for SATB unaccompanied Arrangements of traditional American tunes. 'Sourwood Mountain' is also available in Encores for Choirs 1 and Folk-Songs for Choirs 1. 'Black Sheep' is also available in Folk-songs for Choirs 1. Two contrasting traditional American tunes one a rousing Fiddle song from the Tennessee mountains and the other a soothing and gentle lullaby are arranged here for SATB unaccompanied by John Rutter.

L'Infantament Meravellos De Schahrazada - 12 melodies for Voice and Piano by Robert Gerhard setting poetry by J.M. Lopez-Pico.

Written by John and Michelle Phillips two years before they formed The Mamas And The Papas the evocative California Dreamin' reflects a longing from chilly New York for the warmth of the West Coast. California Dreamin' was released by The Mamas And The Papas in 1965 and has since become almost an informal signature tune for the hippie phenomenon that had hardly started when it was written. It has been arranged for female choir with piano accompaniment.

Score and Parts-Contents: Andante Cantabile (Tchaikovsky) * Bourr?e (Bach) * Excerpt from Flute Quartet (Kuhlau) * Minuet (Mozart) * Minuet (Boccherini) * Theme (Beethoven) * Theme (Schumann) * Theme (Rimsky-Korsakov) * Theme (Haydn) * Yet Doth the Lord (Mendelssohn). Ten pieces for Saxophone Quartet (Two Alto Saxes a Tenor and a Baritone) by composers from Bach to Rimsky-Korsakov as compiled and arranged by Larry Teal. Includes score and parts.

A seasonal motet for SATB unaccompanied This choral work is among some of the finest of the late Tudor and Elizabethan periods and is here available in scholarly edition with a practical piano reduction. A seasonal motet for SATB unaccompanied This choral work is among some of the finest of the late Tudor and Elizabethan periods and is here available in scholarly edition with a practical piano reduction.

Ragtime music and DADGAD tuning seem to be made for each other or so you will believe after playing these wonderful arrangements by Rob MacKillop. With performance levels running from intermediate to advanced there is plenty here to challenge and delight the player and audience too. With titles by Scott Joplin (The Entertainer Weeping Willow etc.) James Scott (Grace and Beauty) Charles L. Johnson (Dill Pickles Rag) Fred Van Eps (Rag Pickings) to popular jazzier pieces by A. J. Weidt and the rag-influenced Piedmont blues of Blind Boy Fuller there is quite a variety of styles to explore. Additionally recordings by Rob MacKillop will guide and entertain you in the art ofDADGAD ragtime guitar! Includes access to online audio. Written in tablature and standard notation. Ragtime music and DADGAD tuning seem to be made for each other or so you will believe after playing these wonderful arrangements by Rob MacKillop . With performance levels running from intermediate to advanced there is plenty here to challenge and delight the player and audience too. With titles by Scott Joplin (The Entertainer Weeping Willow etc.) James Scott (Grace and Beauty) Charles L. Johnson (Dill Pickles Rag) Fred VanEps (Rag Pickings) to popular jazzier pieces by A. J. Weidt and the rag-influenced Piedmont blues of Blind Boy Fuller there is quite a variety of styles to explore. Additionally recordingsby Rob MacKillop will guide and entertain you in the art of DADGAD ragtime guitar! Access to online audio is included. Written in tablature and standard notation.

There is a flow'r is a beautifully simple setting of a 15th-century text by the poet and priest John Audelay .

This collection is a treasury of melodies originating in Russia Latvia Poland Bulgaria Yugoslavia and Hungary including several from Yiddish and Klezmer sources. The solos are especially well suited to performance on the flute and they provide excellent material for developing skills in rapid tonguing extended breath-control and phrasing. Arrangements of charming Russian folk tunes include Against the Red Sun and Jump Little Rabbit. Among old favorites are March Slav and In the Field Stood a Birch. Jewish melodies include Hava Nagilah Hevenu Shalom Alechem and Varnitschkes. A separate recorder edition is available.This collection is a treasury of melodies originating in Russia Latvia Poland Bulgaria Yugoslavia and Hungary including several from Yiddish and Klezmer sources. The solos are especially well suited to performance on theflute and they provide excellent material for developing skills in rapid tonguing extended breath-control and phrasing. Arrangements of charming Russian folk tunes include 'Against the Red Sun' and 'Jump Little Rabbit.' Amongold favorites are 'March Slav' and 'In the Field Stood a Birch.' Jewish melodies include 'Hava Nagilah ' 'Hevenu Shalom Alechem' and 'Varnitschkes.' A separate recorder edition is available.

