tradition seems like much early music to stem from an exercise in voice-leading while some other examples are more social impromptu and secular. These arrangements attempt to frame the tradition through orchestration and wildly shifting contexts lighting effects and textures. The piece was composed in 2012 and lasts around 5 Minutes. Tvísöngur is a composition for large ensemble written by Nico Muhly commissioned by the Los Angeles Philharmonic Orchestra. Tvísöngur is a specific type of Icelandic two-part singing that can be found in texts as well as oral traditions Muhly writes. Some of the tradition seems like much early music to stem from an exercise in voice-leading while some other examples are more social impromptu and secular. These arrangements attempt to frame the tradition through orchestration and wildly shifting contexts lighting effects and textures. The piece was composed in 2012 and lastsaround 5 Minutes.

Jorgen Grundman's Isla Piano Quintet (The Toughest Decision Of God). Duration: 18 minutes Jorgen Grundman's Isla Piano Quintet ('The Toughest Decision Of God'). Duration: 18 minutes

The Te Deum Laudamus is a single movement Choral work and was Sullivan’s last completed composition. In one movement the composer moves through all the component parts of the mass drawing them together seamlessly and expressing Sullivan’s own deeply felt faith.Composer Arthur Sullivan is known the world over for his operatic collaborations with W S Gilbert including H M S Pinafore and The Pirates of Penzance among many others. But Sullivan was also a composer of many other works among them operas Orchestral works ballets and hymns and church pieces.Among his church works Sullivan is best known for his hymn Onward Christian Soldiers and the theme of that hymn isincorporated in this Te Deum. Sullivan wrote the work on request for a Thanksgiving Service held in St Paul’s Cathedral at the close of the Boer War in South Africa. It received its first performance in 1902 in the presence of King Edward VII and other members of the royal family. That the song of thanksgiving was composed nearly two years before the end of the war perhaps demonstrated Sullivan’s patriotism.

Orchestral reduction for organ.-Orchestral reduction for organ. The Organ score for this classic work with Latin and English text edited for SATB and Organ by Norris L. Stephens.