(Full score). Yun I

Setting of the poem by Longfellow for SATB Choir and Piano.

for SATB and organ Francis Jackson's Evening Service In G arranged for SATB and Organ. Dr Francis Jackson CBE is a British organist and composer. He was born in Malton Yorkshire and received his early education as a Chorister at York Minster under his precursor the legendary Sir Edward Bairstow. Jackson succeeded Bairstow as Organist of York Minster in 1946 a post he held until his official retirement in 1982. His extensive output of sacred and secular music includes canticles anthems hymn tunes organ pieces two acclaimed monodramas an overture a concerto a symphony and solo songs. Jackson's creative output has continued since his retirement.

A collection of early to middle grade student pieces selected from the works of J.S.Bach. Compiled edited and arranged for the viola by Alan Arnold. A collection of early to middle grade student pieces selected from the works of J.S.Bach. Compiled edited and arranged for the viola by Alan Arnold.

Zarzuela In three acts. Lyrics by L.M. De Larra.

Tosti's 'A vucchella for Piano Voice and Guitar.

The Ship In Distress (Sussex folksong) arranged by Geoffrey White for SATB choir with Piano accompaniment. Duration: 3 1/2 minutes. The Ship In Distress (Sussex folksong) arranged by Geoffrey White for SATB choir with Piano accompaniment. Duration: 3 1/2 minutes.

Fiddle Tunes in DADGAD shows how fingerstyle guitarists can use DADGAD tuning to play traditional tunes including twenty-four complete arrangements of common American Irish and Scottish ballads airs jigs and reels. The book explores techniques and patterns for playing melodies across the strings producing a harp-like effect that adds a distinctive and beautiful character to traditional melodies. In addition to building repertoire the material demonstrates ways to arrange your own melodies or even write your own tunes based on the techniques provided. This is a perfect follow-up for guitarists who have studied Understanding DADGAD for Fingerstyle Guitar and are lookingfor tunes to learn or for those who want to go deeper into harp-style playing. It is also an excellent introduction for those who prefer to just dive head-first into DADGAD by learning some classic tunes. Includes access to online audio. Fiddle Tunes in DADGAD shows how fingerstyle guitarists can use DADGAD tuning to play traditional tunes including twenty-four complete arrangements of common American Irish and Scottish ballads airs jigs and reels. The bookexplores techniques and patterns for playing melodies across the strings producing a harp-like effect that adds a distinctive and beautiful character to traditional melodies. In addition to building repertoire the materialdemonstrates ways to arrange your own melodies or even write your own tunes based on the techniques provided. This is a perfect follow-up for guitarists who have studied Understanding DADGAD for Fingerstyle Guitar and arelooking for tunes to learn or for those who want to go deeper into harp-style playing. It is also an excellent introduction for those who prefer to just dive head-first into DADGAD by learning some classic tunes.

Each themed book in the Little Voices series contains five songs that make a perfect introduction to part-singing for beginner groups. Little Voices - Film Songs brings together five film favourites specially selected and arranged in two parts for young groups and choirs. This book includes the songs The Best Day Ever Breaking Free Hallelujah I Believe I Can Fly and My Heart Will Go On .

Pugnani 'Gavotta Variata' for viola and piano edited by William Lincer and transcribed by Alan Arnold. Pugnani 'Gavotta Variata' for viola and piano edited by William Lincer and transcribed by Alan Arnold.

Henry Purcell's From Those Serene Rapturous Joys for SSCtTB soli SATB chorus Continuo and Strings. Duration: Approximately 23 minutes. Henry Purcell's From Those Serene Rapturous Joys for SSCtTB soli SATB chorus Continuo and Strings. Duration: Approximately 23 minutes.

An arrangement of Xavier Montsalvatge's Parafrasis Concertante reduced for Violin and Piano from the orchestral original. Written cadenza added editorially by Xavier Turull. An arrangement of Xavier Montsalvatge's Parafrasis Concertante reduced for Violin and Piano from the orchestral original. Written cadenza added editorially by Xavier Turull.

Man Without Myth is a wonderful song cycle which presents three wonderful settings of Ursula Vaughan Williams' poems by Betty Roe. Arranged for Medium voice and Piano.

The study score of Three Rhapsodies for String Quartet by George Dyson.

A collection of twenty-two short choral works for use in the liturgy. For SATB Choir and Organ.

This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) While not as overtly demanding as Apres un reve perhaps the most difficult of Faure's songs this composition requires not only a sense of line and of delicacy but rarely supplies the exact pitch to the singer before he or she embarks on the highly exposed vocal lines. The accompaniment often does supply the pitch right after the singer which makes it easy for the singer to correct any misteps--and for the audience to notice problems. The accompaniment is typical Faure with almost constant use of arpeggios and almost no heavy chords giving the feeling of transparency thatcharacterizes so many of his songs. The vocal lines are equally graceful and typically Faure in flowing descending phrases. This title is taken from the compilation French Songs And Choruses For Mixed-Voice Choir (NOV165198) While not as overtly demanding as Apres un reve perhaps the most difficult of Faure's songs this composition requires not only a sense of line and of delicacy but rarely supplies the exact pitch to the singer before he or she embarks on the highly exposed vocal lines. The accompaniment often does supply the pitch right after the singer which makes it easy for the singer to correct any misteps--and for the audience to notice problems. The accompaniment is typical Faure with almost constant use of arpeggios and almost no heavychords giving the feeling of transparency that characterizes so many of his songs. The vocal lines are equally graceful and typically Faure in flowing descending phrases.

Arnold Cooke 's Quartet arranged for Oboe Violin Cello Viola.

An important and significant work written in London in 1942 and now published for the first time: 60 years later! The first movement is tuneful and full of those surprises Malcolm loves to introduce in his music. There are no shortage of jazz inspired ideas coloured always by that Arnold 'edge'. The second movement is a fiendish scherzo - full of amazing cross rhythms and of immense energy. The final movement is a March and the most emotionally charged. Clearly very strongly anti-war - severe and angry dissonances mocking fanfares angular and brutal melodic and rhythmic shapes. 'A very playable work...with plenty of interest for all the players. A greataddition to the repertoire!' AWT Grade: 8

Published for the first time this charming work has been selected for the new ABRSM flute syllabus for grade 4. Beautiful and gentle this piece will captivate and inspire the intermediate flautist and is a perfect selection for festivals contests and recitals.

Volume 4-Including some of Ernest John Moeran’s most attractive and characteristic pieces this is the fourth collection in the Centenary Edition series of solo songs by the great Anglo-Celtic composer. The pieces in this collection are all written for Baritone voice with Piano. Moeran wrote sixty original songs for solo voice and piano and Volume four features 16 glorious pieces including the settings of texts by James Joyce Robert Bridges Shakespeare and W.B. Yeats plus shanties ballads and dances.Including some of Ernest John Moeran’s most attractive and characteristic pieces this is the fourth collection in the Centenary Edition series of solo songs by the great Anglo-Celtic composer. The pieces in this collection are all written for Baritone voice with Piano. Moeran wrote sixty original songs for solo voice and piano and Volume four features 16 glorious pieces including the settings of texts by James Joyce Robert Bridges Shakespeare and W.B. Yeats plus shanties ballads and dances.