Antonio Vivaldi's Concerto in A Minor RV498 for Bassoon. This reduction for Bassoon and Piano edited by Leonard Skarrow.

Work for Organ (Op.12) dating from 1885.

In his collections of Impromptus and Moments musicaux Franz Schubert impressively showed at the end of his life how a lyrical songlike form can be rendered on the piano. In spite of their simplicity his popular Impromptus op. 90 for example prove themselves to be consummate works of art and number among the most beloved pieces of Romantic piano music. The third Impromptu of op. 90 an Andante in G-flat major is a mysterious reverie in pianissimo. A peaceful melody hovers over a murmuring accompaniment of eighth-note triplets while the harmonies change very gently. This Urtext edition provides the work as a separate edition in the original key. To make it easier to play other editions often transpose it into G major which however diminishes the distinctive colour of this piece. Henle Verlag Urtext edition of Schubert's Impromptu In G Flat Op.90 No.3 for Piano solo.

The Family Tree is an entertainment for Upper Voices and Piano written by Betty Roe. Like any good composer the line of distinction between music for adults and music for children is blurred because Roe never condescends. This is not only good music but entertaining as well. This is the Vocal Score edition.

‘Madroños’ is the Spanish word for ‘arbutus’ a small tree native to Spain that fruits and flowers simultaneously.Twentieth century Spanish composer conductor and critic Federico Moreno Torroba produced many zarzuelas and other works but it was his early friendship with master Guitarist Andrés Segovia that inspired him to produce what is considered his best work a host of pieces or solo Guitar. This one Madroños was published in 1954 and was performed and recorded by Segovia. It displays Torroba’s commitment to Spanish idioms as he believed that only by embracing Iberian music inspiration would Spanish music receive the international recognition it deserved.

Flight is a virtuoso solo which seeks to investigate many of the various aspects of flying. It attempts to portray the effort of powered flight the ease of gliding and soaring the thrill of rising on natural thermals and the chaotic swirling of rapid descent. Intended for the flugel horn it will also suit cornet trumpet and euphonium players equally well. Full score and parts of the brass band version are available on hire from the publisher.

An arrangement for wind quintet of five movements from Handel's Music for the Royal Fireworks still conveying the spirit of Handel's original version for large military band.

Vexilla Regis was composed and published 2014. Dedicated to Benjamin Nicholas and the choir of Merton College Oxford on the occasion of the 750th anniversary of the foundation of the college. A setting of Venantius Fortunatus (530-609 CE). Vexilla Regis prodeunt;fulget Crucis mysterium quo carne carnis conditorsuspensus est patibulo. The banners of the king advance;the mystery of the cross shines forth through which the creator of the flesh was in his fleshhung upon a cross. (Translation: Dr Scott Scullion Fellow and Tutor in Classics Worcester College Oxford.) Vexilla Regis was composed and published 2014. Dedicated to Benjamin Nicholas and the choir of Merton College Oxford on the occasion of the 750th anniversary of the foundation of the college. A setting of Venantius Fortunatus (530-609 CE). Vexilla Regis prodeunt;fulget Crucis mysterium quo carne carnis conditorsuspensus est patibulo. The banners of the king advance;the mystery of the cross shines forth through which the creator of the flesh was in his fleshhung upon a cross. (Translation: Dr Scott Scullion Fellow and Tutor in Classics Worcester College Oxford.)

Parts-Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. These are the instrumental Parts . Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. This is the Full Score and lasts around 24 minutes.

Contents: Handy-Spandy Jack œ Jack and Jill œ Jumping Jacks œ Little Jumping Joan œ Lullaby œ The Old Mr Turtle œ Pease Porridge Hot œ Rock-A-Bye Baby. Eight fun pieces in a variety of styles for the younger player.

Two songs for three-part upper voices and Piano with music by Betty Roe and words by Leonard Clark. Evocative character pieces with wonderful imagery of Butterflies and Bees.

James Weeks ' Come Away for Soprano Violin Cello and Piano. Performing score. Come Away was written for and first performed by Kürbis Ensemble (Juliet Fraser Soprano Sophie Appleton Violin Ken Ichinose Cello James Weeks Piano) at Kettle’s Yard Cambridge on 10 February 2008. James Weeks ' Come Away for Soprano Violin Cello and Piano. Performing score. Come Away was written for and first performed by Kürbis Ensemble (Juliet Fraser Soprano Sophie Appleton Violin Ken Ichinose Cello James Weeks Piano) at Kettle’s Yard Cambridge on 10 February 2008.